E'en I beyond the common bounds of grief
Indulge my sorrows, and from these sad eyes
Antigone. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
Antigone. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-470-1 ἀνίκατε μάχαν 1
mvp-comment-471-1 ἐν κτήμασι πίπτεις, 2
mvp-comment-472-1 ἐν μαλακαῖς παρειαῖς 3
mvp-comment-472-2 ἐννυχεύεις 4
mvp-comment-473-1 ὑπερπόντιος 5
mvp-comment-473-2 ἔν τ’ ἀγρ. αὐλαῖς 6
mvp-comment-474-1 οὔτ’ ἀθανάτων 7
mvp-comment-474-2 σὲ … φύξιμός ἐστι 8
mvp-comment-475-1 σέ γ’ 9
mvp-comment-475-2 ὁ δ’ ἔχων 10
mvp-comment-476-1 ἀδίκους 11 παρασπᾷς 12
mvp-comment-477-1 ξύναιμον 13
mvp-comment-477-2 ἔχεις 14
mvp-comment-477-3 ταράξας 15
mvp-comment-478-1 ἐναργής 16
mvp-comment-478-2 βλεφάρωνἵμερος 17 εὐλέκτρου νύμφας 18
mvp-comment-478-3 εὐλέκτρου 19
781-800. mvp-comment-455-1 Haemon's disobedience to his father, against his own interest, is due to the might of love.
781-800. mvp-comment-455-2 'Never-vanquished love, that layest riches waste, keeping nightly watch in the fair, soft, youthful cheek: love that roamest over seas and findest out the wildest nook! No god, nor any mortal man, escapes thy maddening power. By love the upright mind is drawn to wrong unto its hurt. By love this present strife is kindled between kinsmen. And clearly triumphant is the influence of desire that cometh from the looks of the fair bride - desire that divides empire with the majestic law: so resistlessly doth goddess Aphrodite mock mankind.
781-800. mvp-comment-455-3 This little ode consists of a strophe and antistrophe, of which the scansion is as follows:- CCLトしてし CICCICII CCCICII IICIICCIト(CLトー 5-0-0-ICCICI-
781-800. mvp-comment-455-4 A glyconic quatrain is followed by two choriambic lines, and the strophe ends with a return to the glyconic rhythm. L. 7 admits of being otherwise divided, viz.: CCLCー.
781. mvp-comment-456-1 ἀνίκατε μάχαν Cp. the similar personification of θυμός by Heraclitus, χαλεπὸν θυμῷ μάχεσθαι, ψυχῆς γὰρ ὠνέεται.
782. mvp-comment-457-1 ὃς ἐν κτήμασι πίπτεις (i. e.
782. mvp-comment-457-2 ἐμπίπτεις κτήμασι.) These words have been variously interpreted and emended. They probably mean, Who fallest upon wealth, i. e. art the destroyer of possessions, ruining worldly fortunes in various ways, as the love of Helen wasted Troy, etc. Cp. Eur. Hipp. 538, foll., Ἔρωτα δὲ τὸν τύραννον ἀνδρῶν |.. πέρθοντα καὶ διὰ πάσας | ἰόντα συμφορὰς | θνατοῖς, ὅταν ἔλθῃ. So, in this instance, Haemon is losing all for love. Others interpret, Desire who makest wealth thy object (Schol. rec.), Love, who by attacking enslavest, or Who makest victims of the wealthy.
783-784. mvp-comment-458-1 ὃς .. ἐννυχεύεις Cp. Milton, L'Allegro, 29, 30, 'Such as hang on Hebe's cheek, | And love to live in dimple sleek.' Love is still figured as an enemy, who keeps nightly watch where he is ready to spring forth armed on the unwary. Pind. Nem. 8. 2, ὥρα .. παρθενηΐοις .. ἐφίζοισι γλεφάροις.
785. mvp-comment-459-1 The poet is thinking of legendary examples, such as Paris, Leander, Anchises, etc.
786. mvp-comment-460-1 σε .. φύξιμος i.e. δύναταί σε φεύγειν. Cp. Hom. h. Ven. 34. 5, τῶν δ' ἄλλων οὐ πέρ τι πεφυγμένον ἔστ᾽ Ἀφροδίτην, | οὔτε θεῶν μακάρων, οὔτε θνητῶν ἀνθρώπων. But see on 796 ff.
790. mvp-comment-461-1 ἁμερίων ἐπ᾿ ἀνθρώπων The insertion of the preposition, although omitted with θεῶν, is no objection to this reading. See Essay on Language § 19. p. 27: and for ἐπί, with the genitive, meaning In the case of, So far as extends to, cp. Plato, Rep. 3. 406 C, 8.. ἐπὶ .. τῶν δημιουργῶν αἰσθανόμεθα, alib. The force of the preposition and case here is nearer to the original locative sense, = Extending over, 'Quantum hominum genus propagatum extenditur. (Ellendt.)
790. mvp-comment-461-2 ὁ ἔχων Sc. τὸ νόσημα. Wecklein compares ἔχει, he is wounded, with reference to the arrow of love. But this is fanciful.
791-792. mvp-comment-462-1 ἀδίκους.. παρασπᾷς i. e. εἰς ἀδικίαν παρασπᾷς. Drawest awry to wrong. For this proleptic use of the adjective, see Essay on Language § 23. P. 39; § 38. p. 71.
792. mvp-comment-463-1 ἐπὶ λώβᾳ ‘Το their hurt or disgrace.'
794. mvp-comment-464-1 ξύναιμον is an emphatic epithet added by an afterthought (Essay on Language § 23. p. 38) and by hypallage made to agree with the principal word, although more properly belonging to ἀνδρῶν. (Ibid. § 42. p. 80).
795. mvp-comment-465-1 νικᾷ δ᾽ ἐναργής i. e. ἐναργής ἐστι νικῶσα.
795. mvp-comment-465-2 βλεφάρων ἵμερος The modern poet speaks of love as engendered in the eyes, with gazing fed: the ancients rather spoke of an influence passing from the eye of the beloved (τὸ ἐρωτικὸν ὄμμα, Plat. Phaedr. 253 E) to the soul of the lover. Desire was viewed as an emanation from the object. Hence Plato's account of ἵμερος, Phaedr. 251 Β, C, δεξάμενος γὰρ τοῦ κάλλους τὴν ἀπορροὴν διὰ τῶν ὀμμάτων, ἐθερμάνθη ἢ ἡ τοῦ πτεροῦ φύσις ἄρδεται .. ὅταν μὲν οὖν βλέπουσα πρὸς τὸ κάλλος, ἐκεῖθεν μέρη ἐπιόντα καὶ ῥέοντα, ἃ δὴ διὰ τοῦτο ἵμερος καλεῖται, δεχομένη ἄρδηταί τε καὶ θερμαίνηται, λωφᾷ τε τῆς ὀδύνης καὶ γέγηθεν. This ancient conception, which had a root in language as well as in philosophy, is reflected even in Milton, L'Allegro, 1. 121, With store of ladies, whose bright eyes | Rain influence, though in this case probably with a further allusion to astrology.