Oedipus Tyrannus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 151-215 focus
Χορός
ὦ Διὸς ἁδυεπὲς φάτι, τίς ποτε τᾶς πολυχρύσου
Πυθῶνος ἀγλαὰς ἔβας
Θήβας; ἐκτέταμαι φοβερὰν φρένα, δείματι πάλλων,
ἰήιε Δάλιε Παιάν,
ἀμφὶ σοὶ ἁζόμενος τί μοι ἢ νέον
155
ἢ περιτελλομέναις ὥραις πάλιν ἐξανύσεις χρέος.
εἰπέ μοι, ὦ χρυσέας τέκνον Ἐλπίδος, ἄμβροτε Φάμα.
Χορός
πρῶτα σὲ κεκλόμενος, θύγατερ Διός, ἄμβροτʼ Ἀθάνα
160
γαιάοχόν τʼ ἀδελφεὰν
Ἄρτεμιν, ἃ κυκλόεντʼ ἀγορᾶς θρόνον εὐκλέα θάσσει,
καὶ Φοῖβον ἑκαβόλον, ἰὼ
τρισσοὶ ἀλεξίμοροι προφάνητέ μοι,
εἴ ποτε καὶ προτέρας ἄτας ὕπερ ὀρνυμένας πόλει
165
ἠνύσατʼ ἐκτοπίαν φλόγα πήματος, ἔλθετε καὶ νῦν.
Χορός
ὦ πόποι, ἀνάριθμα γὰρ φέρω
πήματα· νοσεῖ δέ μοι πρόπας στόλος, οὐδʼ ἔνι φροντίδος ἔγχος
170
ᾧ τις ἀλέξεται. οὔτε γὰρ ἔκγονα
κλυτᾶς χθονὸς αὔξεται οὔτε τόκοισιν
ἰηίων καμάτων ἀνέχουσι γυναῖκες·
ἄλλον δʼ ἂν ἄλλῳ προσίδοις ἅπερ εὔπτερον ὄρνιν
175
κρεῖσσον ἀμαιμακέτου πυρὸς ὄρμενον
ἀκτὰν πρὸς ἑσπέρου θεοῦ.
Χορός
ὧν πόλις ἀνάριθμος ὄλλυται·
νηλέα δὲ γένεθλα πρὸς πέδῳ θαναταφόρα κεῖται ἀνοίκτως·
180
ἐν δʼ ἄλοχοι πολιαί τʼ ἔπι ματέρες
ἀχὰν παραβώμιον ἄλλοθεν ἄλλαν
λυγρῶν πόνων ἱκετῆρες ἐπιστενάχουσιν.
παιὰν δὲ λάμπει στονόεσσά τε γῆρυς ὅμαυλος
185
ὧν ὕπερ, ὦ χρυσέα θύγατερ Διός,
εὐῶπα πέμψον ἀλκάν.
Χορός
Ἄρεά τε τὸν μαλερόν, ὃς νῦν ἄχαλκος ἀσπίδων
190
φλέγει με περιβόατον, ἀντιάζω
παλίσσυτον δράμημα νωτίσαι πάτρας
ἔπουρον, εἴτʼ ἐς μέγαν θάλαμον Ἀμφιτρίτας
εἴτʼ ἐς τὸν ἀπόξενον ὅρμων
195
Θρῄκιον κλύδωνα·
τελεῖν γὰρ εἴ τι νὺξ ἀφῇ,
τοῦτʼ ἐπʼ ἦμαρ ἔρχεται·
τόν, ὦ τᾶν πυρφόρων
ἀστραπᾶν κράτη νέμων,
200
ὦ Ζεῦ πάτερ, ὑπὸ σῷ φθίσον κεραυνῷ,
Χορός
Λύκειʼ ἄναξ, τά τε σὰ χρυσοστρόφων ἀπʼ ἀγκυλᾶν
βέλεα θέλοιμʼ ἂν ἀδάματʼ ἐνδατεῖσθαι
ἀρωγὰ προσταχθέντα τάς τε πυρφόρους
205
Ἀρτέμιδος αἴγλας, ξὺν αἷς Λύκιʼ ὄρεα διᾴσσει·
τὸν χρυσομίτραν τε κικλήσκω,
τᾶσδʼ ἐπώνυμον γᾶς,
210
οἰνῶπα Βάκχον εὔιον,
Μαινάδων ὁμόστολον,
πελασθῆναι φλέγοντʼ
ἀγλαῶπι ¯ ˘ ¯
πεύκᾳ ʼπὶ τὸν ἀπότιμον ἐν θεοῖς θεόν.
215
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 103 focus
CHORUS
CHORUS .
463
Whom hath the voice from Delphi’s rocky throne
Loudly declared to have done
Horror unnameable with murdering hand?
465
With speed of storm-swift car
’Tis time he fled afar
With mighty footstep hurrying from the land.
For, armed with lightning brand,
The son of Zeus assails him with fierce bounds,
Hunting with Death’s inevitable hounds.
470
Late from divine Parnassus’ snow-capped height
This utterance sprang to light,
473
To track by every path the man unknown.
Through woodland caverns deep
475
And o’er the rocky steep
Harbouring in caves he roams the wild alone,
With none to share his moan.
Shunning that prophet-voice’s central sound,
Which ever lives, and haunts him, hovering round.
The reverend Seer hath stirred me with strange awe.
480
Gainsay I cannot, nor yet think him true.
I know not how to speak. My fluttering heart
In wild expectancy sees nothing clear.
483
Things past and future with the present doubt
Are shrouded in one mist. What quarrel lay
485
’Twixt Cadmus’ issue and Corinthus’ heir
Was never shown me, from old times till now,
By one on whose sure word I might rely
In running counter to the King’s fair fame,
To wreak for Laius that mysterious death.
Zeus and Apollo scan the ways of men
495
With perfect vision. But of mortals here
496
That soothsayers are more inspired than I
What certain proof is given? A man through wit
500
May pass another’s wisdom in the race.
But never, till I see the word fulfilled,
Will I confirm their clamour ’gainst the King.
In open day the female monster came:
Then perfect witness made his wisdom clear.
Thebè hath tried him and delights in him.
505
Wherefore my heart shall still believe him good.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 102 focus
Und welches Mannes Schicksal meint der Gott damit?
Kreon.
Der Fürst in unserm Lande hier war Laïos,
Bevor, o König, du gebot'st in dieser Stadt.
Oedipus.
Aus Andrer Munde weiß ich's; denn ihn sah ich nie.
105
Kreon.
Nun der dahinschied, ist Apollons klar Gebot,
Die Mörder, wer sie seien, schwer zu züchtigen.
Oedipus.
Und wo zu Lande weilen sie? Wo sindet sich
Die schwer erkennbar dunkle Spur der alten Schuld?
Kreon.
In diesem Lande, sagt er: was man sucht, es läßt
110
Sich finden, was man unbeachtet läßt, entflieht.
Oedipus.
Und war's im Hause, war es auf dem Felde, war's
In fremdem Lande, daß ihn traf die Mörderhand?
Kreon.
Den Gott zu fragen zog er aus, so sagt er selbst,
Und seit er ausging, ist er nicht mehr heimgekehrt.
115
Oedipus.
Und kein Genosse seines Wegs, kein Bote sah's,
Von dem man forschend Alles noch erkundete?
Kreon.
Sie fielen bis auf Einen, der, aus Furcht entfloh'n,
Nichts als das Eine, was er sah, zu sagen weiß.
Oedipus.
Was ist's? Zu Vielen weiset Eins die Pfade wohl,
120
Wenn einer Hoffnung schwacher Strahl uns leuchtete.
Kreon.
Ihn überfielen Räuber, und nicht Eine Hand,
Nein, Vieler Hände, sagt er aus, erschlugen ihn.
Oedipus.
Doch hätte sich der Räuber, wenn er nicht von hier
Mit Gold bestellt war, solch vermess'ner That erkühnt?
125
Kreon.
Wohl schien es also; doch den Mord des Laïos
Zu rächen, that sich Keiner auf in jener Noth.
Oedipus.
Und welche Noth verwehrte solches auszuspäh'n,
Nachdem des Landes Herrscher so gefallen war?
Kreon.
Uns zwang die Räthselsängerin auf's Nächste nur
1
130
Zu schauen und zu lassen, was im Dunkel lag.
Oedipus.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 103 focus
Creon
(Edi. Thou knowst, if this Tiresias
What he declares, thou best canst tell : of me,
What thou requirest, myself am yet to learn.
575
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 103 focus
Creon
For wisdom as renown'd
As now, and highly honour'd.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 151-215 focus
Chorus
in holy fear of you, wondering what debt you will extract from me, perhaps unknown before, perhaps renewed with the revolving years. Tell me, immortal Voice, child of golden Hope.
155
Chorus
First I call on you, daughter of Zeus, immortal Athena,
and on your sister, Artemis, guardian of our earth, who sits on her glorious throne above the circle of our market-place, and on far-shooting Apollo: oh shine forth for me, my three-fold help against death!
160
If ever before you drove a fiery pest from our borders to stop ruin rushing upon our city, come now also!
165
Chorus
Alas, countless are the sorrows I bear.
A plague is on all our people, and thought can find no weapon for defense. The fruits of the glorious earth do not grow; by no birth of offspring do women surmount the pangs in which they shriek.
170
You can see life after life speed away, like a bird on the wing, swifter than irresistible fire, to the shore of the western god.
175
Chorus
With such deaths, past numbering, the city perishes.
Unpitied, her children lie on the ground, spreading pestilence, with no one to mourn them. Meanwhile young wives and grey-haired mothers raise a wail at the steps of the altars, some here, some there,
180
and groan in supplication for their terrible woes. The prayers to the Healer ring clear, and with them the voice of lamentation. For which things, golden daughter of Zeus, send us the bright face of comfort.
185
Chorus
Grant that the fierce god of death, who now without the bronze of shields, though among cries like those of battle, wraps me in the flames of his onset, may turn his back in speedy flight from our land, borne by a favorable wind to the great chamber of Amphitrite,
190
or to the Thracian waves, those waters where none find haven. For if night leaves anything undone in the working of destruction, day follows to accomplish it. You who wield the
195
powers of fiery lightning, Zeus our father, slay him beneath your thunder-bolt.
200
Chorus
Lycean Lord, would that the shafts from your bent bow’s string of woven gold might
go forth in their might, our champions in the face of the foe, and the flashing fires of Artemis too, with which she darts through the Lycian hills. I call him whose locks are bound with gold,
205
who is named with the name of this land, ruddy Bacchus to whom Bacchants cry, to draw near with the blaze of his shining torch,
210
our ally against the god unhonored among the gods.
215
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
95-131. mvp-comment-65-1 This short dialogue is carefully constructed with a view to the plot. Oedipus had heard of Laius and of his death, but (as he imagines) certainly never saw him and never thought of inquiring into the circumstances of his murder. (An excuse for this improbability is suggested afterwards in ll. 220-221, οὐ γὰρ ἂν μακράν, κ.τ.λ.) One witness of the deed remains, but he being overcome with fear could only give even at the time a confused account of an assault by a band of robbers.