Ajax. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (3)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 172-201 focus
ΧΟΡΟΣ
1
ᾖ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις,
ὦ μεγάλα φάτις, ὦ
μᾶτερ αἰσχύνας ἐμᾶς,
ὥρμασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175
ἦ πού τινος νίκας ἀκάρπωτον χάριν,
ἤ ῥα κλυτῶν ἐνάρων
ψευσθεῖσ’, ἀδώροις εἴτ’ ὲλαφηβολἐαις.
ἢ χαλκοθώραξ ἥντιν’ Ἐννυάλιος
μομφὰν ἔχων
180
ξυνοῦ δορὸς, ἐννυχίοις μαχαναῖς
ἐτίσατο λώβαν.
ΧΟΡΟΣ
1
Οὐ, τοτε γὰρ φρενόθεν γ’ ἐπ’ ἀριστερὰ,
παῖ Τελαμῶνος, ἔβας
τόσσον ὲν ποίμναις πίτνων·
185
ἥκοι γὰρ ἂν θεία νόσος· ἀλλ’ ἀπερύκοι
καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν ·
εἰ δ’ ὑποβαλλόμενοι
κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς
ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
190
μὴ, μή μ’, ἄναξ,
ἔθ’ ὦδ’ ἐφάλοις κλισίαις ὄμμ’ ἔχων
κακὰν φάτιν ἄρῃ.
ΧΟΡΟΣ
1
Ἀλλ’ ἄνα ἐς ἐδράνων, ὅπου μακραίωνι
στηρίζει ποτὲ τᾷδ’ ἀγωνίῳ σχολᾷ
195
ἄταν οὐρανίαν φλέγων
ἐχθρῶν δ’ ὕβρις ὧδ’ ἀτάρβηθ’
ὁρμᾶται ὲν εὐανέμοις βάσσαις,
πάντων καγχαζόντων
γλώσσαις βαρυάλγητα·
200
200
ἐμοὶ δ’ ἄχος ἕστακεν.
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 172-200 focus
Χορός
1
ἦ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις,
ὦ μεγάλα φάτις, ὦ
μᾶτερ αἰσχύνας ἐμᾶς, ὥρ-
μασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175
ἦ πού τινος νίκας ἀκάρπωτον χάριν,
ἤ ῥα κλυτῶν ἐνάρων
ψευσθεῖσʼ, ἀδώροις εἴτʼ ἐλαφαβολίαις;
ἢ χαλκοθώραξ εἴ τινʼ Ἐνυάλιος
μομφὰν ἔχων ξυνοῦ δορὸς ἐννυχίοις
180
μαχαναῖς ἐτείσατο λώβαν;
Χορός
1
οὔποτε γὰρ φρενόθεν γʼ ἐπʼ ἀριστερά,
παῖ Τελαμῶνος, ἔβας
1
2
3
4
5
6
7
8
9
10
11
τόσσον ἐν ποίμναις πίτνων· ἥ-
κοι γὰρ ἂν θεία νόσος· ἀλλʼ ἀπερύκοι
185
καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν.
εἰ δʼ ὑποβαλλόμενοι
κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς,
ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
μὴ μηκέτʼ, ὦναξ, ὧδʼ ἐφάλοις κλισίαις
190
ὄμμʼ ἔχων κακὰν φάτιν ἄρῃ.
Χορός
ἀλλʼ ἄνα ἐξ ἑδράνων
ὅπου μακραίωνι
στηρίζει ποτὲ τᾷδʼ ἀγωνίῳ σχολᾷ,
ἄταν οὐρανίαν φλέγων.
195
ἐχθρῶν δʼ ὕβρις ὧδʼ ἀτάρβητα
ὁρμᾶτʼ ἐν εὐανέμοις βάσσαις,
πάντων καχαζόντων
γλώσσαις βαρυάλγητα·
ἐμοὶ δʼ ἄχος ἕστακεν.
200
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 172-200 focus
Χορός
ἦ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις—
ὦ μεγάλα φάτις, ὦ
μᾶτερ αἰσχύνας ἐμᾶς—
ὥρμασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175
ἦ πού τινος νίκας ἀκάρπωτον χάριν,
ἤ ῥα κλυτῶν ἐνάρων
ψευσθεῖσʼ, ἀδώροις, εἴτʼ ἐλαφαβολίας;
ἢ χαλκοθώραξ μή τινʼ Ἐνυάλιος
μομφὰν ἔχων ξυνοῦ δορὸς ἐννυχίοις
180
μαχαναῖς ἐτίσατο λώβαν;
Χορός
οὔ ποτε γὰρ φρενόθεν γʼ ἐπʼ ἀριστερά,
παῖ Τελαμῶνος, ἔβας
τόσσον, ἐν ποίμναις πίτνων·
185
ἥκοι γὰρ ἂν θεία νόσος· ἀλλʼ ἀπερύκοι
καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν.
εἰ δʼ ὑποβαλλόμενοι
κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς
ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
190
μὴ μή, ἄναξ, ἔθʼ ὧδʼ ἐφάλοις κλισίαις
ὄμμʼ ἔχων κακὰν φάτιν ἄρῃ.
Χορός
ἀλλʼ ἄνα ἐξ ἑδράνων, ὅπου μακραίωνι
στηρίζει ποτὲ τᾷδʼ ἀγωνίῳ σχολᾷ
ἄταν οὐρανίαν φλέγων.
195
ἐχθρῶν δʼ ὕβρις ὧδʼ ἀτάρβητα
ὁρμᾶται ἐν εὐανέμοις βάσσαις,
πάντων καγχαζόντων
γλώσσαις βαρυάλγητα·
ἐμοὶ δʼ ἄχος ἕστακεν.
200
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 140 focus
MESS
748
I can tell only what I heard and saw.
Whilst all the chieftains and the Atridae twain
Were seated in a ring, Calchas alone
Rose up and left them, and in Teucer’s palm
Laid his right hand full friendly; then out-spake
With strict injunction by all means i’ the world
To keep beneath yon covert this one day
Your hero, and not suffer him to rove,
750
If he would see him any more alive.
750
For through this present light—and ne’er again—-
750
Holy Athena, so he said, will drive him
Before her anger. Such calamitous woe
Strikes down the unprofitable growth that mounts
Beyond his measure and provokes the sky.
‘Thus ever,’ said the prophet, ‘must he fall
Who in man’s mould hath thoughts beyond a man.
And Aias, ere he left his father’s door,
Made foolish answer to his prudent sire.
‘My son,’ said Telamon, ‘choose victory
Always, but victory with an aid from Heaven.’
How loftily, how madly, he replied!
‘Father, with heavenly help men nothing worth
May win success. But I am confident
Without the Gods to pluck this glory down.’
755
So huge the boast he vaunted! And again
755
When holy Pallas urged him with her voice
755
To hurl his deadly spear against the foe,
He turned on her with speech of awful sound:
‘Goddess, by other Greeks take thou thy stand;
Where I keep rank, the battle ne’er shall break.’
Such words of pride beyond the mortal scope
Have won him Pallas’ wrath, unlovely meed.
But yet, perchance, so be it he live to-day,
We, with Heaven’s succour, may restore his peace.’—
Thus far the prophet, when immediately
Teucer dispatched me, ere the assembly rose,
Bearing to thee this missive to be kept
With all thy care. But if my speed be lost,
And Calchas’ word have power, the man is dead.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 134 focus
Telamonischer Sohn, der Salamis' Höh'n
1
Am ringsumwogten Gestade beherrscht,
135
Ich freue mich, lächelt das Glück dir.
Doch wann Zeus' Groll und ein zorniges Wort
Aus Danaermunde dich feindlich betraf,
Da faßt mich die Angst, ich erbebe vor Furcht,
Wie das Auge des flatternden Täubchens.
2
140
So hat von der jüngst entschwundenen Nacht
Uns mächtiger Schreck und Entsezen erfüllt
Bei dem schmähenden Ruf, du hab'st in der Au,
In der Rosse Gefild' einstürmend, dem Heer
Das erbeutete Vieh,
145
Das übrig allein von dem Raube noch war,
Mit flammendem Eisen gemordet.
Solch höhnende Reden ersinnt uns keck,
Und zischelt Odysseus Allen in's Ohr,
Und sie glauben ihm leicht; denn er meldet von dir,
150
Was gerne man glaubt, und wer es vernimmt,
Der freut sich noch mehr, denn der es erzählt,
Treibt Spott mit deiner Bedrängniß.
Denn send' auf mächtige Geister den Pfeil,
Nie fehlst du das Ziel; wer aber von uns
155
Solch Arges erzählt, dem glauben sie nicht.
Stets kriecht ja der Neid an die Großen heran.
Und dennoch sind, von den Großen getrennt,
Die Geringen der Burg ein betrüglicher Schuz;
Mit dem Großen ja hebt der Geringe sich leicht,
160
Und der Große, gestüzt von dem Kleinen, empor.
Doch ist es unmöglich, der Thoren Geschlecht
Von diesem Gesez zu belehren.
Solch alberner Männer Geschrei stürmt, Herr,
Auf dich, und uns ward nimmer die Kraft,
165
Dawider zu steh'n, so gesondert von dir.
Denn, flohen sie dir aus den Blicken hinweg,
Dann tosen sie laut, wie Vögel im Schwarm;
Doch bebten sie scheu vor dem mächtigen Aar,
Und verkröchen, sobald du plözlich erschienst,
170
Sich alsbald schweigend und lautlos.
Strophe.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 140 focus
Tecmessa
Oh ! I am lost, my friends, undone, destroyed !
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 140 focus
Messenger
Teucer gave charge that, till his presence here,
Ajax be not allow'd to quit the tent.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 172-200 focus
Chorus
Was it Artemis ruler of bulls, Zeus’s daughter, that drove you, O powerful Rumor, O mother of my shame,
drove you against the herds of all our people? Was she exacting retribution, perhaps, for a victory that had paid her no tribute, whether it was because she had been cheated of the glory of captured arms, or because a stag had been slain without gifts for recompense? Or can the bronze-cuirassed Lord of War
175
have had some cause for anger arising out of an alliance of spears, and taken vengeance for the outrage by contrivance shrouded in night?
180
Chorus
For never of your own heart alone, son of Telamon, would you have gone so far down the sinister path
as to fall upon the flocks. When the gods send madness, it cannot but reach its target, but may Zeus and Phoebus avert the evil rumor of the Greeks!
And if it is the great kings who slander you with their furtive stories,
185
or if it is he born of the abject line of Sisyphus, do not, my king, do not win me an evil name by keeping your face still hidden in the tent by the sea.
190
And if it is the great kings who slander you with their furtive stories,
Chorus
Come now, up from your seat, wherever you are settled in this long-lived pause from battle
and are making the flame of disaster blaze up to the sky! The violent insolence of your enemies rushes fearlessly about in the breezy glens, while the tongues of all the army cackle out a load of grief.
195
For me, sorrow stands firmly planted.
200
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
134-200. mvp-comment-100-1 The first part of the parodos consists of six anapaestic systems (ll. 134-171), during the recitation of which the Chorus pace to and fro in the orchestra, before the tent of Ajax. This long-continued movement, which betokens the restless anxiety of the mariners for their prince, also strikes a note in harmony with the feelings of the spectator, to whom the horror that is going on within has already been revealed. He knows that their dreadful apprehensions are only too true. It is followed by a strophe, antistrophe, and epode (ll. 172-200), which mark the climax of their agitation before the entrance of Tecmessa.
139-140. mvp-comment-105-1 'I shrink and quiver with fear like the eye of any fluttering dove.' ὄkvos is the fear that paralyses action. The eye, as the part which expresses fear, is put for the whole. Cp. the expression of Keble, 'Tenderer than a dove's soft eye.' Cp. also the uses of χείρ, πούς, κάρα, βία, σθένος, στόμα, in denoting persons. πτηνῆς suggests something that is easily fluttered. Pierson's conj. φήνης ὡς ὄμμα πελειάς, ' As the dove fears the sight (?) of the falcon,' is unnecessary and tasteless. The image of the falcon would be a bad preparation for that of the small birds, 141 φθιμένης] Cp. Od. 11. 330, πρὶν γάρ κεν καὶ νὺξ φθῖτ᾽ ἄμβροτος. The genitive is in a somewhat loose connection with what follows; either (1) with ὀλέσαι, 'that in the night that is just gone thou didst destroy;' or (2) with θόρυβοι, ' in respect of the now-past night.'