Sophocles Ajax 162

Thomas Francklin (Translator)

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Chorus
Hark ! 'tis the voice of Teucer
975
In mournful sighs lamenting our sad fate.
975
Dear as these eyes to me, hath fame said true,
And art thou iforie]
,y
Ohor. O Teiicer ! he is dead.

Ajax. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 172-201 focus
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 172-200 focus
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 162 focus
ἀλλ᾽ οὐ δυνατὸν τοὺς ἀνοήτους
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 172-200 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 162 focus
TEC
915
See where our Aias lies, but newly slain,
915
Fallen on his sword concealed within the ground,
915
Woe for my hopes of home!
915
Aias, my lord, thou hast slain
915
Thy ship-companion on the salt sea foam.
Alas for us, and thee,
Child of calamity!
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 172 focus
Trieb dich die Tochter des Zeus, die Vertilgerin,
Artemis, schweres Gerücht, Quelle bitt'rer Schande mir!
Auf unsres Volkes Gut, in die weidenden Rinder,
Wohl wegen eines ohne Dank erkämpften Siegs, 1
175
Sei es um Gaben getäuscht
Von stolzer Rüstung oder um Beuten der Sagd?
Wie? Oder zürnt dir Ares im ehernen Kleid,
Hat, weil mit Undank ihm du die Hülfe gelohnt,
Dich gestraft mit nächtlichem Blendwerk?
180
Gegenstrophe.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 162 focus
Chorus
Enough of toil, but nothing more in sight."
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 172-200 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-566-1 ἄτης … ἐπίσκοπον 1

mvp-comment-566-2 μέλος 2

mvp-comment-567-1 ξύναιμον ὄμμ’ 3

mvp-comment-568-1 ἠμπόληκας 4 ἠμπόληκά ς’ 5

mvp-comment-569-1 ὤμοι 6

mvp-comment-570-1 ὡς ὧδ’ ἐχόντων 7

mvp-comment-571-1 περισπερχὲς 8

mvp-comment-572-1 τί γὰρ 9 ποῦ … κυρεῖ 10

mvp-comment-572-2 μοι 11

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

976. mvp-comment-629-1 'Uttering a loud strain that hath regard to this calamity:' i. e. The sudden cry of Teucer shows that his eye has been arrested by the dead body and the group surrounding it. (Schol. οὐχ ἡμαρτηκὸς τῆς συμφορᾶς, ἀλλ᾽ ἐστοχασμένον). He, like Tecmessa, supr. 891, 2, is at first dimly seen in the shade. ἐπίσκοπον is used nearly as in Aesch. Eum. 903, ὁποῖα νίκης μὴ κακῆς ἐπίσκοπα.

977. mvp-comment-630-1 ὦ ξύναιμον ὄμμ᾿ ἐμοί] ‘Brother of my love.' ὄμμα, from meaning 'an object of sight,' comes to mean 'an object of regard'—'one with whom we see eye to eye,' and its addition here gives a tone of affectionateness to the expression. See Essay on L. § 54. P. 99 a; and cp. especially, Phil. 171, μηδὲ σύντροφον ὄμμ᾽ ἔχων.

978. mvp-comment-631-1 'Hast thou then done as prevalent Rumour tells?' ἠμπόληκας, 'Hast managed thine affairs, hast done thy business?' See L. and S. s. v. ἐμπολάω, ΙΙ. 2. The phrase at first sight seems hardly tragic; and ἠμπόληκά σ' (Herm.), i. e. 'Have I sold thy life,' by my delay? is at least plausible. But again, ἐμπολᾶν in the former sense, as an expression of common life, may have lost all figurative associations. Cp. Aesch. Eum. 631, 2, ἠμποληκότα | τὰ πλεῖστ᾽ ἀμείνον'. And even retaining ἠμπόληκας in an absolute sense, as in the beginning of this note, the word implies blame in so far as Teucer refers not only to the death of Ajax, but to his loss of honour.

981-986. mvp-comment-632-1 The partition of the senarius between two speakers, which does not occur at all in the Antigone, is in the Ajax confined to this passage and supr. 591-4, where see note.

982. mvp-comment-633-1 ὦ περισπερχὲς πάθος] «Ο all-too-swift catastrophe!' referring not to the rash deed of Ajax, but to the sudden consummation of destiny.

983-984. mvp-comment-634-1 τί γάρ. ποῦ] Cp. supr. 101. The precatory μοι indicates Teucer's interest in the child.

985. mvp-comment-635-1 οὐχ ὅσον τάχος, κ.τ.λ.] These words are spoken to Tecmessa, who, in obedience to them, makes her exit here, returning with Eurysaces, infr. 1168. They cannot be addressed to one of the Chorus, as the exit of a single choreutes is quite inadmissible; nor to one of Teucer's own attendants, to whom such an exhortation as σύγκαμνε would be superfluous. As addressed to Tecmessa, the words seem harsh and peremptory; but Teucer, who has been absent, does not know the depth of her feelings, and in his eyes she is merely Ajax' captive. Hence the words, ἴθ', ἐγκόνει, σύγκαμνε, are an example of what is called irony, i. e. they indicate the speaker's unconsciousness.

985. mvp-comment-635-2 δήτα] Although not an enclitic, the particle coming at the beginning of the line is a strong instance of synaphea, and marks the haste with which Teucer utters his command. Cp. infr. 1089, 90, ὅπως | μή.

985. mvp-comment-635-3 κενῆς] 'Widowed, unprotected,' - λέοντος εὐγενοῦς ἀπουσίᾳ. Not 'bereft of young,' as the prolepsis would have a frigid effect. Nor by enallage for κενόν, sc. μητρός, ‘Separated from the mother.' The point lies in the comparison not of Tecmessa to a lioness, but of Ajax to a lion.