Sophocles Antigone 233

ed. Francis Storr

τέλος γε μέντοι δεῦρʼ ἐνίκησεν μολεῖν

Antigone. Sophocles. ed. Francis Storr. London. 1912.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Experimental

Ἀντιγόνη (Greek) (Sophocles, Volume 1. Storr, Francis, editor. London; New York: William Heinemann Ltd.; The Macmillan Company, 1912.)

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 233 focus
σοί· κεἰ τὸ μηδὲν ἐξερῶ, φράσω δ᾽ ὅμως.
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 233 focus
τί δ᾽ ἔστιν, ἀνθ’ οὗ τήνδ᾽ ἔχεις ἀθυμίαν;
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 233 focus
τῆς ἐλπίδος γὰρ ἔρχομαι δεδραγμένος,
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 233 focus
τέλος γε μέντοι δεῦρ᾽ ἐνίκησεν μολεῖν
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 233 focus
τέλος γε μέντοι δεῦρ᾽ ἐνίκησεν μολεῖν
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 233.mvp-line-233 focus
τέλος γε μέντοι δεῦρ’ ἐνίκησεν μολεῖν
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 233 focus
τέλος γε μέντοι δεῦρ᾽ ἐνίκησεν μολεῖν
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 233 focus
τέλος γε μέντοι δεῦρ᾽ ἐνίκησεν μολεῖν
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 233 focus
τέλος γε μέντοι δεῦρ᾽ ἐνίκησεν μολεῖν
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 233.mvp-line-233 focus
τέλος γε μέντοι δεῦρ᾽ ἐνίκησεν μολεῖν
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 233 focus
τέλος γε μέντοι δεῦρ᾽ ἐνίκησεν μολεῖν
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 233 focus
TEIRESIAS.
So wisse wohl auch, daſs der raschen Kreise du
des Sonnengotts nicht viele mehr durchleben wirst,
1020
bis einen Todten aus des eignen Blutes Stamm
den Todten zum Entgelte du darbringen muſst,
für dieses, daſs ein Ob'res du hinabgestürzt,
und eine Seele schmählich in ein Grab verpflanzt,
und dafs den Untergöttern du entzogen hältst
1025
hier einen Leichnam, unbestattet, ungeweiht,
woran du nicht betheiligt noch der Oberwelt
Gottheiten, sondern ihnen zwingst du dieses auf.
Drum lauern, Unheil brütend, dein im Hinterhalt
des Hades und der Götter Rach-Erinyen,
1030
dafs du ergriffen werdest in demselben Weh.
Und schaue zu nun, ob ich geldgedungen das
ausspreche. Denn nicht langer Zeit Frist bringt zu Tag
der Männer, Weiber Klagetöne deinem Haus.
Feindselig wird erschüttert jede Stadt, worin
1035
zerrifsnen Leichen Hunde geben Grabesweih'n,
Raubthier' und raschbeschwingter Vögel einer, der
zum Heerd der Heimath trägt den eklen Graungeruch.
Ja solche Pfeilgeschosse (denn schwer kränkst du mich),
dem Schützen gleich entsandt' ich dir, herztreffende:
1040
sie haften fest, und ihrem Brand entgehst du nicht.
O Knabe, du nun führ' uns wieder heim, damit
der seines Zornes sich entlad' auf Jüngere,
und seine Zunge lern' erziehen ruhiger,
und seinen Geist auch besser, als sie jetzo sind.
1045
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 233 focus
CREONTE
¡Ay de mí! Dificilmente Difícilmente, en verdad, y contra mi corazón, me decido a hacerlo; pero contra la necesidad no se puede luchar con éxito.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 233 focus
Chorus
Abi ergo, ut haec facias, neque aliis committe.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 233 focus
MESS
Enter Messenger . 1155
Neighbours of Cadmus and Amphion’s halls,
1155
No life of mortal, howsoe’er it stand,
Shall once have praise or censure from my mouth;
Since human happiness and human woe
Come even as fickle Fortune smiles or lours;
And none can augur aught from what we see.
1160
Creon erewhile to me was enviable,
Who saved our Thebè from her enemies;
Then, vested with supreme authority,
Ruled her aright; and flourish’d in his home
With noblest progeny. What hath he now?
1165
Nothing. For when a man is lost to joy,
I count him not to live, but reckon him
A living corse. Riches belike are his,
Great riches and the appearance of a King;
But if no gladness come to him, all else
1170
Is shadow of a vapour, weighed with joy.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 237 focus
Was ist's, warum befiel dich solche Bangigkeit?
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 233 focus
Creon
I will ; and you my servants, be prepared ;
Each with his axe quick hasten to the place ;
Myself — for thus I have resolved — will go,
And the same hand that bound shall set her free ;
For, oh ! I fear 'tis wisest still through life
To keep our ancient laws, and follow virtue.
Bacchus, by vaiious names to mortals known,
Fair Semele's illustrious son,
Offspring of thunder-bearing Jove,
Who honourst famed Italia with thy love I
Who dwellst where erst the dragon's teeth were
strewed,
1110
Or where Ismenus pours his gentle flood ;
1110
Who dost o'er Ceres' hallowed rites preside,
1110
And at thy native Thebes propitious still reside.
1110
Where famed Parnassus' forked hills uprise.
1110
To thee ascends the sacritice ;
Corycia's nymphs attend below,
Whilst from Castalia's fount fresh waters flow :
O'er Nysa's mountains wreaths of ivy twine,
And mix their tendrils with the clustering vine :
Around their master crowd the virgin throng,
And praise the god of Thebes in never-dying song.
Happiest of cities, Thebes ! above the rest
By Semele and Bacchus blest !
Oh ! ^dsit now thy once beloved abode,
Oh ! heal our woes, thou kind protecting god !
From steep Parnassus, or th' Euboean sea.
With smiles auspicious come, and bring with thee
Health, joy, and peace, and fair prosperity.
Immortal leader of the maddening choir,
Whose torches blaze with unextinguished fire.
Great son of Jove, who guidst the tuneful throng,
Thou, who presidest o'er the nightly song.
Come with thy Naxian maids, a festive train,
Who, wild with joy, and raging o'er the plain,
For thee the dance prepare, to thee devote the strain.
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 233 focus
TÍRESIAS
Al fin me obligarás á descubrir lo que me proponia tener perpétuamente sepultado en mi corazón.
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 233 focus
CHOR
Wie kommt dir denn vom Fürsten diese Klage?
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 233 focus
Creon
Even as I am I'll go:—on, on, my servants, each and all of you,—take axes in your hands, and 1110 hasten to the ground that ye see yonder! Since our judgment hath taken this turn, I will be present to unloose her, as I myself bound her. My heart misgives me, ’tis best to keep the established laws, even to life’s end.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-129-1 τέλος γε μέντοι 1

mvp-comment-129-2 ἐνίκησεν 2

mvp-comment-129-3

ἐκλιπεῖν τὴν πόλιν
. That
μολεῖν
should not be regarded as the subject to
ἐνίκησε
, is shown by such an example as Her. 8.9
ἐνίκα τὴν ἡμέρην ἐκείνην αὐτοῦ μείναντάς τε καὶ αὐλισθέντας μετέπειτα νύκτα μέσην παρέντας πορεύεσθαι
, where the length of the interval excludes such a view. The personal constr. occurs below, 274; cp. Thuc. 2.12
ἦν...Περικλέους γνώμη...νενικηκυῖα
.

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.

223-330. mvp-comment-136-2 The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp. Shak. Hamlet, 5. 1 ,

We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.