134-200.
mvp-comment-100-1
The first part of the parodos consists of six anapaestic systems (ll. 134-171), during the recitation of which the Chorus pace to and fro in the orchestra, before the tent of Ajax. This long-continued movement, which betokens the restless anxiety of the mariners for their prince, also strikes a note in harmony with the feelings of the spectator, to whom the horror that is going on within has already been revealed. He knows that their dreadful apprehensions are only too true. It is followed by a strophe, antistrophe, and epode (ll. 172-200), which mark the climax of their agitation before the entrance of Tecmessa.
172-200.
mvp-comment-126-1
Beginning from a dactylic movement, the ode (expressing the combination of deep sadness with eager hope) continues with trochaic, iambic, and dactylic rhythms, as follows:- ... The slow movement with frequent long syllables increases towards the close.
172.
mvp-comment-127-1
ἡ ῥα .. Ἄρτεμις] Can it be, as I suspect (
pa), that Artemis?'
Ταυροπόλα Διὸς Ἄρτεμις] 'Bull-riding Artemis, daughter of Zeus,' conveys the image of the goddess riding on a bull, as she sometimes appears on coins. In this character (probably derived from the East) Artemis was worshipped in different places with orgiastic rites. Euripides, I. T. 1449 foll., associates this name of Artemis with the supposed derivation of her worship under this attribute from the Tauric Chersonese. She is here alluded to (1) as the subduer of cattle, (2) as the inspirer of frenzy.
173.
mvp-comment-128-1
ὦ μεγάλα φάτις] ‘Terrible thought!' The simple word
μεγάλα has here the special connotation of 'tremendous' or 'overwhelming;' just as the general word
κακούς,
supr. 133, is opposed to the special word
σώφρονας. The Chorus cannot speak of Ajax' supposed error without interposing this expression of horror.
175.
mvp-comment-129-1
πανδάμους]
Cp. supr. ll. 53, 4, and note.
ἀγελαίας] (1) Grazing oxen are so called in contradistinction to the labouring ox that is fed at a stall. Or, possibly, (2) the word simply denotes the whole herd of oxen belonging to the host, - the
πάνδημος ἀγέλη.
176.
mvp-comment-130-1
ἡ που] 'Surely, it must have been.'
Cp. Trach. 846, 7, where
ἢ που is reiterated.
τινος νίκας ἀκάρπωτον χάριν] 'Because of a gift of victory that brought her no return.'
χάριν = διὰ χάριν. This unusual construction is softened by a reminiscence of the more ordinary (adverbial) use of
χάριν = 'because of.' For this confusion, see Essay on L. § 36. p. 67; and
cp. Eur. I. T. 566,
κακῆς γυναικός χάριν ἄχαριν ἀπώλετο.
177.
mvp-comment-131-1
ἤ ῥα .. εἴτε] 'Either, as I suspect,.. or whether it were.'
Cp. Eur. Alc. 114, 5,
ἢ Λυκίας | εἴτ᾽ ἐπὶ τὰς ᾿Αμμωνίδας ἕδρας.
177-178.
mvp-comment-132-1
'Disappointed of glorious spoils, or (provoked) because the fall of the stag was followed by no gift.' The MS. reading
ψευσθεῖσα δώροις, ‘deceived in the matter of gifts,' is hardly Greek. For the dative,
ἀδώροις.. ἐλαφηβολίαις, see Essay on L. § 14. p. 21, and for the order of the words, ibid. § 41. p. 77.
179.
mvp-comment-133-1
- By reading
τιν' for
ἤ τιν' a possible construction is obtained, although the text remains doubtful. 'Or can it be that Enyalius of the brazen corslet,' etc. The conjj.
ἥντιν', δή τιν', εἴ τιν', are not satisfactory:
σοί τιν' (Reiske) is better (sc.
μομφὰν ἔχων). The repetition of the
η sound in this passage (ll. 176 9,
ἢ που, ἤ ῥα, ἤ, ἦ) may have had some poetical or musical effect of which we cannot judge.
180.
mvp-comment-134-1
μομφὰν . . δορός] ‘Having fault to find with thee on account of his spear associated with thine,' i.e. by reason of some help which he had given thee in battle. Perhaps there is a reminiscence, although the sense is different, of the Epic
ξυνὸς Ἐνυάλιος. which Eur. has otherwise applied in Phoen. 1572,
κοινὸν ἐνυάλιον . . μαρναμένους.
ἐννυχίοις μαχαναῖς] ‘By contriving against thee in the night.'
