Ajax. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (3)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 172-201 focus
ΧΟΡΟΣ
1
ᾖ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις,
ὦ μεγάλα φάτις, ὦ
μᾶτερ αἰσχύνας ἐμᾶς,
ὥρμασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175
ἦ πού τινος νίκας ἀκάρπωτον χάριν,
ἤ ῥα κλυτῶν ἐνάρων
ψευσθεῖσ’, ἀδώροις εἴτ’ ὲλαφηβολἐαις.
ἢ χαλκοθώραξ ἥντιν’ Ἐννυάλιος
μομφὰν ἔχων
180
ξυνοῦ δορὸς, ἐννυχίοις μαχαναῖς
ἐτίσατο λώβαν.
ΧΟΡΟΣ
1
Οὐ, τοτε γὰρ φρενόθεν γ’ ἐπ’ ἀριστερὰ,
παῖ Τελαμῶνος, ἔβας
τόσσον ὲν ποίμναις πίτνων·
185
ἥκοι γὰρ ἂν θεία νόσος· ἀλλ’ ἀπερύκοι
καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν ·
εἰ δ’ ὑποβαλλόμενοι
κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς
ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
190
μὴ, μή μ’, ἄναξ,
ἔθ’ ὦδ’ ἐφάλοις κλισίαις ὄμμ’ ἔχων
κακὰν φάτιν ἄρῃ.
ΧΟΡΟΣ
1
Ἀλλ’ ἄνα ἐς ἐδράνων, ὅπου μακραίωνι
στηρίζει ποτὲ τᾷδ’ ἀγωνίῳ σχολᾷ
195
ἄταν οὐρανίαν φλέγων
ἐχθρῶν δ’ ὕβρις ὧδ’ ἀτάρβηθ’
ὁρμᾶται ὲν εὐανέμοις βάσσαις,
πάντων καγχαζόντων
γλώσσαις βαρυάλγητα·
200
200
ἐμοὶ δ’ ἄχος ἕστακεν.
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 172-200 focus
Χορός
1
ἦ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις,
ὦ μεγάλα φάτις, ὦ
μᾶτερ αἰσχύνας ἐμᾶς, ὥρ-
μασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175
ἦ πού τινος νίκας ἀκάρπωτον χάριν,
ἤ ῥα κλυτῶν ἐνάρων
ψευσθεῖσʼ, ἀδώροις εἴτʼ ἐλαφαβολίαις;
ἢ χαλκοθώραξ εἴ τινʼ Ἐνυάλιος
μομφὰν ἔχων ξυνοῦ δορὸς ἐννυχίοις
180
μαχαναῖς ἐτείσατο λώβαν;
Χορός
1
οὔποτε γὰρ φρενόθεν γʼ ἐπʼ ἀριστερά,
παῖ Τελαμῶνος, ἔβας
1
2
3
4
5
6
7
8
9
10
11
τόσσον ἐν ποίμναις πίτνων· ἥ-
κοι γὰρ ἂν θεία νόσος· ἀλλʼ ἀπερύκοι
185
καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν.
εἰ δʼ ὑποβαλλόμενοι
κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς,
ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
μὴ μηκέτʼ, ὦναξ, ὧδʼ ἐφάλοις κλισίαις
190
ὄμμʼ ἔχων κακὰν φάτιν ἄρῃ.
Χορός
ἀλλʼ ἄνα ἐξ ἑδράνων
ὅπου μακραίωνι
στηρίζει ποτὲ τᾷδʼ ἀγωνίῳ σχολᾷ,
ἄταν οὐρανίαν φλέγων.
195
ἐχθρῶν δʼ ὕβρις ὧδʼ ἀτάρβητα
ὁρμᾶτʼ ἐν εὐανέμοις βάσσαις,
πάντων καχαζόντων
γλώσσαις βαρυάλγητα·
ἐμοὶ δʼ ἄχος ἕστακεν.
200
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 172-200 focus
Χορός
ἦ ῥά σε Ταυροπόλα Διὸς Ἄρτεμις—
ὦ μεγάλα φάτις, ὦ
μᾶτερ αἰσχύνας ἐμᾶς—
ὥρμασε πανδάμους ἐπὶ βοῦς ἀγελαίας,
175
ἦ πού τινος νίκας ἀκάρπωτον χάριν,
ἤ ῥα κλυτῶν ἐνάρων
ψευσθεῖσʼ, ἀδώροις, εἴτʼ ἐλαφαβολίας;
ἢ χαλκοθώραξ μή τινʼ Ἐνυάλιος
μομφὰν ἔχων ξυνοῦ δορὸς ἐννυχίοις
180
μαχαναῖς ἐτίσατο λώβαν;
Χορός
οὔ ποτε γὰρ φρενόθεν γʼ ἐπʼ ἀριστερά,
παῖ Τελαμῶνος, ἔβας
τόσσον, ἐν ποίμναις πίτνων·
185
ἥκοι γὰρ ἂν θεία νόσος· ἀλλʼ ἀπερύκοι
καὶ Ζεὺς κακὰν καὶ Φοῖβος Ἀργείων φάτιν.
εἰ δʼ ὑποβαλλόμενοι
κλέπτουσι μύθους οἱ μεγάλοι βασιλῆς
ἢ τᾶς ἀσώτου Σισυφιδᾶν γενεᾶς,
190
μὴ μή, ἄναξ, ἔθʼ ὧδʼ ἐφάλοις κλισίαις
ὄμμʼ ἔχων κακὰν φάτιν ἄρῃ.
Χορός
ἀλλʼ ἄνα ἐξ ἑδράνων, ὅπου μακραίωνι
στηρίζει ποτὲ τᾷδʼ ἀγωνίῳ σχολᾷ
ἄταν οὐρανίαν φλέγων.
195
ἐχθρῶν δʼ ὕβρις ὧδʼ ἀτάρβητα
ὁρμᾶται ἐν εὐανέμοις βάσσαις,
πάντων καγχαζόντων
γλώσσαις βαρυάλγητα·
ἐμοὶ δʼ ἄχος ἕστακεν.
200
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 106 focus
TEC
But I kept watch to fence his life from harm.
535
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 101 focus
Gut; welches Schicksal aber traf Laertes' Sohn?
Was thatst du diesem? Oder ist er dir entfloh'n?
Ajas.
Nach jenem schlau durchtriebnen Fuchse fragst du mich?
Athene.
Ja wohl; Odysseus mein' ich, der dein Gegner iſt.
Ajas.
Der sizt, o Herrin, drinnen, gar ein süßer Fang,
105
Gebunden: sterben soll er mir noch nicht so schnell.
Athene.
Was willst du schaffen, was gewinnen noch zuvor?
Ajas.
Ich will ihn fesseln an die Säul' in meinem Zelt -
Athene.
Und welches Uebel willst du da dem Armen thun?
Ajas.
Vom Geißeln roth den Rücken, soll er sterben dort!
110
Athene.
nicht so grausam schalte mit dem armen Mann!
Ajas.
Gern' stell' ich alles Andre dir, o Pallas, heim;
Doch also büßt der seine Schuld, und anders nicht!
Athene.
Nun, wenn du Wohlgefallen hast an solchem Thun,
Brauch deinen Arm, thu' Alles, wie du's ausgedacht!
115
Ajas.
Ich geh' an's Werk, doch Eines bitt' ich noch von dir:
Wie heute, sei mir allezeit hülfreich gesellt!
Athene. Odysseus.
(ab in das Zelt.)
Athene.
Du siehst, Odysseus, wie der Götter Macht so groß:
Wer ward erfunden weiser einst, als dieser Mann,
Volführte besser, was der Augenblick gebot?
120
Odysseus.
Ich wüßte keinen Andern, und mich jammert sein,
Des Armen, ob mich feindlich auch sein Haß verfolgt,
Daß ihn die grausam herbe Noth gebunden hält.
Denn mehr auf ihn nicht schau' ich, als auf mein Geschick.
Wir alle, die wir leben, sind nichts Anderes,
125
Als Scheingestalten, als ein flüchtig Schattenbild.
Athene.
Auf solches achtend, rede denn niemals ein Wort
Des Uebermuthes wider uns Unsterbliche,
Noch blähe dich voll Dünkel, wenn du mehr an Kraft,
An goldnen Schäzen mehr gewannst als Andere.
130
Ein kurzer Tag senkt nieder alles Menschenwerk,
Und hebt es wieder; aber nur dem frommen Mann
Sind hold die Götter, und den Bösen hassen sie.
(Athene verschwindet; Odysseus geht ab; der Chor tritt auf.)
Der Chor.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 106 focus
Ajax
[Exfijf.nt.
Strophe.
A^itistroplie.
Stro2?he 2.
Antistrophe 2.
ACT III.
Scene I.
Still are the secret things of man revealed.
And what is known again in darkness hid
By endless and immeasurable time ;
And nothing is there but in length of days
May come to pass ; e'en sacred oaths are broken,
And the fixed mind, perverse and obstinate.
Subdued by time : I, who like hardened steel
Wjis late inflexible, am softened now
To pity and remorse by this dear woman ;
I cannot bear to leave her here a widow
Amidst her foes, or to forsake my child,
A helpless orphan. No ; I will retire
Along the shore, and seek the running stream,
Avert the wimth of angry heaven, and wash
My crimes away : there haply shall I find
Some unfrequented spot where I may hide
This fatal weapon, this destructive sword :
Oh ! I will bury it deep in earth, that none
May see it more, but night and Erebus
Preserve it still from ev'ry mortal eye.
E'er since that hapless day, when from the hand
Of Hector 1 received this dreadful boon.
Nought have I had from Greece but pain and woe
True is the adage, " From the hands of foes
Gifts are not gifts, but injurres most fatal."
Hereafter will I yield me to the Gods
And the Atridiu ; since they are my masters,
'Tis meet that 1 obey them : all that's strong
And mighty must submit to poweis superior :
Doth not the snowy winter to the bloom
Of fruitful summer yield ? and night obscure,
When by white steeds Aurora drawn lights up
The rising day, submissively retire ?
The roaring sea, long vexed by angry winds,
Is lulled by milder zephyrs to repose,
And oft the fetters of all-conq'ring sleep
Are kindly loosed to free the captive mind.
From Nature then, who thus instructs mankind.
Long since I knew to treat my foe like one
Whom I hereafter as a friend might love
If he deserved it, and to love my friend
As if he still might one day be my foe :
For little is the trust we can repose
In human friendships. But to my intent :
Go thou, Tecmessa, and beseech the gods
To grant what I request : do you perform
595
The same kind ofiice ; and when Teucer comes,
595
Tell him, the care of me and all my friends
595
I leave to him : whither I must, I must.
595
Obey my orders : wretched as I am
595
Soon shall ye see me freed from all my woes. [£J'xei'ML
595
Now let sounds of mirth and joy
595
Every blissful hour employ :
595
Borne on pleasure's airy wing,
595
lo Pan ! to thee we sing :
595
Thee, whom on the rocky shore
595
Wreck- 'scaped mariners adore,
595
Skilled the mazy dance to lead.
595
Teach, oh teach, our feet to tread
595
The round which Cretan Cnossus knows,
595
At Nyssa which spontaneous rose ;
595
Pan, oh ! guide this tuneful throng,
595
Whjle to thee we raise the song,
595
From Cyllene's snowy brow ;
595
King of pleasures, hear us now !
595
"From thy mountains, oh, appear !
595
Joy and happiness are here :
595
And do thou, O Delian king !
595
Now thy aid propitious bring !
595
Oh ! from the Icarian sea
595
Come, Apollo, smile on me.
595
All our sorrows now are o'er.
595
Grief and madness are no more :
595
See, the happy day appears,
595
Mighty Jove ! that ends our fears ;
595
Let us, free from every care,
595
Gladly to our ships repair :
595
Sinks, forgetful of his woes ;
595
Humbly to the gods resigned,
595
He devotes his better mind :
595
Time that witliers can restore
595
Human plejisures. Now no more
595
Must we say our vows are vain ;
595
Nought unlioped for should remain,
595
Since, beyond our wishes, see
595
'Gainst th' Atridae all his rage
595
See how milder thoughts assuage.
595
Bitter strife and quarrels cease ;
595
All is harmony and peace.
595
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 106 focus
Tecmessa
By my fears alarm'd
Hence I removed him.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 172-200 focus
Chorus
Was it Artemis ruler of bulls, Zeus’s daughter, that drove you, O powerful Rumor, O mother of my shame,
drove you against the herds of all our people? Was she exacting retribution, perhaps, for a victory that had paid her no tribute, whether it was because she had been cheated of the glory of captured arms, or because a stag had been slain without gifts for recompense? Or can the bronze-cuirassed Lord of War
175
have had some cause for anger arising out of an alliance of spears, and taken vengeance for the outrage by contrivance shrouded in night?
180
Chorus
For never of your own heart alone, son of Telamon, would you have gone so far down the sinister path
as to fall upon the flocks. When the gods send madness, it cannot but reach its target, but may Zeus and Phoebus avert the evil rumor of the Greeks!
And if it is the great kings who slander you with their furtive stories,
185
or if it is he born of the abject line of Sisyphus, do not, my king, do not win me an evil name by keeping your face still hidden in the tent by the sea.
190
And if it is the great kings who slander you with their furtive stories,
Chorus
Come now, up from your seat, wherever you are settled in this long-lived pause from battle
and are making the flame of disaster blaze up to the sky! The violent insolence of your enemies rushes fearlessly about in the breezy glens, while the tongues of all the army cackle out a load of grief.
195
For me, sorrow stands firmly planted.
200
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
106. mvp-comment-81-1 θακεῖ] The ram taken for Odysseus had already been made to sit upwards against the pillar ( infr. 240, cp. 108).