134-200.
mvp-comment-100-1
The first part of the parodos consists of six anapaestic systems (ll. 134-171), during the recitation of which the Chorus pace to and fro in the orchestra, before the tent of Ajax. This long-continued movement, which betokens the restless anxiety of the mariners for their prince, also strikes a note in harmony with the feelings of the spectator, to whom the horror that is going on within has already been revealed. He knows that their dreadful apprehensions are only too true. It is followed by a strophe, antistrophe, and epode (ll. 172-200), which mark the climax of their agitation before the entrance of Tecmessa.
172-200.
mvp-comment-126-1
Beginning from a dactylic movement, the ode (expressing the combination of deep sadness with eager hope) continues with trochaic, iambic, and dactylic rhythms, as follows:- ... The slow movement with frequent long syllables increases towards the close.
172.
mvp-comment-127-1
ἡ ῥα .. Ἄρτεμις] Can it be, as I suspect (
pa), that Artemis?'
Ταυροπόλα Διὸς Ἄρτεμις] 'Bull-riding Artemis, daughter of Zeus,' conveys the image of the goddess riding on a bull, as she sometimes appears on coins. In this character (probably derived from the East) Artemis was worshipped in different places with orgiastic rites. Euripides, I. T. 1449 foll., associates this name of Artemis with the supposed derivation of her worship under this attribute from the Tauric Chersonese. She is here alluded to (1) as the subduer of cattle, (2) as the inspirer of frenzy.
173.
mvp-comment-128-1
ὦ μεγάλα φάτις] ‘Terrible thought!' The simple word
μεγάλα has here the special connotation of 'tremendous' or 'overwhelming;' just as the general word
κακούς,
supr. 133, is opposed to the special word
σώφρονας. The Chorus cannot speak of Ajax' supposed error without interposing this expression of horror.
175.
mvp-comment-129-1
πανδάμους]
Cp. supr. ll. 53, 4, and note.
ἀγελαίας] (1) Grazing oxen are so called in contradistinction to the labouring ox that is fed at a stall. Or, possibly, (2) the word simply denotes the whole herd of oxen belonging to the host, - the
πάνδημος ἀγέλη.
176.
mvp-comment-130-1
ἡ που] 'Surely, it must have been.'
Cp. Trach. 846, 7, where
ἢ που is reiterated.
τινος νίκας ἀκάρπωτον χάριν] 'Because of a gift of victory that brought her no return.'
χάριν = διὰ χάριν. This unusual construction is softened by a reminiscence of the more ordinary (adverbial) use of
χάριν = 'because of.' For this confusion, see Essay on L. § 36. p. 67; and
cp. Eur. I. T. 566,
κακῆς γυναικός χάριν ἄχαριν ἀπώλετο.
177.
mvp-comment-131-1
ἤ ῥα .. εἴτε] 'Either, as I suspect,.. or whether it were.'
Cp. Eur. Alc. 114, 5,
ἢ Λυκίας | εἴτ᾽ ἐπὶ τὰς ᾿Αμμωνίδας ἕδρας.
177-178.
mvp-comment-132-1
'Disappointed of glorious spoils, or (provoked) because the fall of the stag was followed by no gift.' The MS. reading
ψευσθεῖσα δώροις, ‘deceived in the matter of gifts,' is hardly Greek. For the dative,
ἀδώροις.. ἐλαφηβολίαις, see Essay on L. § 14. p. 21, and for the order of the words, ibid. § 41. p. 77.
179.
mvp-comment-133-1
- By reading
τιν' for
ἤ τιν' a possible construction is obtained, although the text remains doubtful. 'Or can it be that Enyalius of the brazen corslet,' etc. The conjj.
ἥντιν', δή τιν', εἴ τιν', are not satisfactory:
σοί τιν' (Reiske) is better (sc.
μομφὰν ἔχων). The repetition of the
η sound in this passage (ll. 176 9,
ἢ που, ἤ ῥα, ἤ, ἦ) may have had some poetical or musical effect of which we cannot judge.
180.
mvp-comment-134-1
μομφὰν . . δορός] ‘Having fault to find with thee on account of his spear associated with thine,' i.e. by reason of some help which he had given thee in battle. Perhaps there is a reminiscence, although the sense is different, of the Epic
ξυνὸς Ἐνυάλιος. which Eur. has otherwise applied in Phoen. 1572,
κοινὸν ἐνυάλιον . . μαρναμένους.
ἐννυχίοις μαχαναῖς] ‘By contriving against thee in the night.'
181.
mvp-comment-135-1
ἐτίσατο λώβαν] Either (1) 'Punished the wrong done to him,'-
τίσασθαι λώβην in ΙΙ. 19. 208, Od. 20. 169, Hes. Theog. 165, is 'to revenge oneself for an outrage:'-or (2) 'Did thee vengeful despite,'
λώβαν cogn. acc.
Cp. infr. 217,
νύκτερος ἀπελωβήθη: 304,
ὕβριν ἐκτίσαιτ᾽: Il. 13. 622, 3.
183.
mvp-comment-136-1
φρενόθεν] Of thine own heart;' i.e. the cause must have been from without, not from within. Ajax could not be himself (
φρενήρης) and do this thing. The gods must have destroyed his senses (
φρένας ὤλεσαν).
183-185.
mvp-comment-137-1
ἐπ᾿ ἀριστερά .. ἔβας τόσσον] 'Canst thou have gone so far wrong?"
Cp. the metaph. uses of
σκαιός, and Plat. Soph. 264 E, where
πορεύεσθαι κατὰ τοὐπὶ δεξιὰ ἀεὶ μέρος is 'to make the right selection in each case.'
185.
mvp-comment-138-1
ἐν ποίμναις πίτνων] ‘As to assault the flocks.' The participle is slightly proleptic (as with
πειράσθαι).
Cp. Ant. 752,
ἢ κἀπαπειλῶν ὧδ᾽ ἐπεξέρχει θρασύς.
186.
mvp-comment-139-1
ἥκοι γὰρ ἂν θεία νόσος] 'An affliction from the gods, indeed, may have come.' For this use of
av with the optative,
cp. Aesch. Pers. 706,
ἀνθρώπεια δ' ἄν τοι πήματ᾿ ἂν τύχοι βροτοῖς: Ag. 1507,
πατρόθεν δὲ συλλήπτωρ γένοιτ᾽ ἂν ἀλάστωρ. These words develop the suggestion conveyed in
φρενόθεν γε, το which they are attached with
γάρ. Ajax cannot have done this; at least not of his own impulse. It may be, indeed, that a divine visitation is upon him. This possibility is a further reason for rejecting the notion that Ajax is really guilty.
ὀλλά] (1) 'It may have come, but Zeus grant that the report may be untrue!' Zeus and Phoebus, as the deities of divination, are implored to grant that the truth may be less terrible than it is according to the report set in motion by the Argives. Or (2) 'It may have come, but even then let not the evil be increased with false rumours spread by Argives.'
188-189.
mvp-comment-140-1
'And if, suborning tales of their own making, the mighty kings win currency for them by false means.'
190.
mvp-comment-141-1
ἢ τᾶς ἀσώτου Σισ. γενεᾶς] The force of the article is continued. Essay on L. § 21. p. 336. The standing reproach against Odysseus, that he was the son of Sisyphus, although not acknowledged as true by Sophocles (see l. 1), is represented as being used against him by his enemies.
Cp. especially, Phil. 417,
οὑμπολητὸς Σισύφου Λαερτίῳ: Fr. 143,
ὡς ὁ Σίσυφος πολὺς | ἔνδηλος ἐν σοί. For
Σισυφιδᾶν γενεᾶς, where only one generation is in question,
cp. Ant. 981, 2,
σπέρμα Ερεχθειδᾶν, of Cleopatra the granddaughter of Erechtheus.
191.
mvp-comment-142-1
μὴ μή μ', ἄναξ] For the 'Attic' accusative in general construction with what follows, as after verbs of doing good or evil, see E. on L. § 16. р. 23. 'Do not to my hurt incur reproach.'
ἐφάλοις κλισίαις ὄμμ' ἔχων] (1) 'Keeping thine eye hidden within the hut by the sea.' The Epic word
κλισίαις is used in the Lyric measures. We had
σκηναῖς in the dialogue,
supr. l. 3. The dative is one of place, as if with
ev. For
ὄμμα,
cp. supr. 167.
ἔχων · = κατέχων, 'withholding from sight.' Or (2) 'Keeping thine eye fixed upon the tents.'
194.
mvp-comment-143-1
ἀλλ᾽ ἄνα ἐξ εδράνων] ‘But up from where thou sittest still.' The hiatus is excused by Hermann on the ground that
ava is an interjectional abbreviation.
ὅπου.. σχολᾷ] (1) 'Wheresoever thou art thus fixed in a dangerous lethargy of quarrelsome repose.' The Chorus are uncertain of Ajax' whereabouts, as Odysseus was,
supr. 33.
μακραίωνι implies that some time had passed since the judgment of the arms and Ajax' sullen withdrawal from the fight:
cp. infr. 929 foll.
ἀγωνίῳ is a difficult word. The inactivity of Ajax was his manner of contending with the chiefs: if the rumour was true, it was an inactivity in which he had been fatally active; and however his leisure was employed, it was becoming full of danger to him. The force of
ἀγών, in the sense of a dangerous contest, is therefore suited to the place, and the expression is an oxymoron, 'a perilous quarrelsome rest' (for which, cp. Shak. Ant and Cleo. 1. 3, 'Tis sweating labour To bear such idleness so near the heart.") (2) Others suppose the words merely to mean 'rest from combat,' i.e. from the general combat with the Trojans.
196.
mvp-comment-144-1
ἄταν οὐρανίαν φλέγων] 'Letting mischief blaze up to the sky.'
Cp. Eur. Phoen. 240, 1,
αΐμα δάϊον φλέγει. The image of a fire is continued in the following lines.
197-200.
mvp-comment-145-1
The arrangement of these lines is difficult. The elision of the last syllable of
ὁρμᾶται and the hiatus after
ἀτάρβητα and
βαρυάλγητα are doubtful points. It can hardly be questioned that the
a of
εὐανέμοις (for
εὐηνέμοις) is long.
καχαζόντων is rightly restored for
καγχαζόντων. Brambach, (Sophokl. Gesänge) suggesting
εὐανέμοις, gives the following scheme... But the difficulties are not thus removed. Perhaps we may venture...
197.
mvp-comment-146-1
ὧδ'] 'Thus,' as in
supr. 141-53.
198.
mvp-comment-147-1
εὐανέμοις] 'With favouring breezes.' As applied to a harbour,
εὐήνεμος is 'sheltered from rough winds;' but the image here is rather that of a forest glade, where, when a little fire is kindled, the wind that is not strong enough to extinguish it only fans it to strength.
Cp. I1. 20. 490, 1,
ὡς δ᾽ ἀναμαιμάει βαθέ᾽ ἄγκεα θεσπιδαὲς πῦρ | οὔρεος ἀζαλέοιο, βαθεῖα δὲ καίεται ὕλη.
200.
mvp-comment-148-1
ἐμοὶ .. ἕστακεν] 'I have a grief that will not be removed.'
