Sophocles, Ajax, Lewis Campbell (Translator), 156

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TEC

(). Oh, woe is me! woe, woe!

Ajax. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (4)

Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 172-201 focus

str. 1

ΧΟΡΟΣ

1

ᾖ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις,

ὦ μεγάλα φάτις, ὦ

μᾶτερ αἰσχύνας ἐμᾶς,

ὥρμασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175

ἦ πού τινος νίκας ἀκάρπωτον χάριν,

ἤ ῥα κλυτῶν ἐνάρων

ψευσθεῖσ’, ἀδώροις εἴτ’ ὲλαφηβολἐαις.

ἢ χαλκοθώραξ ἥντιν’ Ἐννυάλιος

μομφὰν ἔχων
180

ξυνοῦ δορὸς, ἐννυχίοις μαχαναῖς

ἐτίσατο λώβαν.

ant. 1

ΧΟΡΟΣ

1

Οὐ, τοτε γὰρ φρενόθεν γ’ ἐπ’ ἀριστερὰ,

παῖ Τελαμῶνος, ἔβας

τόσσον ὲν ποίμναις πίτνων·
185

ἥκοι γὰρ ἂν θεία νόσος· ἀλλ’ ἀπερύκοι

καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν ·

εἰ δ’ ὑποβαλλόμενοι

κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς

ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
190

μὴ, μή μ’, ἄναξ,

ἔθ’ ὦδ’ ἐφάλοις κλισίαις ὄμμ’ ἔχων

κακὰν φάτιν ἄρῃ.

ep.

ΧΟΡΟΣ

1

Ἀλλ’ ἄνα ἐς ἐδράνων, ὅπου μακραίωνι

στηρίζει ποτὲ τᾷδ’ ἀγωνίῳ σχολᾷ
195

ἄταν οὐρανίαν φλέγων

ἐχθρῶν δ’ ὕβρις ὧδ’ ἀτάρβηθ’

ὁρμᾶται ὲν εὐανέμοις βάσσαις,

πάντων καγχαζόντων

γλώσσαις βαρυάλγητα·
200

200 ἐμοὶ δ’ ἄχος ἕστακεν.

Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 172-200 focus

str. 1

Χορός

1

ἦ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις,

ὦ μεγάλα φάτις, ὦ

μᾶτερ αἰσχύνας ἐμᾶς, ὥρ-

μασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175

ἦ πού τινος νίκας ἀκάρπωτον χάριν,

ἤ ῥα κλυτῶν ἐνάρων

ψευσθεῖσʼ, ἀδώροις εἴτʼ ἐλαφαβολίαις;

ἢ χαλκοθώραξ εἴ τινʼ Ἐνυάλιος

μομφὰν ἔχων ξυνοῦ δορὸς ἐννυχίοις
180

μαχαναῖς ἐτείσατο λώβαν;

ant. 1

Χορός

1

οὔποτε γὰρ φρενόθεν γʼ ἐπʼ ἀριστερά,

παῖ Τελαμῶνος, ἔβας

¹²³⁴⁵⁶⁷⁸⁹¹⁰¹¹

τόσσον ἐν ποίμναις πίτνων· ἥ-

κοι γὰρ ἂν θεία νόσος· ἀλλʼ ἀπερύκοι
185

καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν.

εἰ δʼ ὑποβαλλόμενοι

κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς,

ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,

μὴ μηκέτʼ, ὦναξ, ὧδʼ ἐφάλοις κλισίαις
190

ὄμμʼ ἔχων κακὰν φάτιν ἄρῃ.

ep.

Χορός

ἀλλʼ ἄνα ἐξ ἑδράνων

ὅπου μακραίωνι

στηρίζει ποτὲ τᾷδʼ ἀγωνίῳ σχολᾷ,

ἄταν οὐρανίαν φλέγων.
195

ἐχθρῶν δʼ ὕβρις ὧδʼ ἀτάρβητα

ὁρμᾶτʼ ἐν εὐανέμοις βάσσαις,

πάντων καχαζόντων

γλώσσαις βαρυάλγητα·

ἐμοὶ δʼ ἄχος ἕστακεν.
200

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 156 focus

τοιαῦτα λέγων οὐκ ἂν πείθοι.

Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 172-200 focus

Χορός

ἦ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις—

ὦ μεγάλα φάτις, ὦ

μᾶτερ αἰσχύνας ἐμᾶς—

ὥρμασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175

ἦ πού τινος νίκας ἀκάρπωτον χάριν,

ἤ ῥα κλυτῶν ἐνάρων

ψευσθεῖσʼ, ἀδώροις, εἴτʼ ἐλαφαβολίας;

ἢ χαλκοθώραξ μή τινʼ Ἐνυάλιος

μομφὰν ἔχων ξυνοῦ δορὸς ἐννυχίοις
180

μαχαναῖς ἐτίσατο λώβαν;

182

Χορός

οὔ ποτε γὰρ φρενόθεν γʼ ἐπʼ ἀριστερά,

παῖ Τελαμῶνος, ἔβας

τόσσον, ἐν ποίμναις πίτνων·
185

ἥκοι γὰρ ἂν θεία νόσος· ἀλλʼ ἀπερύκοι

καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν.

εἰ δʼ ὑποβαλλόμενοι

κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς

ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
190

μὴ μή, ἄναξ, ἔθʼ ὧδʼ ἐφάλοις κλισίαις

ὄμμʼ ἔχων κακὰν φάτιν ἄρῃ.

193

Χορός

ἀλλʼ ἄνα ἐξ ἑδράνων, ὅπου μακραίωνι

στηρίζει ποτὲ τᾷδʼ ἀγωνίῳ σχολᾷ

ἄταν οὐρανίαν φλέγων.
195

ἐχθρῶν δʼ ὕβρις ὧδʼ ἀτάρβητα

ὁρμᾶται ἐν εὐανέμοις βάσσαις,

πάντων καγχαζόντων

γλώσσαις βαρυάλγητα·

ἐμοὶ δʼ ἄχος ἕστακεν.
200

Translations (4)

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 172 focus

Trieb dich die Tochter des Zeus, die Vertilgerin,

Artemis, schweres Gerücht, Quelle bitt'rer Schande mir!

Auf unsres Volkes Gut, in die weidenden Rinder,

Wohl wegen eines ohne Dank erkämpften Siegs,¹
175

Sei es um Gaben getäuscht

Von stolzer Rüstung oder um Beuten der Sagd?

Wie? Oder zürnt dir Ares im ehernen Kleid,

Hat, weil mit Undank ihm du die Hülfe gelohnt,

Dich gestraft mit nächtlichem Blendwerk?
180
Gegenstrophe.

English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 156 focus

Chorus

But he hath suffered more than he deserved.

English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 156 focus

Tecmessa

Save him, my friends, oh save him; haste, prevent

This harsh necessity of fate: fly some

To Teucer, let him come with swiftest speed:

Along the winding shores some to the west,

Some to the orient sun direct your search,

And find th' ill-omen'd wand'rings of your lord.

I know he hath deceived me; I am sunk,

Ah me! an outcast from his former grace.

What shall I do, my son? Not linger here,
870

But go as far as I have strength to go.
870

Let us then go, my friends; yes, let us fly;
870

This no time to sit, if we could save

A man that rushes with such speed to die.

English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 172-200 focus

Chorus

Was it Artemis ruler of bulls, Zeus’s daughter, that drove you, O powerful Rumor, O mother of my shame,

drove you against the herds of all our people? Was she exacting retribution, perhaps, for a victory that had paid her no tribute, whether it was because she had been cheated of the glory of captured arms, or because a stag had been slain without gifts for recompense? Or can the bronze-cuirassed Lord of War
175

have had some cause for anger arising out of an alliance of spears, and taken vengeance for the outrage by contrivance shrouded in night?
180

182

Chorus

For never of your own heart alone, son of Telamon, would you have gone so far down the sinister path

as to fall upon the flocks. When the gods send madness, it cannot but reach its target, but may Zeus and Phoebus avert the evil rumor of the Greeks!
And if it is the great kings who slander you with their furtive stories,
185

or if it is he born of the abject line of Sisyphus, do not, my king, do not win me an evil name by keeping your face still hidden in the tent by the sea.
190

193

Chorus

Come now, up from your seat, wherever you are settled in this long-lived pause from battle

and are making the flame of disaster blaze up to the sky! The violent insolence of your enemies rushes fearlessly about in the breezy glens, while the tongues of all the army cackle out a load of grief.
195

For me, sorrow stands firmly planted.
200

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-522-1 ἡμῖν ¹

mvp-comment-522-2 ἀρτίως νεοσφαγὴς ²

mvp-comment-523-1 κρυφαίῳ ³

mvp-comment-523-2 φας‐ ⁴ γάνῳ περιπτυχής ⁵

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

899. mvp-comment-584-1 'Lies heaped about his hidden sword.' The sword-point ( infr. 1025) lifts the garment of Ajax to an apex from which the folds descend. At 906 she has raised the edge of the garment, and is gazing at the mangled form beneath it. At 915, by a revulsion of feeling, she draws it (or perhaps her own veil) over him so as to cover him more completely than before. The point of the sword is hidden by the garment, the blade in the body, the hilt in the ground. For the language, cp. Pind. Nem. 8. 40, κεῖνος καὶ Τελαμῶνος δάψεν υἱὸν φασγάνῳ ἀμφικυλίσαις.

Sophocles Ajax 156

Lewis Campbell (Translator)

Search the Perseus Catalog for:

TEC

(). Oh, woe is me! woe, woe!

Current edition Experimental

Chorus

But he hath suffered more than he deserved.

Commentary

Stable identifiers

Search the Perseus Catalog for:

Search the Perseus Catalog for:

TEC (). Oh, woe is me! woe, woe!

Current edition Experimental

Chorus But he hath suffered more than he deserved.

Commentary

Stable identifiers

TEC

(). Oh, woe is me! woe, woe!

Chorus

But he hath suffered more than he deserved.