Sophocles Antigone 66

Friedrich Hölderlin (Translator)

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KREON

Wie bringst du diese her? wo griffst du sie?

Antigone. Sophocles. Friedrich Hölderlin (Translator). Frankfurt am Main. 1804.

Funding provided by National Endowment for the Humanities.

Current edition Experimental

German (F. Hölderlin, 1804) (OCR draft) (German) (German (F. Hölderlin, 1804))

Provisional text from uncorrected OCR; expect errors.

Editions (12)

Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 66.mvp-line-66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 66.mvp-line-66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Antigone (OCR draft) Experimental (Antigone) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 66 focus

ξύγγνοιαν ἴσχειν, ὡς βιάζομαι τάδε,

Translations (10)

German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 66 focus

CHOR

O Wunder, dem Blick kaum trau' ich, und doch

wie soll ich verneinen, was klar mir bewuſst,

dafs die Jungfrau dort Antigone sei?
365

O Unglückskind

von dem Unglücksvater, von Oedipus, ach!

Wie? führen sie dich hierher, weil kühn

du des Königs Gesetz miſsachtend verletzt,

und ergriffen in thörichtem Thun bist?
370

Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 66 focus

CREONTE

Llevas a ésta, ¿cómo, dónde la has cogido?

Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 66 focus

Creon

Cur autem banc adducis, et unde?

English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 66 focus

CR

This maiden!

How came she in thy charge? Where didst thou find her?

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 69 focus

Nicht mehr verlang' ich's, möchte dich zur Helferin

Nicht mehr, erklärtest du dich auch bereit dazu.
70

Nein, wähle deinem Sinne nach: ihn werd' ich selbst

Bestatten; ruhmvoll ist der Tod für diese That.

Bei ihm, dem Lieben, werd' ich ruh'n, die Liebende,

Die frommen Frevel übte; muß ich länger doch

Den Todten dort gefallen, als den Lebenden.
75

Denn dort ja ruh' ich ewig; du, wenn dir's gefällt,

Entehre, was in Ehre selbst bei Göttern steht.

Ich acht' es auch der Ehre werth; indeß der Stadt

Zum Troz zu handeln, fühl ich mich nicht stark genug.

Antigone.

So wende du das vor; doch ich geh' unverweilt,
80

Und schütt' ein Grab dem heißgeliebten Bruder auf.

Ismene.

Tollkühne, weh mir! Ha, wie fürcht' ich deinethalb!

Antigone.

Sei nicht um mich bang; sich're du nur dein Geschick!

Ismene.

Doch offenbare ja zuvor Niemand die That;

Im Dunkel birg' sie; gerne schweig' auch ich davon.
85

Antigone.

Ha, laut verkünd' es! Viel verhaßter wirst du mir

Durch Schweigen, offenbarst du's nicht vor aller Welt.

Ismene.

Dir wallt der Busen glühend, wo mich Schauder faßt.

Antigone.

Doch weiß ich hold mir, deren Huld mein Höchstes iſt.

Ismene.

Wenn du's vermöchtest; doch du willst Unmögliches.
90

Nun freilich, wenn ich's nicht vermag, so lass' ich ab.

Auch nicht von Anfang jage nach Unmöglichem.

Antigone.

Durch solche Reden wirst du billig mir verhaßt,

Und billig hassen wird dich auch der Todte dort.

Nein, laß du mich und meines Sinnes Unverstand
95

Dies Grauenvolle dulden. Was ich Schweres auch¹

Erleiden möge, bleibt mir doch ein schöner Tod.

Ismene.

Nun, wenn dir's gut dünkt, ziehe hin: ächt schwesterlich

Als Schwester fühlend gehst du, wenn als Thörin auch.

(Sie gehen nach verschiedenen Seiten ab. Der Chor tritt auf.) Erste Strophe.

Der Chor.

English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 66 focus

Creon

But say how,

Where didst thou find her ?

Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 66 focus

CORO

354 Él cultiva la palabra y las ciencias sublimes: él conoce las leyes y costumbres de las ciudades; él sabe preservar su vivienda de los hielos del invierno, y de las exhalaciones de la tormenta. Fecundo en recursos é ingenioso, lleva su previsión hasta lo porvenir. También ha encontrado medio para escapar de las enfermedades más crueles... Tan sólo le será imposible librarse de la Muerte.

English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 66 focus

Creon

And thy prisoner here—how and whence hast thou taken her?

English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 66 focus

Creon

A foe, though dead, can never be a friend,.

English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus

Enter the Chorus on the right.

Chorus

Shaft of the sun, fairest light of all that have dawned on Thebes of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100

You have goaded with a sharper bit the warrior of the white shield, who came from Argos in full armor, driving him to headlong retreat.
105

110

Chorus

He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110

with a mass of weapons and crested helmets.
115

117

Chorus

He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left

before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120

So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125

127

Chorus

For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,

arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130

134

Chorus

Staggered, he fell to the earth with a crash,

torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135

Ares, our mighty ally at the turning-point.
140

141

Chorus

For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one

mother, set against each other their spears, both victorious, and who now share in a common death.
145

148

Chorus

But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich Thebes ,

let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of Thebes , rule our dancing!
150

155

Chorus

But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155

that he has proposed this special conference of elders, and summoned it by a general mandate?
160

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

415-417. mvp-comment-238-1 This lasted till the sun had reached his station in mid-sky with unclouded splendour, and the heat was glowing.' Cp. the Homeric ὄφρα μὲν ἠέλιος μέσον οὐρανὸν ἀμφιβεβήκει.

417. mvp-comment-239-1 When suddenly from the earth the Storm-god raised a squall, that saddened all the sky, and filled the plain, tearing the tresses of the orchard groves, and the wide heaven was choked withal.' The chief discomfort of such a visitation would be the cloud of dust, forcing men to close their eyes, and wrapping even near objects from sight. The watchman is explaining why they lost sight of the corpse. The poet also provides a motive for the act by which Antigone is betrayed. She fears that the corpse, lying in an exposed situation, may have been disturbed by the violence of the wind.