Sophocles Antigone 26

Thomas Francklin (Translator)

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Ismene
Then farewell,
Since thou wilt have it so ; and know, Ismene
Pities thy weakness, but admires thy virtue. [Exeunt.
By Diice's sweetly-flowing stream,
Ne'er did the golden eye of day
On Thfcbes with fairer lustre beam,
Or shine with more auspicious ray.
See the proud Argive, with his silver shield
And glittering armour, quits the hostile plain;
No longer dares maintain the luckless field,
But vanquished flies, nor checks the loosened rein.
With dreadful clangour, like the bird of Jove,
On snowy wings descending from above,
His vaunted powers to this devoted land,
In bitterest wrath did Polynices lead,
With crested helmets, and a numerous band
He came, and fondly hoped that Thebes sl^puld
bleed. ,
High on the lofty tower he stood,
And viewed th' encircled gates below,
With spears that thirsted for our blood,
And seemed to scorn th' unequal foe ;
But, fraught with vengeance^ ere the rising flame
Could waste our bulwarks, or our walls surround,
Mars to assist the fiery serpent came,
And brought the towering eagle to the ground.
That god who hates the boastings of the proud
Saw the rude violence of th' exulting crowd ;
Already now the triumph was prepared.
The wreath of victory and the festal song,
When Jove the clash of golden armour heard.
And hurled his thunder on the guilty throng.
Then Capaneus, elate with pride,
Fierce as the rapid whirlwind came,
Eager he seemed on every side
To spread the all- devouring flame ;
But soon he felt the winged lightning's blast,
By angry heaven with speedy vengeance sent —
Down from the lofty turrets headlong cast.
For his foul crimes he met the punishment.
Each at his gate, long time the leaders strove,
Then fled, and left their arms to conquering Jove ;
Save the unhappy death-devoted pair,
The wretched brethren, who unconquered stood.
With rancorous hate inspired, and fell despair.
They reeked their vengeance in each other's blood.
And lo ! with smiles propitious see
To Thebes, for numerous cars renowned,
The goddess comes, fair Victory,
Witli fame and endless glory crowned !
Henceforth, no longer vexed by war's alarms,
Let all our sorrows, all our labours cease ;
Come, let us quit the din of rattling arms,
And fill our temples with the songs of peace.
The god of Thebes shall guide our steps aright,
And crown with many a lay the festive night.
But see, still anxious for his native land,
Our king, Menfeceus' valiant son, appear ;
With some fair omen by the gods' command
He comes to met his aged council here. [Exeunt.

Antigone. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 26.mvp-line-26 focus
τὸν δ’ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 26.mvp-line-26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Antigone (OCR draft) Experimental (Antigone) — 26 focus
τὸν δʼ ἀθλίως θανόντα Πολυνείκους νέκυν
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 26 focus
τὸν δ᾽ ἀθλίως θανόντα Πολυνείκους νέκυν
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 26 focus
ISMENE
Wenn du's vermöchtest; doch du willst Unmögliches.
90
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 26 focus
Ismena
De ningún modo conviene perseguir lo imposible.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 26 focus
Ismene
Sed ne primitus quidem sectari impossibilia decet.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 26 focus
ISM
One should not start upon a hopeless quest.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 39 focus
Was kann ich, wenn dies also steht, Unselige, 1
Hier, lösend oder bindend, uns zum Frommen thun?
40
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 26 focus
ISMENA
Desde el principio debemos renunciar á aquello que supera nuestro poder.
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 26 focus
ISMENE
Gleich Anfangs muss Niemand Unthunlichs jagen.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 26 focus
Ismene
A hopeless quest should not be made at all.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 26 focus
Creon
What, wou'dst thou scan
The regions of my pain?
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 1-98 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-66-1 τοῖς φίλοις δ’ ὀρθῶς φίλη 1 ἴσθι 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

99. mvp-comment-62-1 τοῖς φίλοις δ᾽ ὀρθῶς φίλη But unfailing in kindness to thy friends; i. e. A faithful sister to thine own brother. Cp. Eur. Or. 424, ἀληθὴς δ᾽ ἐς φίλους ἔφυν φίλος. Antigone goes to perform the sepulture, and Ismene returns into the palace. The stage is left vacant. As in the Ajax, there is a distinct break after the prologue, which has laid the ground of the action so far as Antigone is concerned. The first episodion, ll. 163 ff., is in one sense a fresh beginning, as setting forth the motives of Creon, and still only preparing for the collision. The parados, ll. 100 ff., introduces us to the public feeling of Thebes, and to the wider sphere of which the action forms the central point. 100 ff. Instead of a long series of anapaests, followed by lyrical strophes and antistrophes, as in the Ajax (with which cp. Aesch. Agamemnon), we have here two strophes and antistrophes alternating with anapaestic systems of about seven lines each: making a form of parodos intermediate between that of the Ajax and that of the O. T., in which there are no anapaests. The α' (100-109=117-133). chorus on its first appearance chants ll. 100-109, then advances while the coryphaeus recites 110-116, then the antistrophe is chanted, then another advance is made during the recitative of 11. 127-133, then strophe B' is chanted, the chorus by this time standing near the stage; then they make a final advance, and, during the second antistrophe, are standing full in front of the stage. Lastly, as Creon is seen approaching, the coryphaeus chants ll. 155-162, which thus form at once the conclusion of the parodos and the introit or prelude of the first episodium.

99. mvp-comment-62-2 The total effect is that of a stately and solemn triumph, in which the bright influence of the glyconic opening is tempered with slow movements (---), as in ll. 106, 122, 137, 151, and interrupted rhythms, as in ll. 103, 120, 138, 152; the notes of triumph and solemnity being combined in the choriambi, which bring the lyrical part to a close. Thus we have- β΄ (134-140=148-154). CI IICCー​しー CLトくト​CCI 51--10CICIC ト 1001010110010||| ――ト​し​て​トー luclcclcULCII) C- 「SƆIDII7 5トレト​しし LCCLLCCLLCCLLCCLI トリトー The culmination of feeling is marked by the dactylic opening of β'. The rhythms of a' 3. 4, 6, and β' 3, 4, show the correlation of the two movements. The adaptation of sound to sense is specially obvious in the resolved trochees of a' 7, while the concluding lines, a' 8, β' 7, serve to harmonize the logaoedic with the anapaestic measures. Cp. O. C. 135-137, 167-169.

99. mvp-comment-62-3 'Never did morning rise so fair as this which thou didst bring at length to waiting Thebè, O eye of golden day! For thy first beams, shooting over Dircè's rills, stirred into quicker flight the Argive warrior, who for Polynices' quarrel swooped upon our land on snow-white wing, with many a shield and many a plumèd helm.

99. mvp-comment-62-4 Threatening our halls in towering pride he stood, and gaped with bristling spears around our gates, thirsting for our blood: but he is gone, or ever his desire was slaked, or ever the fire-god caught our coronal of towers. Such fight displayed the serpent writhing in his gripe, not easily subdued. Such din of war assailed him as he turned to flee. For Zeus abhors the boaster and contemns the clank of gold. And when he saw them moving in a full proud stream, he smote with lightning from on high the daring climber who had gained the pinnacle and was eagerly preparing to shout victory. And swung to earth he fell with a rebound, the firebearer, who with mad rush was breathing his blast of enmity against the wall. And various was the fortune of the day. But terrible was the War-god as he plunged amidst our enemies, a mighty helper for us.

99. mvp-comment-62-5 'For at all our gates their captains, seven against seven, left their panoplies as trophies to our cause. All, save the horrid pair, who fell together with the guilt of mutual fratricide.

99. mvp-comment-62-6 But forget we the griefs of war. For victory came with smiles of joy to greet our smiling town. So visit we the temples of the gods with dances all night long: and let Theban Bacchus be the master of our revelry.