νοῦν ἔσχες;
ἐν τῷ συμφορᾶς διεφθάρης ;
Antigone. Sophocles. Cambridge, UK. 1906.
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Funding provided by Tufts University.
Table of Contents
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Current edition Experimental
Greek (R. C. Jebb, 1906) (OCR draft) (Greek) (Greek (R. C. Jebb, 1906))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 1229 focus
ἤρεισε πλευραῖς μέσσον ἔγχος, ἐς δ᾽ ὑγρὸν
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 1229 focus
αἰαῖ, ὀλωλότ᾽ ἄνδρ᾽ ἐπεξειργάσω.
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 1229 focus
ἀλλ᾽ εἰσόμεσθα, μή τι καὶ κατάσχετον
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 1229 focus
νοῦν ἔσχες; ἐν τῷ συμφορᾶς διεφθάρης;
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 1229 focus
νοῦν ἔσχες; ἐν τῷ συμφορᾶς διεφθάρης;
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 1229.mvp-line-1209 focus
νοῦν ἔσχες; ἐν τῷ συμφορᾶς διεφθάρης;
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 1229 focus
νοῦν ἔσχες; ἐν τῶι συμφορᾶς διεφθάρης;
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 1229 focus
τί τοῦτ᾽ ἂν εἰκάσειας; ἡ γυνὴ πάλιν.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 1229.mvp-line-1212 focus
νοῦν ἔσχες; ἐν τῷ συμφορᾶς διεφθάρης;
Antigone (OCR draft) Experimental (Antigone) — 1229 focus
νοῦν ἔσχες; ἐν τῷ συμφορᾶς διεφθάρης;
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 1229 focus
νοῦν ἔσχες; ἐν τῶι συμφορᾶς διεφθάρης;
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1219 focus
Und wie der Herrscher zagend uns geboten, geh'n
Wir hin, zu spähen, und im Hintergrunde tief
1185
Sah'n wir die Jungfrau schweben, die den Hals sich fest
Zum Tod umschlungen mit des Schleiers zartem Band,
Und sah'n den Jüngling, der die Braut umfangen hielt,
Ihr Loos bejammernd, die hinab geschwunden ihm,
Des Vaters Unthat und den unheilvollen Bund.
1190
Doch Kreon, ihn erblickend, stöhnt schmerzvoll und geht
Zum Sohn hinein und ruft ihm lautaufweinend zu:
„Ha, was begannst du? Welcher Geist, Unseliger,
Ergriff dich? Welches Mißgeschick verderbte dich?
O komm heraus, Kind! Auf den Knie'n beschwör' ich dich!"
1195
Mit wildem Auge starrt der Sohn den Vater an,
Voll Hohn im Antliz, und erwidert nichts, und zieht
Des Schwertes Doppelschneide; doch der Vater stürzt
Hinaus und flicht; er fehlt ihn; dann, auf sich ergrimmt,
Stößt, wie er war, der Arme, drüber hingebeugt,
1200
Das Schwert sich mitten durch die Brust; hierauf umschlingt
Er, noch bei Sinnen, seine Braut mit mattem Arm,
Und schneller athmend strömt er ihr den scharfen Hauch
Blutrother Tropfen auf die bleichen Wangen aus.
So liegt er eine Leiche bei der Leiche, weh!
1205
Empfängt der Ehe Weihen in des Todes Haus,
Und zeigt den Menschen, daß die Unbesonnenheit
Der Uebel allergrößtes sei für Sterbliche.
(Eurydike geht schnell ab.)
Der Chor. Der Bote.
Und wie der Herrscher zagend uns geboten, geh'n
Wir hin, zu spähen, und im Hintergrunde tief
1185
Sah'n wir die Jungfrau schweben, die den Hals sich fest
Zum Tod umschlungen mit des Schleiers zartem Band,
Und sah'n den Jüngling, der die Braut umfangen hielt,
Ihr Loos bejammernd, die hinab geschwunden ihm,
Des Vaters Unthat und den unheilvollen Bund.
1190
Doch Kreon, ihn erblickend, stöhnt schmerzvoll und geht
Zum Sohn hinein und ruft ihm lautaufweinend zu:
„Ha, was begannst du? Welcher Geist, Unseliger,
Ergriff dich? Welches Mißgeschick verderbte dich?
O komm heraus, Kind! Auf den Knie'n beschwör' ich dich!"
1195
Mit wildem Auge starrt der Sohn den Vater an,
Voll Hohn im Antliz, und erwidert nichts, und zieht
Des Schwertes Doppelschneide; doch der Vater stürzt
Hinaus und flicht; er fehlt ihn; dann, auf sich ergrimmt,
Stößt, wie er war, der Arme, drüber hingebeugt,
1200
Das Schwert sich mitten durch die Brust; hierauf umschlingt
Er, noch bei Sinnen, seine Braut mit mattem Arm,
Und schneller athmend strömt er ihr den scharfen Hauch
Blutrother Tropfen auf die bleichen Wangen aus.
So liegt er eine Leiche bei der Leiche, weh!
1205
Empfängt der Ehe Weihen in des Todes Haus,
Und zeigt den Menschen, daß die Unbesonnenheit
Der Uebel allergrößtes sei für Sterbliche.
Der Chor.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 1261-1345 focus
Creon
Ah, the blunders of an unthinking mind, blunders of rigidity, yielding death! Oh, you witnesses of the killers and the killed, both of one family!
What misery arises from my reasonings! Haemon, you have died after a young life, youngest and last of my sons! O God! You have departed not by your foolishness, but by my own!
1265
Ah, the blunders of an unthinking mind, blunders of rigidity, yielding death! Oh, you witnesses of the killers and the killed, both of one family!
What misery arises from my reasonings! Haemon, you have died after a young life, youngest and last of my sons! O God! You have departed not by your foolishness, but by my own!
1265
Chorus
Ah, how late you seem to see the right!
1270
Ah, how late you seem to see the right!
1270
Creon
God, I have mastered the bitter lesson! But then, then, I think, some god struck me on my head with a crushing weight, and drove me into savage paths,
—ah!—and overthrew my joy to be trampled on! Ah, the labors men must toil through!
1275
1278
Enter the Messenger from the house.
God, I have mastered the bitter lesson! But then, then, I think, some god struck me on my head with a crushing weight, and drove me into savage paths,
—ah!—and overthrew my joy to be trampled on! Ah, the labors men must toil through!
1275
Messenger
My master, you have come, I think, like one whose hands are not empty, but who has a ready store: first, you carry that burden visible in your arms;
second, you will soon look upon further sufferings inside your house.
1280
My master, you have come, I think, like one whose hands are not empty, but who has a ready store: first, you carry that burden visible in your arms;
second, you will soon look upon further sufferings inside your house.
1280
Creon
What worse suffering is still to follow upon these sufferings?
What worse suffering is still to follow upon these sufferings?
Messenger
Your wife is dead, true mother of that corpse, poor lady, by wounds newly cut.
Your wife is dead, true mother of that corpse, poor lady, by wounds newly cut.
Creon
O harbor of Hades, hard to purify!
Why, why do you ruin me? Herald of evil, of grief, what word do you say? Ah, you have done in a dead man anew! What are you saying, boy? What is this you report to me
1285
God no!—what new slaughter, my wife’s doom, is heaped upon this ruin?
1290
1293
The doors of the palace are opened, and the corpse of Eurydice is disclosed.
O harbor of Hades, hard to purify!
Why, why do you ruin me? Herald of evil, of grief, what word do you say? Ah, you have done in a dead man anew! What are you saying, boy? What is this you report to me
1285
God no!—what new slaughter, my wife’s doom, is heaped upon this ruin?
1290
Chorus
The sight is at hand. It is no longer hidden inside.
The sight is at hand. It is no longer hidden inside.
Creon
Ah, misery!
There I see a new, a second evil! What destiny, ah, what, can still await me? I have just now taken my son in my arms, and now I see another corpse before me!
1295
Oh, tormented mother! Oh, my son!
1300
Ah, misery!
There I see a new, a second evil! What destiny, ah, what, can still await me? I have just now taken my son in my arms, and now I see another corpse before me!
1295
Oh, tormented mother! Oh, my son!
1300
Messenger
By the altar, with a sharp-whetted sword, she struck until her eyes went slack and dark. Before that she bewailed the noble fate of Megareus who died earlier, and then the fate of this boy, and also, with her last breath,
she called down evil fortune upon you, the slayer of her sons.
1305
By the altar, with a sharp-whetted sword, she struck until her eyes went slack and dark. Before that she bewailed the noble fate of Megareus who died earlier, and then the fate of this boy, and also, with her last breath,
she called down evil fortune upon you, the slayer of her sons.
1305
Creon
Ah, no! I tremble with fear. Why does no one strike me full on my chest with a two-edged sword?
I am miserable—ah—and bathed in miserable anguish!
1310
Ah, no! I tremble with fear. Why does no one strike me full on my chest with a two-edged sword?
I am miserable—ah—and bathed in miserable anguish!
1310
Messenger
Yes, because you were accused of responsibility for both this son’s death, and the other’s, by her whose corpse you see.
Yes, because you were accused of responsibility for both this son’s death, and the other’s, by her whose corpse you see.
Creon
What was the manner of the violent deed by which she departed?
What was the manner of the violent deed by which she departed?
Messenger
Her own hand struck her to the heart upon learning her son’s sharply-lamented fate.
1315
Her own hand struck her to the heart upon learning her son’s sharply-lamented fate.
1315
Creon
Ah this guilt can never be fastened onto any other mortal so as to remove my own! It was I, yes, I, who killed you, I the wretch.
I admit the truth. Lead me away, my servants, lead me from here with all haste, who am no more than a dead man!
1320
Ah this guilt can never be fastened onto any other mortal so as to remove my own! It was I, yes, I, who killed you, I the wretch.
I admit the truth. Lead me away, my servants, lead me from here with all haste, who am no more than a dead man!
1320
Chorus
The course you recommend is to your gain, if there can be gain amidst evil. What is briefest is best, when trouble lies at your feet.
1325
The course you recommend is to your gain, if there can be gain amidst evil. What is briefest is best, when trouble lies at your feet.
1325
Creon
Let it come, let it appear, that fairest of fates for me, that brings my final day,
the fate supreme! Oh, let it come, so that I may never see tomorrow’s light!
1330
1334
Let it come, let it appear, that fairest of fates for me, that brings my final day,
the fate supreme! Oh, let it come, so that I may never see tomorrow’s light!
1330
Chorus
These things are in the future. We must see to present affairs.
Fulfillment of these things rests in the hands where it should rest.
1335
These things are in the future. We must see to present affairs.
Fulfillment of these things rests in the hands where it should rest.
1335
Creon
All that I crave was summed in that prayer.
All that I crave was summed in that prayer.
Chorus
Then pray no more; for mortals have no release from destined misfortune.
Then pray no more; for mortals have no release from destined misfortune.
Creon
Lead me away, I beg you, a rash, useless man.
I have murdered you, son, unwittingly, and you, too, my wife—the misery! I do not know which way I should look, or where I should seek support. All is
1340
amiss that is in my hands, and, again, a crushing fate has leapt upon my head.
1345
Lead me away, I beg you, a rash, useless man.
I have murdered you, son, unwittingly, and you, too, my wife—the misery! I do not know which way I should look, or where I should seek support. All is
1340
amiss that is in my hands, and, again, a crushing fate has leapt upon my head.
1345
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-387-1
Seidler transposes vv. 663—667, placing them after 671. The object is to bring vv. 668—671 into immediate connection with 662. In this there is one slight grammatical gain; since, as the vv. stand in the MSS.,
τοῦτον ...τὸν ἄνδρα (668) means, ‘the man who acts thus’ (viz., as described in vv. 666 f.). But the order given in the MSS. is right. The transposition obliterates one of the finest touches in the speech. Creon demands that the obedience of the citizens to the ruler shall be absolute (666 f.). And then he supplements this demand with a remark on the dignity of such obedience. The man who so obeys gives the best proof that he could also rule (668 ff.). Seidler destroys the point of vv. 668 ff. by placing them after 662.
mvp-comment-387-2 The connection of thought in the whole passage—which is slightly obscured by compression—may be most clearly shown by taking the verses in small consecutive groups. (1) 659 f. If I tolerate disloyalty
mvp-comment-387-3
in my own relatives, I shall encourage it in other citizens. (2) 661 f.
For (
γάρ) only a man who is firm (
χρηστός) where his own relatives are concerned will be found to uphold justice in the State (i.e. will have the authority necessary for doing so). (3) 663 f. Now, I recognise disloyalty in any one who breaks the law and defies the government, as Antigone has done. (4) 666 f. Instead of so doing, the citizen is bound to obey the government in everything. (5) 668—671. There is nothing slavish in that; on the contrary, it shows that the citizen is not only a good subject, but would, if required, be a good ruler;—as he would also be a good soldier.—Then comes the general censure on unruliness (672—676). And then the conclusion:—I must vindicate my authority, and punish Antigone (677 —680).
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
635-765. mvp-comment-375-1 Haemon professes obedience to his father, but with the implied condition that his father commands what is right. Not heeding this, Creon welcomes his general profession, and enlarges on the blessings that follow from obedience in public and private. He urges Haemon to renounce Antigone. Haemon replies by repeating the praise of her which he has heard in the city (Ar. Rhet. 3. 17, ἕτερον χρὴ λέγοντα ποιεῖν.. ὡς Σοφοκλῆς τὸν Αἴμονα ὑπὲρ τῆς Ἀντιγόνης πρὸς τὸν πατέρα, ὡς λεγόντων ἑτέρων), and begs his father not to be deaf to all opinions but his own. Creon is impatient at this, and, after an altercation, in which both speakers become exasperated, Creon orders Antigone to be brought for immediate execution, and Haemon breaks away in sullen anger. This episode interposes a necessary pause between the condemnation of Antigone and its results, i. e, between the two chief crises of the action, and assists the main impression by bringing the light of natural affection and common opinion to bear on the situation.
661. mvp-comment-391-1 τοῖς .. οἰκείοισιν Neuter. Creon characteristically relies on commonplace maxims.