Sophocles Ajax 128

Thomas Francklin (Translator)

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Ajax
ACT IV. Scene I.
There stands my sword, and fixed as it may
best
Perform its office ; 'twas the gift of Hector,
My worst of foes, whom I detested ever :
The steel-devouring stone hath sharpened well
Its keenest edge. Buried in Trojan earth
855
It lies, and now in kindness seems prepared
855
To end my wretched life. Thus far is well.
855
And now, O Jove ! — for first to thee 'tis fit
855
We pay due honours — I address my prayer.
I ask not much : I ask thee but to send
Some passing stranger here to bear the news
Of my unhappy fate to Teuoer's ear,
That he may first behold, and take me hence,
Lest, by my foes discovered, I be cast
A prey to dogs and birds. Forbid it, Jove !
Thee too, great leader of departed souls,
Terrestrial Hermes, thee I call! oh, hear me!
With easy steps, and swift, conduct me safe
To my abode, soon as this fatal sword
Shall reach my breast. And you, ye virgin powers
From whom whate'er befalls of human ill
Cannot be hid, ye goddesses revered,
Swift to pursue the guilty, oh, behold,
"D seize the murd'rers ! By my own sad hand
As I shall perish, let my foes be slain
860
By those wliom most they love ! Quick, fly, begone,
860
Ye vengeful furies ! Gorge yourselves in blood,
860
Nor spiire a man of all the Grecian host.
860
And thou, O Sun ! who diiv'st the flaming car
Along the vaulted sky, when thou shalt see
My native soil, oh ! stop thy golden reins ;
Tell the sad story to my hapless sire
And my afllicted mother. AVhen she hears
The mournful tale, her grief will fill the land
With dreadful lamentations. But 'tis vain
To weep my fate : the business must be done.
O Death ! look on me. Death ; I come to thee —
Soon shall we meet ; but thee, O glorious day !
And yon bright charioteer the sun, no more
Shall I behold : e'en now thou hearst my last,
My dying words. O light ! O sacred soil
Of Salamis, my country, and her gods !
O noble Atliens ! O my loved companions !
Ye rivers, fountains, and fair fields of Troy !
^ And yon, my honoured parents, oh, farewell !
865
/ 'Tis the last word Ajax shall speak on earth :
865
Semiciior. I . Labour on labour, toil go toil ! Oh, whither
865
Have we not wandered 1 Yet no place informs us
865

Ajax. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 172-201 focus
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 172-200 focus
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 128 focus
μηδέν ποτ' εἴπῃς αὐτὸς εἰς θεοὺς ἔπος,
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 172-200 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 128 focus
AI
’Tis a foolish hope,
If thou deem’st now to mould me to thy will.
595
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 134 focus
Telamonischer Sohn, der Salamis' Höh'n 1
Am ringsumwogten Gestade beherrscht,
135
Ich freue mich, lächelt das Glück dir.
Doch wann Zeus' Groll und ein zorniges Wort
Aus Danaermunde dich feindlich betraf,
Da faßt mich die Angst, ich erbebe vor Furcht,
Wie das Auge des flatternden Täubchens. 2
140
So hat von der jüngst entschwundenen Nacht
Uns mächtiger Schreck und Entsezen erfüllt
Bei dem schmähenden Ruf, du hab'st in der Au,
In der Rosse Gefild' einstürmend, dem Heer
Das erbeutete Vieh,
145
Das übrig allein von dem Raube noch war,
Mit flammendem Eisen gemordet.
Solch höhnende Reden ersinnt uns keck,
Und zischelt Odysseus Allen in's Ohr,
Und sie glauben ihm leicht; denn er meldet von dir,
150
Was gerne man glaubt, und wer es vernimmt,
Der freut sich noch mehr, denn der es erzählt,
Treibt Spott mit deiner Bedrängniß.
Denn send' auf mächtige Geister den Pfeil,
Nie fehlst du das Ziel; wer aber von uns
155
Solch Arges erzählt, dem glauben sie nicht.
Stets kriecht ja der Neid an die Großen heran.
Und dennoch sind, von den Großen getrennt,
Die Geringen der Burg ein betrüglicher Schuz;
Mit dem Großen ja hebt der Geringe sich leicht,
160
Und der Große, gestüzt von dem Kleinen, empor.
Doch ist es unmöglich, der Thoren Geschlecht
Von diesem Gesez zu belehren.
Solch alberner Männer Geschrei stürmt, Herr,
Auf dich, und uns ward nimmer die Kraft,
165
Dawider zu steh'n, so gesondert von dir.
Denn, flohen sie dir aus den Blicken hinweg,
Dann tosen sie laut, wie Vögel im Schwarm;
Doch bebten sie scheu vor dem mächtigen Aar,
Und verkröchen, sobald du plözlich erschienst,
170
Sich alsbald schweigend und lautlos.
Strophe.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 128 focus
Ajax
I have heard too much.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 172-200 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-495-1 Θάνατε 1

mvp-comment-496-1 κἀκεῖ 2

mvp-comment-496-2 The absence of caesura gives a more deliberate weight to

σὲ μὲν κἀκεῖ
: cp. 994 : Ph. 1369
ἔα κακῶς αὐτοὺς ἀπόλλυσθαι κακούς
, and ib. 101: Ant. 44.

mvp-comment-497-1 τὸ νῦν σέλας 3

mvp-comment-497-2 διφρευτὴν 4

mvp-comment-498-1 πανύστατον δὴ 5

mvp-comment-498-2 κοὔποτ’ … ὕστερον 6

mvp-comment-499-1 ἱερὸν 7

mvp-comment-499-2 πατρῷον 8 βάθρον 9

mvp-comment-500-1 κλειναί 10

mvp-comment-500-2 καὶ τὸ σύντροφον γένος 11

mvp-comment-501-1 κρῆναί τε ποταμοί θ’ οἵδε 12

mvp-comment-501-2 καὶ τὰ Τρ. πεδία προσαυδῶ 13

mvp-comment-501-3 τροφῆς 14

mvp-comment-502-1 Αἴας … θροεῖ 15 μυθήσομαι 16

mvp-comment-502-2 Ajax falls upon his sword. (See n. on 815.)—The actor Timotheus of Zacynthus (says the scholiast) was celebrated in this scene:

ἦγε τοὺς θεατὰς καὶ ἐψυχαγώγει, ὡς Σφαγέα αὐτὸν κληθῆναι
.

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

815-865. mvp-comment-530-1 The scene is changed to a wooded place ( infr. 892) not far from the camp ( infr. 874-8), where Ajax is disclosed, somewhat retired, but so that both he and the projecting point of the sword which he has planted in the ground, are visible to the spectators.

856. mvp-comment-555-1 τὸ νῦν] By hypallage for τῆς νῦν, giving a lighter rhythm.

857. mvp-comment-556-1 προσεννέπω is introduced by an expansion similar to that in Aesch. Prom. 91, καὶ τὸν πανόπτην κύκλον ἡλίου καλῶ, and then becomes the governing word.

858. mvp-comment-557-1 κοὔποτ᾽ αὖθις] Sc. προσαυδήσω. Cp. Ant. 808, 9, νέατον δὲ φέγγος λεύσσουσαν ἀελίου | κοὔποτ᾽ αὖθις.

859. mvp-comment-558-1 ὦ φέγγος] He passionately resumes his invocation (856-8), and as his heart goes forth with the universal sunlight, he again (as in 846) fixes his thoughts on home.

860. mvp-comment-559-1 πατρῷον ἑστίας βάθρον] 'Hearth-stone of my sire.' See Essay on L. § 42. p. 80 γ.

861. mvp-comment-560-1 κλειναί] Cp. supr. 596, and note. The glory of Athens, like that of Salamis, is anticipated.

861. mvp-comment-560-2 τὸ σύντροφον γένος] 'And ye, her race, among whom I was brought up.' These words, in which Ajax adopts the Athenians as brethren of the Aeacidae, are well calculated to move the Athenian audience.

862-864. mvp-comment-561-1 After bidding farewell to Salamis and Athens, he is returning to his purpose, when his eye falls on the fresh waters in which he has lately bathed ( supr. 654); and they remind him of his Trojan environment of the last ten years. To this also he bids an affectionate farewell.

864. mvp-comment-562-1 The repetition of his own name by Ajax here is significant. Still conscious of his greatness, he imagines all Nature as moved at his departure.

865-866. mvp-comment-563-1 Ajax having fallen upon his sword at the back of the proscenium, and the orchestra as well as the stage being otherwise vacant, the Chorus re-enter by the two side doors, the first ἡμιχορίον coming in on the spectator's left, as if from the east. Before the opening of the strophe, infr. 879, they have taken up their position in the orchestra.