Sophocles Ajax 198

ed. Lewis Campbell

πάντων καγχαζόντων βακχαζόντων βαγχαζόντων

Ajax. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (3)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 202-214 focus
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 201-213 focus
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 201-213 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 198 focus
TEU
May we not know the reasons of your will?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 201 focus
Ihr Führer von Ajas' Schiffe, gezeugt
Aus Erechtheus' Stamm, den die Erde gebar! 1
Wohl jammern wir laut, wir, liebend und treu
200
Um Telamons Haus in der Ferne besorgt;
Denn Ajas, der Held, groß, riesiger Kraft,
Liegt niedergebeugt
Von dem Sturm wildwühlenden Wahnsinns.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 198 focus
Menelaus
'Twas the judges' fault, not mine.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 198 focus
Chorus
Afflictions great as these......
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 201-210 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-136-1 καγχαζόντων 1 καχαζόντων 2

mvp-comment-136-2 βαρυάλγητα 3 βαρυάλγητ’ 4

mvp-comment-136-3 ἕστακεν 5

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

134-200. mvp-comment-100-1 The first part of the parodos consists of six anapaestic systems (ll. 134-171), during the recitation of which the Chorus pace to and fro in the orchestra, before the tent of Ajax. This long-continued movement, which betokens the restless anxiety of the mariners for their prince, also strikes a note in harmony with the feelings of the spectator, to whom the horror that is going on within has already been revealed. He knows that their dreadful apprehensions are only too true. It is followed by a strophe, antistrophe, and epode (ll. 172-200), which mark the climax of their agitation before the entrance of Tecmessa.

172-200. mvp-comment-126-1 Beginning from a dactylic movement, the ode (expressing the combination of deep sadness with eager hope) continues with trochaic, iambic, and dactylic rhythms, as follows:- ... The slow movement with frequent long syllables increases towards the close.

197-200. mvp-comment-145-1 The arrangement of these lines is difficult. The elision of the last syllable of ὁρμᾶται and the hiatus after ἀτάρβητα and βαρυάλγητα are doubtful points. It can hardly be questioned that the a of εὐανέμοις (for εὐηνέμοις) is long. καχαζόντων is rightly restored for καγχαζόντων. Brambach, (Sophokl. Gesänge) suggesting εὐανέμοις, gives the following scheme... But the difficulties are not thus removed. Perhaps we may venture...

198. mvp-comment-147-1 εὐανέμοις] 'With favouring breezes.' As applied to a harbour, εὐήνεμος is 'sheltered from rough winds;' but the image here is rather that of a forest glade, where, when a little fire is kindled, the wind that is not strong enough to extinguish it only fans it to strength. Cp. I1. 20. 490, 1, ὡς δ᾽ ἀναμαιμάει βαθέ᾽ ἄγκεα θεσπιδαὲς πῦρ | οὔρεος ἀζαλέοιο, βαθεῖα δὲ καίεται ὕλη.