Sophocles Antigone 38

Thomas Francklin (Translator)

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Creon
237
Whence are thy fears, and why this hesita-

Antigone. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας, εἴτ᾽ ἐσθλῶν κακή 1 ,
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας, εἴτ᾽ ἐσθλῶν κακή.
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας, εἴτ᾽ ἐσθλῶν κακή.
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 38 focus
εἴτ᾿ εὐγενὴς πέφυκας εἴτ᾿ ἐσθλῶν κακή.
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας εἴτ᾽ ἐσθλῶν κακή.
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 38.mvp-line-38 focus
εἴτ’ εὐγενὴς πέφυκας εἴτ’ ἐσθλῶν κακή.
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας εἴτ᾽ ἐσθλῶν κακή.
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας, εἴτ᾽ ἐσθλῶν κακή.
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας εἴτ᾽ ἐσθλῶν κακή.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 38.mvp-line-38 focus
εἴτ' εὐγενὴς πέφυκας εἴτ᾽ ἐσθλῶν κακή.
Antigone (OCR draft) Experimental (Antigone) — 38 focus
εἴτʼ εὐγενὴς πέφυκας εἴτʼ ἐσθλῶν κακή.
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 38 focus
εἴτ᾽ εὐγενὴς πέφυκας εἴτ᾽ ἐσθλῶν κακή.
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 38 focus
KREON
Daſs nicht ihr nachseht denen, die dawider thun.
215
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 38 focus
Creonte
Ése, en efecto, será el pago; pero la esperanza del lucro pierde muchas veces a los hombres.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 38 focus
Creon
Est sane proposita haec merces: sed homines saepe lucri spes perdidit.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 38 focus
CR
Such, truly, is the meed. But hope of gain
Full oft ere now hath been the ruin of men.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 39 focus
Was kann ich, wenn dies also steht, Unselige, 1
Hier, lösend oder bindend, uns zum Frommen thun?
40
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 38 focus
CORO
¿Tienes algo más que recomendarnos?
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 38 focus
KREON
Diefs ist der Lohn. Doch hat mit Hoffnungen
Oft der Gewinn den Mann zu Grund gerichtet.
230
Dritte Scene KREON. DER CHOR EIN BOTE.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 38 focus
Creon
In sooth, that is the meed; yet lucre hath oft ruined men through their hopes. Enter GUARD.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 38 focus
Creon
Hither he returns.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 1-98 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-132-1 ἀνθ’ οὗ 1

mvp-comment-132-2 τὸ γὰρ | πρᾶγμ’ 2 γάρ 3

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.

223-330. mvp-comment-136-2 The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp. Shak. Hamlet, 5. 1 ,

We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.