Sophocles Ajax 199

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (3)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 202-214 focus
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 201-213 focus
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 201-213 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 199 focus
MEN
Because he, whom we trusted to have brought
To lend us loyal help with heart and hand,
Proved in the trial a worse than Phrygian foe;
Who lay in wait for all the host by night,
And sallied forth in arms to shed our blood;
That, had not one in Heaven foiled this attempt,
Our lot had been to lie as he doth here
Dead and undone for ever, while he lived
And flourished. Heaven hath turned this turbulence
To fall instead upon the harmless flock.
Wherefore no strength of man shall once avail
To encase his body with a seemly tomb,
But outcast on the wide and watery sand,
He’ll feed the birds that batten on the shore.
Nor let thy towering spirit therefore rise
In threatening wrath. Wilt thou or not, our hand
Shall rule him dead, howe’er he braved us living,
And that by force; for never would he yield,
Even while he lived, to words from me. And yet
It shows base metal when the subject-wight
1090
Deigns not to hearken to the chief in power.
1090
Since without settled awe, neither in states
1090
Can laws have rightful sway, nor can a host
1090
Be governed with due wisdom, if no fear
1090
Or wholesome shame be there to shield its safety.
1090
And though a man wax great in thews and bulk,
1090
Let him be warned: a trifling harm may ruin him.
1090
Whoever knows respect and honour both
1090
Stands free from risk of dark vicissitude.
1090
But whereso pride and licence have their fling,
1090
Be sure that state will one day lose her course
1090
And founder in the abysm. Let fear have place
1090
Still where it ought, say I, nor let men think
1090
To do their pleasure and not bide the pain.
1090
That wheel comes surely round. Once Aias flamed
1090
With insolent fierceness. Now I mount in pride,
1090
And loudly bid thee bury him not, lest burying
1090
Thy brother thou be burrowing thine own grave.
1090
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 201 focus
Ihr Führer von Ajas' Schiffe, gezeugt
Aus Erechtheus' Stamm, den die Erde gebar! 1
Wohl jammern wir laut, wir, liebend und treu
200
Um Telamons Haus in der Ferne besorgt;
Denn Ajas, der Held, groß, riesiger Kraft,
Liegt niedergebeugt
Von dem Sturm wildwühlenden Wahnsinns.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 199 focus
Teucer
Thus mayst thou screen a thousand injuries.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 199 focus
Teucer
Cho dd Oh wretched me!
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 201-210 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

134-200. mvp-comment-100-1 The first part of the parodos consists of six anapaestic systems (ll. 134-171), during the recitation of which the Chorus pace to and fro in the orchestra, before the tent of Ajax. This long-continued movement, which betokens the restless anxiety of the mariners for their prince, also strikes a note in harmony with the feelings of the spectator, to whom the horror that is going on within has already been revealed. He knows that their dreadful apprehensions are only too true. It is followed by a strophe, antistrophe, and epode (ll. 172-200), which mark the climax of their agitation before the entrance of Tecmessa.

172-200. mvp-comment-126-1 Beginning from a dactylic movement, the ode (expressing the combination of deep sadness with eager hope) continues with trochaic, iambic, and dactylic rhythms, as follows:- ... The slow movement with frequent long syllables increases towards the close.

197-200. mvp-comment-145-1 The arrangement of these lines is difficult. The elision of the last syllable of ὁρμᾶται and the hiatus after ἀτάρβητα and βαρυάλγητα are doubtful points. It can hardly be questioned that the a of εὐανέμοις (for εὐηνέμοις) is long. καχαζόντων is rightly restored for καγχαζόντων. Brambach, (Sophokl. Gesänge) suggesting εὐανέμοις, gives the following scheme... But the difficulties are not thus removed. Perhaps we may venture...