223-330.
mvp-comment-136-1
The half-comic or rustic character of the watchman in this play is an extension of the common character of the
messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the
gravediggers in Hamlet, and the
rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.
223-330.
mvp-comment-136-2
The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp.
Shak. Hamlet, 5. 1
,
We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.
279.
mvp-comment-167-1
*1 This is Nauck's emendation for ἡ. It involves a very slight change, and is extremely probable. Reflection suggests the fear that' (not 'the question whether')
this may be some visitation from the gods. The conscience of the elders, which was stifled at first, begins to awaken in the presence of the mysterious fact. For the pause after the 2nd iambus, here and supr. 269, cp. Aj. 340, 342, 719, 791, 803, 988, 1050, 1077, 1140, 1332.
280.
mvp-comment-168-1
Cease, ere you have quite filled me with wrath. καί, which is combined with πρίν, according to the common idiom (πρὶν καὶ..), is slightly displaced so as to emphasize the phrase ἐμὲ μεστῶσαι. The language is made clearer by the emendation καί με, but the emphatic ἐμέ is more suitable in the mouth of Creon. Cp. Phil. 1042.