Ajax. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (3)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 202-214 focus
ΤΕΚΜΗΣΣΑ
Ναὸς ἀρωγοὶ τῆς Αἴαντος,
γενεᾶς χθονίων ἀπ’ Ἐρεχθειδᾶν,
ἔχομεν στοναχὰς οἱ κηδόμενοι
τοῦ Τελαμῶνος τηλόθεν οἴκου.
205
205
νῦν γὰρ ὁ δεινὸς, μέγας, ὠμοκρατὴς
Αἴας θολερός
κεῖται χειμῶνι νοσήσας.
ΧΟΡΟΣ
τί δ’ ἐνήλλακται τῆς ἀμερίας
νὺξ ἥδε βάρος;
210
210
παῖ τοῦ Φρυγίου Τελεύταντος,
λέγ’, ἐπεὶ σὲ, λέχος δουριάλωτον,
στέρξας ἀνέχει θούριος Αἴας,
ὥστ’ οὐκ ἂν ἄιδρις ὑπείποις.
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 201-213 focus
Τέκμησσα
ναὸς ἀρωγοὶ τῆς Αἴαντος,
γενεᾶς χθονίων ἀπʼ Ἐρεχθειδᾶν,
ἔχομεν στοναχὰς οἱ κηδόμενοι
τοῦ Τελαμῶνος τηλόθεν οἴκου.
νῦν γὰρ ὁ δεινὸς μέγας ὠμοκρατὴς
205
Αἴας θολερῷ
κεῖται χειμῶνι νοσήσας.
Χορός
τί δʼ ἐνήλλακται τῆς ἠρεμίας
1
2
3
4
5
6
7
8
9
10
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12
13
νὺξ ἥδε βάρος;
παῖ τοῦ Φρυγίου
σὺ Τελεύταντος,
210
λέγʼ, ἐπεί σε λέχος δουριάλωτον
στέρξας ἀνέχει θούριος Αἴας·
ὥστʼ οὐκ ἂν ἄϊδρις ὑπείποις.
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 201-213 focus
Τέκμησσα
ναὸς ἀρωγοὶ τῆς Αἴαντος,
γενεᾶς χθονίων ἀπʼ Ἐρεχθειδῶν,
ἔχομεν στοναχὰς οἱ κηδόμενοι
τοῦ Τελαμῶνος τηλόθεν οἴκου.
νῦν γὰρ ὁ δεινὸς μέγας ὠμοκρατὴς
205
Αἴας θολερῷ
κεῖται χειμῶνι νοσήσας.
Χορός
τί δʼ ἐνήλλακται τῆς ἡμερίας
νὺξ ἥδε βάρος;
παῖ τοῦ Φρυγίου Τελεύταντος,
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λέγʼ, ἐπεὶ σὲ λέχος δουριάλωτον
στέρξας ἀνέχει θούριος Αἴας·
ὥστʼ οὐκ ἂν ἄϊδρις ὑπείποις.
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 199 focus
MEN
Because he, whom we trusted to have brought
To lend us loyal help with heart and hand,
Proved in the trial a worse than Phrygian foe;
Who lay in wait for all the host by night,
And sallied forth in arms to shed our blood;
That, had not one in Heaven foiled this attempt,
Our lot had been to lie as he doth here
Dead and undone for ever, while he lived
And flourished. Heaven hath turned this turbulence
To fall instead upon the harmless flock.
Wherefore no strength of man shall once avail
To encase his body with a seemly tomb,
But outcast on the wide and watery sand,
He’ll feed the birds that batten on the shore.
Nor let thy towering spirit therefore rise
In threatening wrath. Wilt thou or not, our hand
Shall rule him dead, howe’er he braved us living,
And that by force; for never would he yield,
Even while he lived, to words from me. And yet
It shows base metal when the subject-wight
1090
Deigns not to hearken to the chief in power.
1090
Since without settled awe, neither in states
1090
Can laws have rightful sway, nor can a host
1090
Be governed with due wisdom, if no fear
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Or wholesome shame be there to shield its safety.
1090
And though a man wax great in thews and bulk,
1090
Let him be warned: a trifling harm may ruin him.
1090
Whoever knows respect and honour both
1090
Stands free from risk of dark vicissitude.
1090
But whereso pride and licence have their fling,
1090
Be sure that state will one day lose her course
1090
And founder in the abysm. Let fear have place
1090
Still where it ought, say I, nor let men think
1090
To do their pleasure and not bide the pain.
1090
That wheel comes surely round. Once Aias flamed
1090
With insolent fierceness. Now I mount in pride,
1090
And loudly bid thee bury him not, lest burying
1090
Thy brother thou be burrowing thine own grave.
1090
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 201 focus
Ihr Führer von Ajas' Schiffe, gezeugt
Aus Erechtheus' Stamm, den die Erde gebar!
1
Wohl jammern wir laut, wir, liebend und treu
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Um Telamons Haus in der Ferne besorgt;
Denn Ajas, der Held, groß, riesiger Kraft,
Liegt niedergebeugt
Von dem Sturm wildwühlenden Wahnsinns.
Der Chor.
Wie hat sich des Tages Geschick in der Nacht
205
So bitter gewandt?
O sage, des Phrygers Teleutas Kind!
Du, welche der Held mit dem Speer sich errang,
Zur Geliebten erkor, du kannst es gewiß,
Dir ist es bekannt, mir verkünden.
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Tekmessa.
Wie sprech' ich es aus, das unsägliche Wort?
Ihr vernehmet ein Schicksal, schwer wie der Tod.
Denn in Rasen verfiel uns Ajas, der Held,
Hat nächtlich (o Graun!) mit Schmach sich befleckt.
So könnt ihr es anschau'n, drinnen im Zelt
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Von den Händen zerfleischt und gebadet in Blut,
Die geschlachteten Opfer des Mannes.
Strophe.
Der Chor.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 199 focus
Teucer
Thus mayst thou screen a thousand injuries.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 199 focus
Teucer
Cho dd Oh wretched me!
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 201-210 focus
Tecmessa
Mates of the ship of Ajax, offspring of the race that springs from the Erechtheids, the soil’s sons, cries of grief are the portion of us who care from afar for the house of Telamon.
Ajax, our terrible, mighty lord of untamed power, now lies plagued by a turbid storm of disease.
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Chorus
And what is the heavy change from the fortune of yesterday which this night has produced?
Daughter of Teleutas the Phrygian, speak, since for you his spear-won mate bold Ajax maintains his love, so that with some knowledge you could suggest an explanation.
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Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
134-200. mvp-comment-100-1 The first part of the parodos consists of six anapaestic systems (ll. 134-171), during the recitation of which the Chorus pace to and fro in the orchestra, before the tent of Ajax. This long-continued movement, which betokens the restless anxiety of the mariners for their prince, also strikes a note in harmony with the feelings of the spectator, to whom the horror that is going on within has already been revealed. He knows that their dreadful apprehensions are only too true. It is followed by a strophe, antistrophe, and epode (ll. 172-200), which mark the climax of their agitation before the entrance of Tecmessa.
172-200. mvp-comment-126-1 Beginning from a dactylic movement, the ode (expressing the combination of deep sadness with eager hope) continues with trochaic, iambic, and dactylic rhythms, as follows:- ... The slow movement with frequent long syllables increases towards the close.
197-200. mvp-comment-145-1 The arrangement of these lines is difficult. The elision of the last syllable of ὁρμᾶται and the hiatus after ἀτάρβητα and βαρυάλγητα are doubtful points. It can hardly be questioned that the a of εὐανέμοις (for εὐηνέμοις) is long. καχαζόντων is rightly restored for καγχαζόντων. Brambach, (Sophokl. Gesänge) suggesting εὐανέμοις, gives the following scheme... But the difficulties are not thus removed. Perhaps we may venture...