οὐκ ἔτι πηγὰς δύναμαι δακρύων,
Antigone. Sophocles. Fleischer. 1830.
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Table of Contents
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Current edition Experimental
Greek (G. Hermann, 1830) (OCR draft) (Greek) (Greek (G. Hermann, 1830))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 797 focus
παίζει θεὸς Ἀφροδίτα.
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 797 focus
καί νιν ὄμβρῳ τακομέναν,
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 797 focus
στείχουσαν, νέατον δὲ φέγγος
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 796 focus
νύμφας, τῶν μεγάλων †πάρεδρος ἐν ἀρχαῖς
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 797 focus
νύμφας, τῶν μεγάλων
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 797.mvp-line-790 focus
νύμφας, τῶν μεγάλων
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 797 focus
νύμφας †τῶν μεγάλων πάρεδρος ἐν ἀρχαῖς †
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 796 focus
νύμφας, τῶν μεγάλων πάρεδρος ἐν ἀρχαῖς
4
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 797.mvp-line-789 focus
νύμφας, τῶν μεγάλων πάρεδρος ἐν ἀρχαῖς
Antigone (OCR draft) Experimental (Antigone) — 796 focus
νύμφας, τῶν μεγάλων πάρεδρος ἐν ἀρχαῖς
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 797 focus
νύμφας, τῶν μεγάλων πάρεδρος ἐν ἀρχαῖς
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 801 focus
Nun führt auch mich, was ich anseh'n muß,
1
Schon über die Bahn des Gesezes hinaus;
Nicht länger bezwing' ich der Thränen Erguß,
795
Da in Hades' Gemach, das Alle verschlingt,
Ich hinabgeh'n sehe die Jungfrau.
Antigone. Der Chor.
Zweite Strophe.
Nun führt auch mich, was ich anseh'n muß,
1
Schon über die Bahn des Gesezes hinaus;
Nicht länger bezwing' ich der Thränen Erguß,
795
Da in Hades' Gemach, das Alle verschlingt,
Ich hinabgeh'n sehe die Jungfrau.
Antigone.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 806-880 focus
Antigone
Citizens of my fatherland, see me setting out on my last journey, looking at my last sunlight,
and never again. No, Hades who lays all to rest leads me living to
Acheron
’s shore, though I have not had my due portion of the chant that brings the bride, nor has any hymn been mine
810
for the crowning of marriage. Instead the lord of
Acheron
will be my groom.
815
Citizens of my fatherland, see me setting out on my last journey, looking at my last sunlight,
and never again. No, Hades who lays all to rest leads me living to
Acheron
’s shore, though I have not had my due portion of the chant that brings the bride, nor has any hymn been mine
810
for the crowning of marriage. Instead the lord of
Acheron
will be my groom.
815
Chorus
Then in glory and with praise you depart to that deep place of the dead, neither struck by wasting sickness,
nor having won the wages of the sword. No, guided by your own laws and still alive, unlike any mortal before, you will descend to Hades.
820
Then in glory and with praise you depart to that deep place of the dead, neither struck by wasting sickness,
nor having won the wages of the sword. No, guided by your own laws and still alive, unlike any mortal before, you will descend to Hades.
820
Antigone
I have heard with my own ears how our Phrygian guest, the daughter of Tantalus, perished
in so much suffering on steep Sipylus—how, like clinging ivy, the sprouting stone subdued her. And the rains, as men tell, do not leave her melting form, nor does the snow,
825
but beneath her weeping lids she dampens her collar. Most like hers is the god-sent fate that leads me to my rest.
830
I have heard with my own ears how our Phrygian guest, the daughter of Tantalus, perished
in so much suffering on steep Sipylus—how, like clinging ivy, the sprouting stone subdued her. And the rains, as men tell, do not leave her melting form, nor does the snow,
825
but beneath her weeping lids she dampens her collar. Most like hers is the god-sent fate that leads me to my rest.
830
Chorus
Yet she was a goddess, as you know, and the offspring of gods,
while we are mortals and mortal-born. Still it is a great thing for a woman who has died to have it said of her that she shared the lot of the godlike in her life, and afterwards, in death.
835
Yet she was a goddess, as you know, and the offspring of gods,
while we are mortals and mortal-born. Still it is a great thing for a woman who has died to have it said of her that she shared the lot of the godlike in her life, and afterwards, in death.
835
Antigone
Ah, you mock me! In the name of our fathers’ gods,
why do you not wait to abuse me until after I have gone, and not to my face, O my city, and you, her wealthy citizens? Ah, spring of Dirce, and you holy ground of
Thebes
whose chariots are many,
840
you, at least, will bear me witness how unwept by loved ones, and by what laws I go to the rock-closed prison of my unheard-of tomb! Ah, misery!
845
I have no home among men or with the shades, no home with the living or with the dead.
850
Ah, you mock me! In the name of our fathers’ gods,
why do you not wait to abuse me until after I have gone, and not to my face, O my city, and you, her wealthy citizens? Ah, spring of Dirce, and you holy ground of
Thebes
whose chariots are many,
840
you, at least, will bear me witness how unwept by loved ones, and by what laws I go to the rock-closed prison of my unheard-of tomb! Ah, misery!
845
I have no home among men or with the shades, no home with the living or with the dead.
850
Chorus
You have rushed headlong to the far limits of daring, and against the high throne of Justice
you have fallen, my daughter, fallen heavily. But in this ordeal you are paying for some paternal crime.
855
You have rushed headlong to the far limits of daring, and against the high throne of Justice
you have fallen, my daughter, fallen heavily. But in this ordeal you are paying for some paternal crime.
855
Antigone
You have touched on my most bitter thought
and moved my ever-renewed pity for my father and for the entire doom ordained for us, the famed house of Labdacus. Oh, the horrors of our mother’s bed! Oh, the slumbers of the wretched mother at the side
860
of her own son, my own father! What manner of parents gave me my miserable being! It is to them that I go like this, accursed and unwed, to share their home.
865
Ah, my brother, the marriage you made was doomed, and by dying you killed me still alive!
870
You have touched on my most bitter thought
and moved my ever-renewed pity for my father and for the entire doom ordained for us, the famed house of Labdacus. Oh, the horrors of our mother’s bed! Oh, the slumbers of the wretched mother at the side
860
of her own son, my own father! What manner of parents gave me my miserable being! It is to them that I go like this, accursed and unwed, to share their home.
865
Ah, my brother, the marriage you made was doomed, and by dying you killed me still alive!
870
Chorus
Your pious action shows a certain reverence, but an offence against power can no way be tolerated by him who has power in his keeping.
Your self-willed disposition is what has destroyed you.
875
Your pious action shows a certain reverence, but an offence against power can no way be tolerated by him who has power in his keeping.
Your self-willed disposition is what has destroyed you.
875
Antigone
Unwept, unfriended, without marriage-song, I am led in misery on this journey that cannot be put off. No longer is it permitted me, unhappy girl,
to look up at this sacred eye of the burning sun. But for my fate no tear is shed, no friend moans in sorrow.
880
Unwept, unfriended, without marriage-song, I am led in misery on this journey that cannot be put off. No longer is it permitted me, unhappy girl,
to look up at this sacred eye of the burning sun. But for my fate no tear is shed, no friend moans in sorrow.
880
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-479-1 πάρεδρος ἐν ἀρχαῖς 1 πάρεδρος 2 ἐν ἀρχαῖς 3
mvp-comment-479-2
The words answer metrically to
φύξιμος οὐδείς (788). The first two syllables of
πάρεδρος therefore represent a resolved long syllable. Pindar affords some instances of such resolution (see Appendix), and there is a probable example below (970
ἀγχίπολις Ἄρης, where see n.). But it is rare, and certainly unpleasing. As
mvp-comment-479-3
a whole, too, the phrase
πάρεδρος ἐν ἀρχαῖς is suspicious. A yet stronger objection is the strangeness of describing the power which is
in conflict with the
θεσμοί as their assessor, or peer, in sway; an expression which would seem appropriate only if that power was working in harmony with them; as when Eur. (
Eur.
Med. 843
) speaks of
σοφίᾳ παρέδρους...ἔρωτας, | παντοίας ἀρετᾶς ξυνεργούς,—‘the loves that sit with wisdom, co-workers of all excellence,’—those aspirations of the soul which assist intellectual effort.
mvp-comment-479-4 The best line of emendation yet suggested is that of Semitelos, who writes ὥστε πέρα δρᾶν 4
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
781-800. mvp-comment-455-1 Haemon's disobedience to his father, against his own interest, is due to the might of love.
781-800. mvp-comment-455-2 'Never-vanquished love, that layest riches waste, keeping nightly watch in the fair, soft, youthful cheek: love that roamest over seas and findest out the wildest nook! No god, nor any mortal man, escapes thy maddening power. By love the upright mind is drawn to wrong unto its hurt. By love this present strife is kindled between kinsmen. And clearly triumphant is the influence of desire that cometh from the looks of the fair bride - desire that divides empire with the majestic law: so resistlessly doth goddess Aphrodite mock mankind.
781-800. mvp-comment-455-3 This little ode consists of a strophe and antistrophe, of which the scansion is as follows:- CCLトしてし CICCICII CCCICII IICIICCIト(CLトー 5-0-0-ICCICI-
781-800. mvp-comment-455-4 A glyconic quatrain is followed by two choriambic lines, and the strophe ends with a return to the glyconic rhythm. L. 7 admits of being otherwise divided, viz.: CCLCー.