Sophocles Antigone 61

Lewis Campbell (Translator)

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CHORUS
CHORUS. LEADER OF CHORUS.
Many a wonder lives and moves, but the wonder of all is man,
That courseth over the grey ocean, carried of Southern gale,
335
Faring amidst high-swelling seas that rudely surge around,
And Earth, supreme of mighty Gods, eldest, imperishable,
Eternal, he with patient furrow wears and wears away
As year by year the plough-shares turn and turn,—
Subduing her unwearied strength with children of the steed.
343
And wound in woven coils of nets he seizeth for his prey
The aëry tribe of birds and wilding armies of the chase,
345
And sea-born millions of the deep—man is so crafty-wise.
And now with engine of his wit he tameth to his will
The mountain-ranging beast whose lair is in the country wild;
And now his yoke hath passed upon the mane
Of horse with proudly crested neck and tireless mountain bull.
354
Wise utterance and wind-swift thought, and city-moulding mind,
And shelter from the clear-eyed power of biting frost,
355
He hath taught him, and to shun the sharp, roof-penetrating rain,—
Full of resource, without device he meets no coming time;
From Death alone he shall not find reprieve;
No league may gain him that relief; but even for fell disease,
That long hath baffled wisest leech, he hath contrived a cure.
Inventive beyond wildest hope, endowed with boundless skill,
365
One while he moves toward evil, and one while toward good,
365
According as he loves his land and fears the Gods above.
Weaving the laws into his life and steadfast oath of Heaven,
High in the State he moves but outcast he,
370
Who hugs dishonour to his heart and follows paths of crime
Ne’er may he come beneath my roof, nor think like thoughts with me.
What portent from the Gods is here?
My mind is mazed with doubt and fear.
376
How can I gainsay what I see?
I know the girl Antigone,
O hapless child of hapless sire!
Didst thou, then, recklessly aspire
380
To brave kings’ laws, and now art brought
In madness of transgression caught?

Antigone. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν, γυναῖχ᾽ ὅτι
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν, γυναῖχ᾽ ὅτι
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μέν, γυναῖχ᾽ ὅτι
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχ᾽ ὅτι
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχ᾽ ὅτι
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 61.mvp-line-61 focus
ἀλλ’ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχ’ ὅτι
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχ᾽ ὅτι
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μέν, γυναῖχ᾽ ὅτι
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχ᾽ ὅτι
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 61.mvp-line-61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχ' ὅτι
Antigone (OCR draft) Experimental (Antigone) — 61 focus
ἀλλʼ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχʼ ὅτι
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 61 focus
ἀλλ᾽ ἐννοεῖν χρὴ τοῦτο μὲν γυναῖχ᾽ ὅτι
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 61 focus
KREON
Ja du verriethest deine Seel' um Silbers Preis!
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 61 focus
Coro
Muchas cosas hay admirables, pero ninguna es más admirable que el hombre. Él es quien al otro lado del espumante mar se traslada llevado del impetuoso viento a través de las olas que braman en derredor; y a la más excelsa de las diosas, a la Tierra, incorruptible e incansable, esquilma con el arado, que dando vueltas sobre ella año tras año, la revuelve con ayuda de la raza caballar. 343 Y de la raza ligera de las aves, tendiendo redes, se apodera; y también de las bestias salvajes y de los peces del mar, con cuerdas tejidas en malla, la habilidad del hombre. Domeña con su ingenio a la fiera salvaje que en el monte vive; y al crinado caballo y al indómito toro montaraz, les hace amar el yugo al que sujetan su cerviz. 354 Y en el arte de la palabra, y en el pensamiento sutil como el viento, y en las asambleas que dan leyes a la ciudad se amaestró; y también en evitar las molestias de la lluvia, de la intemperie y del inhabitable invierno. Teniendo recursos para todo, no queda sin ellos ante lo que ha de ve- nir. Solamente contra la muerte no encuentra remedio; pero sabe precaverse de las molestas enfermedades, procurando evitarlas. 365 Y poseyendo la industriosa habilidad del arte más de lo que podia podía esperarse, procede unas veces bien o se arrastra hacia el mal, conculcando las leyes de la patria y el sagrado juramento de los dioses. Quien, ocupando un elevado cargo en la ciudad, se habitúa al mal por osadía, es indigno de vivir en ella : que nunca sea mi huésped, y menos amigo mío, el que tales cosas haga. 376 Ante el admirable prodigio que se me presenta a la vista, estoy dudando. ¿Cómo, si la estoy viendo, podré negar que no sea ésta la niña Antígona? ¡Oh hija infeliz de Edipo, infeliz padre! ¿Qué es esto? ¿Es que, por desobedecer los mandatos del rey, te traen éstos habiéndote sorprendido en tal imprudencia?
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 61 focus
Chorus
333 Multa quidem sunt mirabilia; nihil vero homine mirabilius est. Itaque tum canum ultra pontum procelloso flante noto fertur, circumfrementes transmittens fluctus; tum supremam deam, Tellurem immortalem, indefessam, exercet circumactis aratris per singulos annos, equino genere versans. 343 Levium etiam genus avium cassibus circumdatum abducit, agrestiumque ferarum secla, pontique marinam naturam nexis retium laqueis, vir solers: edomatque artibus agrestem beluam montivagam, iubatumque equum et montanum indomitum taurum iugo admovet, cervicibus imponendo.
354 Quin dicendi artem, sublimiumque rerum scientiam et civiles mores didicit, tum etiam inhabitabilis frigoris subdialia imbriumque tela fugere. Ad omnia ingeniosus, nullorumque, futura quaesunt, improvidus, est: solius Orci effugium invenire non valet: difficilium tamen morborum remedia excogitavit.
365 Callidus ultra quam. sperari possit, quodvis opus ingens artificio perficere, modo bonum, modo pravum sectatur. Leges contemnens patriae, vindicesque iurisiurandi patrios deos, princeps, civitate eiicitur, qui pravum, audaciae plenus, sectatur: neque idem mecum tectum subeat, nec mecum conferat: consilia, qui talia patrat. — 376 At dubito, an hoc esse dicam deorum ostentum. — Quanquam infitias ire qui potero, hanc, quam video puellam, esse Antigonam ? O misera, et misero patre Oedipode mata, quidnam istud est? Anne te isti adducunt regis imperio immorigeram, et in amenti deprehensam auso?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 69 focus
Nicht mehr verlang' ich's, möchte dich zur Helferin
Nicht mehr, erklärtest du dich auch bereit dazu.
70
Nein, wähle deinem Sinne nach: ihn werd' ich selbst
Bestatten; ruhmvoll ist der Tod für diese That.
Bei ihm, dem Lieben, werd' ich ruh'n, die Liebende,
Die frommen Frevel übte; muß ich länger doch
Den Todten dort gefallen, als den Lebenden.
75
Denn dort ja ruh' ich ewig; du, wenn dir's gefällt,
Entehre, was in Ehre selbst bei Göttern steht.
Ich acht' es auch der Ehre werth; indeß der Stadt
Zum Troz zu handeln, fühl ich mich nicht stark genug.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 61 focus
Guard
384
Behold tho woman who hath done the deed !
I' th' very act of burial we surprised her.
Where is the king ?
385
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 61 focus
EL CENTINELA
¡Ay! ¡Qué desgracia, cuando se forma una opinión, que se opine lo falso!
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 61 focus
CHOR der Thebanischen Alten
Ungeheuer ist viele. Doch nichts
Ungeheuerer, als der Mensch.
350
Denn der, über die Nacht
Des Meers, wenn gegen den Winter wehet
Der Südwind, fähret er aus
In geflügelten sausenden Häufsern.
Und der Hinmlischen erhabene Erde
355
Die unverderbliche, unermüdete
Reibet er auf; mit dem strebenden Pfluge,
Von Jahr zu Jahr,
Treibt sein Verkehr er, mit dem Rossegeschlecht’,
343
Und leichträumender Vögel Welt
360
Bestrikt er, und jagt sie;
Und wilder Thiere Zug,
Und des Pontos salzbelebte Natur
Mit gesponnenen Nezen,
Der kundige Mann.
365
Und fängt mit Künsten das Wild,
Das auf Bergen übernachtet und schweift.
Und dem rauhmähnigen Rosse wirft er um
Den Naken das Joch, und dem Berge
Bewandelnden unbezähmten Stier.
370
354
Und die Red’ und den luftigen
Gedanken und städtebeherrschenden Stolz
Hat erlernet er, und übelwohnender
Hügel feuchte Lüfte, und
Die unglüklichen zu fliehen, die Pfeile. Allbewandert,
375
Unbewandert. Zu nichts kommt er.
Der Todten künftigen Ort nur
Zu fliehen weiss er nicht,
Und die Flucht unbehaltener Seuchen
Zu überdenken.
380
365
Von Weisem etwas, und das Geschikte der Kunst
Mehr, als er hoffen kann, besizend,
Kommt einmal er auf Schlimmes, das andre zu Gutem.
Die Gesezze kränkt er, der Erd’und Naturgewalt’ger
Beschwornes Gewissen ;
385
Hochstädtisch kommt, unstädtisch
Zu nichts er, wo das Schöne
Mit ihm ist und mit Frechheit.
Nicht. sey am Heerde mit mir,
Noch gleichgesinnet,
390
Wer solches thut.
376
Wie Gottesversuchung aber stehet es vor mir,
Dafs ich sie seh’ und sagen doch soll,
Das Kind seys nicht, Antigonä.
O Unglükliche, vom unglüklichen
395
Vater Oedipus, was führt über dir und wohin,
Als ungehorsam dich
Den königlichen Gesezen,
In Unvernunft dich ergreifend?
Erste Scene DER BOTE. DER CHOR. KREON.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 61 focus
Chorus
1 333 Wonders are many, and none is more wonderful than man; the power that crosses the white sea, driven by the stormy south-wind, making a path under surges that threaten to engulf him; and Earth, the eldest of the gods, the immortal, the unwearied, doth he wear, turning 340 the soil with the offspring of horses, as the ploughs go to and fro from year to year. 1 343 And the light-hearted race of birds, and the tribes of savage beasts, and the sea-brood of the deep, he snares in the meshes of his woven toils, he leads captive, man excellent in wit. And he masters by his arts the beast whose lair is in the wilds, who roams the hills; 350 he tames the horse of shaggy mane, he puts the yoke upon its neck, he tames the tireless mountain bull, 2 354 And speech, and wind-swift thought, and all the moods that mould a state, hath he taught himself; and how to flee the arrows of the frost, when ’tis hard lodging under the clear sky, and the arrows of the rushing rain ; 360 yea, he hath resource for all; without resource he meets nothing that must come: only against Death shall he call for aid in vain; but from baffling maladies he hath devised escapes. 2 365 Cunning beyond fancy’s dream is the fertile skill which brings him, now to evil, now to good. When he honours the laws of the land, and that justice which he hath sworn by the gods to uphold, proudly stands 370 his city: no city hath he who, for his rashness, dwells with sin. Never may he share my hearth, never think my thoughts, who doth these things! Enter the Guard on the spectators’ left, leading in ANTIGONE. 376 What portent from the gods is this?—my soul is amazed. I know her—how can I deny that yon maiden is Antigone? 380 O hapless, and child of hapless sire,—of Oedipus ! What means this? Thou brought a prisoner?—thou, disloyal to the king’s laws, and taken in folly?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 61 focus
Antigone
He was not a slave who died,
He was a brother.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-173-1 πολλὰ … κοὐδέν 1

mvp-comment-173-2 καί 2

mvp-comment-173-3 τὰ δεινά 3

mvp-comment-174-1 τοῦτο 4 πέραν 5 πέρα 6

mvp-comment-175-1 χειμερίῳ νότῳ 7

mvp-comment-176-1 περιβρ … ὑπ’ οἴδμασιν 8

mvp-comment-177-1 ὑπερτάταν 9

mvp-comment-178-1 ἀκαμάταν 10

mvp-comment-178-2 ἀποτρύεται 11

mvp-comment-179-1 ἰλλομένων ἀρότρων, 12 ἀρότων 13

mvp-comment-179-2 ἔτος εἰς ἔτος 14 εἰς 15

mvp-comment-180-1 ἱππείῳ γένει 16

mvp-comment-180-2 πολεύων 17 τοῦτο 18

mvp-comment-181-1 Man's conquests over the animal world are here taken in two groups. First, those of which the primary aim is to kill or to capture. Here the means is netting (

ἀμφιβαλὼν σπείραισι δικτυοκλώστοις
), in its threefold sporting use, as applied to fowling (
ὀρνίθων
), hunting (
θηρῶν
), and fishing (
πόντου φύσιν
). Secondly, those conquests which aim at reducing wild animals to man's service. These are effected by
μηχαναί
(349),— arts of taming and training. And their result is aptly expressed by the word

mvp-comment-181-2

κρατεῖ
: here, man is not merely the slayer or captor; he becomes the master of docile toilers. The horse and the bull are types.

mvp-comment-181-3 Thus, in this ode, the scale of achievement ever ascends: man (1) conquers inanimate nature: (2) makes animals his captives: (3) trains them to be his servants: (4) develops his own social and intellectual life.

mvp-comment-181-4 κουφονόων 19

mvp-comment-181-5 ἀμφιβαλὼν 20

mvp-comment-182-1 πόντου … εἰναλίαν φύσιν 21

mvp-comment-183-1 περιφραδής 22

mvp-comment-184-1 μηχαναῖς 23 ἀγραύλου 24 ὀρεσσιβάτα 25

mvp-comment-185-1 λασιαύχενά θ’ 26

mvp-comment-186-1 ὀχμάζεται 27 ἀμφὶ λόφον ζυγῶν 28

mvp-comment-186-2 Rhod. 1. 743

κυρίως ἐστὶν ὀχμάσαι τὸ ἵππον ὑπὸ χαλινὸν ἀγαγεῖν ἢ ὑπὸ ζυγόν
. The midd. voice does not occur elsewhere; but this cannot be regarded as an objection, when we remember how many rare middle forms occur in the dramatists. Thus
προσορωμένα
in O. C. 244 is a solitary example of that verb in the midd., and if the license could be taken with so common a word, much more might it be allowed with a comparatively rare one. Blaydes writes
ὀχμάζει ὑπ’ ἀμφίλοφον ζυγόν
: but the Ms.
ἕξεται
indicates that the verb, whatever it was, was of the midd. form.
ὀχμάζεται
was published by G. Schöne in 1833, and by Franz in 1846: they appear to have made the conjecture independently. Donaldson (1848) printed
ὁχμάζεται ἀμφὶ λόφον ζυγῶν
, and seems to ascribe
ζυγῶν
to Franz and Schöne; though Franz, at least, proposed
ἀμφὶ λόφον ζυγῷ. ζυγῶν
has been revived (seemingly without knowledge of a predecessor) by H. Schütz (1886). Sophocles would write
ΑΜΦΙΛΟΦΟΝΖΥΓΟΝ
, and thus
ζυγῶν
changes no letter. Aesch. used the fut.
ζυγώσω
(fr. 110), and Soph. has the verbal
ζυγωτῶν
( El. 702 ). To
ἀμφιλόφῳ ζυγῷ
it may be objected that, being clear, it was not likely to become -
ον ‐όν
: but, when
ἀμφίλοφον
had once been written,
ζυγῶν
(or
ζυγῷ
) would easily become
ζυγόν
. As to the schol. on
ἀμφίλοφον,—ἀντὶ τοῦ, περιβαλὼν αὐτῷ ζυγὸν περὶ τὸν λόφον, ὑπάγει
,—it cannot fairly be urged for
ζυγῶν
(or for any partic.), since it may be merely a paraphrase of
ἀμφίλοφον
.—Schütz's ἐφέζεται 29

mvp-comment-187-1 φθέγμα 30

mvp-comment-187-2 beginnings of speech...Speech is the development, through imitation, of a capacity of man—the capacity of making a noise.’ This is quite compatible with

ἐδιδάξατο.

mvp-comment-187-3 ἀνεμόεν φρόνημα 31

mvp-comment-188-1 ἀστυνόμους ὀργάς 32

mvp-comment-189-1 ἐδιδάξατο 33

mvp-comment-190-1 πάγων 34

mvp-comment-190-2 ἐναίθρεια 35

mvp-comment-190-3 βέλη 37

mvp-comment-191-1 παντοπόρος 38

mvp-comment-191-2

οὐδὲν … τὸ μέλλον = οὐδὲν ὃ μέλλει
(
ἔσεσθαι
), nothing that is to be (cp. the absolute
τὸ μέλλον, τὰ μέλλοντα
). So Plat. Lach. 197 A
ἔγωγε ἀνδρεῖα καλῶ οὔτε θηρία οὔτε ἄλλο οὐδὲν τὸ τὰ δεινὰ ὑπὸ ἀγνοίας μὴ φοβούμενον = οὐδὲν ὃ μὴ φοβεῖται
. This negative form is as correct as (though actually rarer than) the positive
πᾶν τὸ καλῶς ἔχον
( Plat. Rep. 381A ) for
πᾶν ὃ καλῶς ἔχει
. Donaldson took
τὸ μέλλον
adverbially: ‘in regard to the future, he comes to nothing without resources.’ Cp. 728 ,
μηδὲν τὸ μὴ δίκαιον
, where
μηδέν
is subst., not adv.

mvp-comment-192-1 μόνον 39 μόνου 40 φεῦξιν — ἐπάξεται 41

mvp-comment-193-1 ἀμηχάνων 42

mvp-comment-193-2 φυγάς 43

mvp-comment-193-3 ξυμπέφρασται 44

mvp-comment-194-1 The ode closes with a more direct reference to the incident which suggested its theme. The daring ingenuity shown by the unknown breaker of Creon's edict is an instance of the subtlety which leads to ruin. The implied contrast with Creon—

ὑψίπολις
by his care for the laws—is effective in view of the destined
περιπέτεια
.

mvp-comment-194-2 σοφόν τι … ἔχων 45

mvp-comment-194-3 τὸ μηχανόεν τ 46

mvp-comment-195-1 τοτὲ μὲν … ἄλλοτ’ 47

mvp-comment-195-2 ἐπ’ 48

mvp-comment-196-1 γεραίρων 49

mvp-comment-196-2 5. 67

ἐτίμων τὸν Ἄδρηστον καὶ δὴ πρὸς τὰ πάθεα αὐτοῦ τραγικοῖσι χοροῖσι ἐγέραιρον
. Ar. Th. 960
γένος Ὀλυμπίων θεῶν | μέλπε καὶ γέραιρε φωνῇ
.

mvp-comment-197-1 θεῶν τ’ ἔνορκον δίκαν 50

mvp-comment-198-1 ὑψίπολις 51

mvp-comment-198-2 ἄπολις 52

mvp-comment-198-3 τὸ μὴ καλόν 53 τόλμας χάριν 54

mvp-comment-199-1 παρέστιος 55

mvp-comment-199-2 ἴσον φρονῶν 56

mvp-comment-200-1 ἔρδει 57 ἔρδοι 58

mvp-comment-202-1 The choral ode has closed with an allusion to the unknown man ( ὅς 59 ἀμφινοῶ 60 ἐς 61

mvp-comment-202-2 δαιμόνιον τέρας 62

mvp-comment-203-1 πῶς εἰδὼς 63

mvp-comment-203-2 ἀντιλογήσω 64

mvp-comment-204-1 ὦ δύστηνος 65

mvp-comment-204-2 δ. πατρός 66

mvp-comment-204-3 Οἰδιπόδα— 67

mvp-comment-205-1 τί ποτ’ 68

mvp-comment-205-2 οὐ δή που 69

mvp-comment-205-3 ἀπιστοῦσαν 70

mvp-comment-205-4 ἄγουσι 71

mvp-comment-205-5 colloquialism, it would be nearly as bad as, ‘Have they taken you up?’

mvp-comment-205-6 καὶ 72 ἀπιστοῦσαν 73 καθελόντες 74

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

332-383. mvp-comment-190-1 Most wonderful of wondrous things is man, Who traverses the surging brine, And wearies mighty earth with yearly furrow. His craft ensnares the finny produce of the seas And taketh captive beast and bird. He compasseth a way to master the monster of the wilds, And brings under his yoke the horse with flowing mane And the never-wearied mountain bull. Selftaught in speech and thought and civil ways, And in providing shelter from the cold and rain, There is no end to his devices. Nothing but death ever finds him unprepared. Even diseases, not to be avoided, are escaped by him. Inventive beyond hope, he moveth now to evil, and again to good. When weaving with his wit the law of justice and piety He is exalted in the city, but outcast when he harbours wickedness for deeds of crime. May I never live with such an one, and may he never share my counsels. 332. Aesch. Cho. 585, πολλὰ μὲν γὰ τρέφει δεινὰ δειμάτων ἄχη,.. ἀλλ᾽ ὑπέρτολμον ἀνδρὸς φρόνημα τίς λέγοι; Troch. Iamb. Troch.

332-383. mvp-comment-190-2 δεινά = ' wonderful,' or mighty, is in transition from the earlier sense of fearful to the later sense of clever. Cp.

332-383. mvp-comment-190-3 ὀλοόφρων.

334. mvp-comment-191-1 τοῦτο This creature, man. The neuter continues the abstract notion from οὐδὲν .. δεινότερον, and is thus more impressive than the masculine would have been.

334. mvp-comment-191-2 πέραν Το the other side of.' Quite over. For the alliteration, which assists the emphasis, cp. El. 210.

335. mvp-comment-192-1 χειμερίῳ νότῳ Impelled by the stormy south-wind. Dative of cause. Essay on Language § 14. p. 21. 335-336. Traversing half-buried in the seething surge. For ὑπό with the dative in this sense, cp. О. С. 673, χλωραῖς ὑπὸ βάσσαις. Essay on Language § 19. p. 27.

336. mvp-comment-193-1 περιβρύχιος is probably active = Surging round, and contains an allusion to βρύχω, for which, cp. Aesch. Prom. 1082, βρυχία δ᾽ ἠχὼ παραμυκᾶται βροντής.

338. mvp-comment-194-1 ὑπερτάταν Supreme, as eldest and mother ofall. Solon, Fr. 36. 3, μεγίστη δαιμόνων Ὀλυμπίων | Γῆ. Cр. О. Т. 660, where the primacy for the occasion is similarly given to the sun. Schneidewin remarks that the assonance ἄφθιτον, ἀκαμάταν ἀποτρύεται, .. ἀρότρων helps to express the persistent industry of man. This ode is full of assonance and alliteration, and of correspondences such as ἀνεμόεν, μαχανόεν-παντόπορος, ἄπορος -ὑψίπολις, ἄπολις.

339. mvp-comment-195-1 ἀποτρύεται Wears out for his use (mid.) the still-unwearied Earth. The present implies that the process is never-ending. Even in the common operations of husbandry the old religion finds a ground for awe. The dactyls suit the thought of the continuous round of human labour, as those of the antistrophe express the movement of the steed. The two long syllables, ἱππει-, οὐρει-, at once check the flow of rhythm (as with a renewed feeling of wonder), and by their weight give impetus to the concluding trochees. Cp. Eur. Phoen. 1039-1040, 1063.4.

340. mvp-comment-196-1 ἰλλομένων ἀρότρων As the ploughs keep turning year after year. The force of ἴλλω is limited motion. Thus the shuttle might be said ἴλλεσθαι, because when it reaches either end of the loom it is driven back again. Precisely in the same way the ploughs are said ἴλλεσθαι, “To keep moving to and fro within certain bounds.' ἔτος εἰς ἔτος] i. e. δι' ἔτους εἰς ἔτος, "Through one year into the next,' the first ἔτος being the accusative of duration.

340. mvp-comment-196-2 ἱππείῳ γένει πολεύων Breaking the glebe by the strength of mules. πολεύειν = πολεῖν in Hes. Op. 460, ἔαρι πολεῖν· θέρεος δὲ νεωμένη οὔ σ᾽ ἀπατή- The masc. is more probable than the neuter, both because τοῦτο is re- σει. mote, and because ἀνήρ follows in the antistrophe.

340. mvp-comment-196-3 ἱππείῳ γένει i. e. Prole equarum. Schol. ταῖς ἡμιόνοις.

αἱ γάρ τε βοῶν προφερέστεραί εἰσιν ἐλκέμεναι νείοιο βαθείης πηκτὸν ἄροτρον.
Hom. Il. 10.352. Donaldson also compares Simon. Fr. 13 (Bergk.), χαίρετ' ἀελλοπόδων θύγατρες ἵππων.

343. mvp-comment-197-1 *κουφονόων Light-thoughted. This is Brunck's certain emendation, anticipated by the corrector of R. (Cp. v. rr. on l. 617.) Donaldson well says that as wings express the light-mindedness of light-mindedness is here made an epithet of the winged birds. But the word may further suggest the unsuspicious nature ('Despising the earth where cares abound') which makes them an easy prey. Cp. Plat. Tim. 91 D, τὸ δὲ τῶν ὀρνέων φῦλον . . ἐκ τῶν ἀκάκων ἀνδρῶν, κούφων δέ, κ.τ.λ.

345. mvp-comment-198-1 πόντου τ᾽ εἰναλίαν φύσιν The brood of ocean teeming in the seas. For φύσιν, see Essay on Language § 51. p. 96.

346. mvp-comment-199-1 σπείραισι δικτυοκλώστοις With meshy toils,' is to be joined with ἀμφιβαλὼν ἄγει. Nets (δίκτυα) were used in hunting and fowling, as well as in fishing. For ἄγειν in the sense of making captive, cp. Il. 9. 594, τέκνα δέ τ᾽ ἄλλοι ἄγουσι βαθυζώνους τε γυναῖκας.

346. mvp-comment-199-2 ἄγει suits well with the image of a captive enemy, which is kept up in the words φύλον and ἔθνη.

348. mvp-comment-200-1 περιφραδής By his excellent wit. The 1st strophe exhibits the boldness, the Ist antistrophe the cunning, of primitive man. The 2nd strophe and antistrophe describe the higher functions of civilized life. 349 ff. He not only subdues the animals, but makes them his servants.' In correcting this line, the dactylic metre is to be retained, which is hardly done in the conjj. ἀμφιλόφῳ ζυγῷ or ἀμφὶ λόφον ζυγοῖ. The words ἀμφίλοφον ζυγόν are sound both in meaning and rhythm. Brunck's conj. ὑπάξεται, supplying the preposition required by the Scholia, would be unexceptionable, if such a potential use of the future in an affirmative sentence could be defended. Blaydes' ὑπήγαγεν would be convincing if closer to the MSS. In favour of ἐπάξεται it may be urged that the repetition of the same word is in the manner of the ode, and that the figurative expression, he shall bring to his aid,' agrees with ἄγει, supr. 343. But besides the questionable future, the construction of the 2nd accus., sc. ἐπ᾿ ἀμφ. ζυγόν, is in this case dubious. ὑφέλκεται. . ζυγόν, compels to serve him in the yoke, may be suggested, although the verb ὑφέλκειν is not used elsewhere precisely in the sense required. Else qy. ἐφέλκεται?

352. mvp-comment-201-1 ἀκμῆτα is preferable to ἀδμῆτα, as the rarer word and as introducing a new and apposite idea. 353 ff. There is a natural progress in the thought. First, navigation and agriculture were mentioned as the arts of subduing the crude forces of nature; then the capture and domestication of animals. Now we come to the humanities and arts of life (the domestication of man himself), and lastly, in ἀντ. β', to moral or political good and evil.

354. mvp-comment-202-1 ἀνεμόεν φρόνημα Windswift thought; i. e. Thought which is viewless, free and nimble as the wind. Sophocles knew that the soul had been identified with the air. Cp. Plat. Phaedo, 96 Β, πότερον τὸ αἷμά ἐστιν ᾧ φρονοῦμεν, ἢ ὁ ἀήρ. ἢ τὸ πῦρ, κ.τ.λ. Schneidewin well compares Hom. Il. 15. 80, foll., ὡς δ᾽ ὅτ᾽ ἂν ἀΐξῃ νόος ἀνέρος, ὅς τ᾽ ἐπὶ πολλὴν | γαῖαν ἐληλουθὼς φρεσὶ πευκαλίμῃσι νοήσῃ | · ἔνθ εἴην ἢ ἔνθα, μενοινήπολλὰ | ὡς κραιπνῶς μεμανία διέπτατο πότνια Ἥρη. Wieseler's conj.

354. mvp-comment-202-2 κατ᾿ ἀν. φρ., adopted by Wolff, is surely unnecessary. Why should not man teach himself to think as well as to count? (See Plat. Rep. 7, p. 522.)

355-356. mvp-comment-203-1 ἀστυνόμους | ὀργάς is well explained by Seyffert, Urbium incolendarum studia. The disposition to inhabit cities. This seems more probable than The tempers of civic life. ἀστυνόμος ὀργή is the social impulse which draws men together to become inhabitants of the same town. comparison of Ar. Pol. 6. 8. 4, (ἑτέρα δ᾽ ἐπιμέλεια ταύτης ἐχομένη καὶ σύνεγγυς ἡ τῶν περὶ τὸ ἄστυ δημοσίων καὶ ἰδίων, ὅπως εὐκοσμία ῃ, καὶ τῶν πιπτόντων οἰκοδομημάτων καὶ ὁδῶν σωτηρία καὶ διόρθωσις, καὶ τῶν ὁρίων τῶν πρὸς ἀλλήλους, ὅπως ἀνεγκλήτως ἔχωσι, καὶ ὅσα τούτοις ἄλλα τῆς ἐπιμελείας ὁμοιότροπα, καλοῦσι δ' ἀστυνομίαν οἱ πλεῖστοι τὴν τοιαύτην ἀρχήν), suggests the conjecture ἀστυνόμους ἀρχάς (already made by Valckenaer), Administrative rule. V reads ὁρμάς, ср. О. Т. 337. Qy. ἀρετάς? Ср. 366. 355, foll. And to avoid the cleareyed influence of comfortless frosts, and the pelting of the pitiless rain.' διαίθρεια, sc. βέλη.

356. mvp-comment-204-1 ἐδιδάξατο He taught himself. For the directly reflexive middle, see Essay on Language § 31. p. 52. The origin of the arts was a favourite problem of the Sophists. Cp. Plato, Prot. 320 D, foll. It is here assumed that they were selftaught without Prometheus or other superhuman aid.

357. mvp-comment-205-1 Musgr. would read either διαίθρεια, or αἴθρεια with φρουρῶν for παρειρῶν in l. 367. G. Wolff reads αἴθρεια and πληρῶν. But the repetition of in ll. 3, 4, and 6 suits the composition of the strophe better than the introduction of the bacchius and cretic in l. 3. διαίθρεια, serene, while keeping up the alliteration, suits the context better than ὑπαίθρεια or ἐναίθρεια, in the open air. Join *διαίθρεια βέλη as well as δύσομβρα βέλη.

360. mvp-comment-206-1 παντοπόρος· ἄπορος This punctuation is justified by the corresponding line of the antistrophe, which cannot be pointed otherwise. παντοπόρος, sc. ὤν, is added, like περιφραδής ἀνήρ, supr. 347, to express the admiration excited by the preceding statements.

360-361. mvp-comment-207-1 οὐδὲν . . τὸ μέλλον] Cp. l. 728, μηδὲν τὸ μὴ δίκαιον. Essay on Language § 22. p. 36.

362. mvp-comment-208-1 οὐκ ἐπάξεται He shall not win. For a similar metaphorical use of ἐπάγεσθαι, where, however, the reading has also been questioned, cp. Thuc. 3.10, τὴν τῶν ξυμμάχων δούλωσιν ἐπαγομένους.

364. mvp-comment-209-1 νόσων δ᾽ ἀμηχάνων φυγὰς | ξυμπέφρασται He hath gathered to him by his thought a remedy for many an unavoidable disease. ξυμ- marks that the healing art is a collective monument of human skill. πέφρασται recalls the notion of περιφραδής, supr. 347. For the oxymoron, cp. supr. 340, ἀκαμάταν ἀποτρύεται.

365-366. mvp-comment-210-1 His power of artful contrivance is a miracle of unimaginable skill, wherewith he followeth one while an evil purpose, at other times a good one.' τέχνας is added as genitive of respect to complete the notion of τὸ μηχανόεν. ὑπὲρ ἐλπίδα, beyond what could have been hoped for, or expected before the event. τι marks the indefiniteness of σοφόν as the predicate. It is in agreement with σοφόν, but has the effect of a particle or adverb (πως).

366. mvp-comment-211-1 κακόν, . . ἐπ᾿ ἐσθλόν Cp. О. Т. 761, ἀγρούς σφε πέμψαι κἀπὶ ποιμνίων νομάς.

367. mvp-comment-212-1 νόμους παρείρων χθονός When he knits therewith, sc. τῷ μηχανόεντι τῆς τέχνης καὶ σοφῷ, the laws of his land and the oath-observing righteousness of heaven. It is objected to παρείρων that it elsewhere means Inserting incidentally, or by the way, and that such a meaning is unsuitable here. But, as Seyffert has already shown, the word (which is a rare one) may quite well mean Weaving in,' like gold-leaf, for instance, into a chaplet of flowers. Cp. Plat. Legg. 605 D, καὶ τὸν τοῦ Κύρου δασμὸν ὃν ὑπέσχετο Πέρσαις εἰς τὸν νόμον ἐνέδει. Conjectural emendations are γεραίρων, περαίνων, γὰρ αἴρων, τ᾿ ἀείρων, πληρῶν (see v. rr., and note on 357).

370. mvp-comment-213-1 ὑψίπολις For this compound, cp. ἡδύπολις, ὀρθόπολις, μεγιστόπολις, δικαιόπολις. The construction is elliptical, sc. ὑψίπολις ὧν or ἐστί.

370. mvp-comment-213-2 ἄπολις . . χάριν] He is outcast from the state, who harbours evil for the indulgence of crime. Cp. supr. l. 30, πρὸς χάριν βορâs: Plat. Phaedr. 241, χάριν πλησμονῆς. This is better than joining τόλμας χάριν with ἄπολις = He is an outcast for his boldness.

375. mvp-comment-214-1 ἴσον φρονῶν i. e. Of the same party in the state. For the expression, cp. Il. 15.50, ἶσον ἐμοὶ φρονέουσα.

376-378. mvp-comment-215-1 ἐς δαιμόνιον τέρας .. Ἀντιγόνην] I stand in doubt at this strange marvel, how to gainsay what I know, and say that this is not the maid Antigone. The resumption is suitable to the chorus' perturbed state of feeling. Seyffert's ἐς δαιμόνιον τέρας ἀμφινοῶν τότε, referring to the previous scene (1. 278), is without the directness and simplicity of these short anapaestic passages, in which the chorus announce the entrance of a new person on the stage. Cp. 526 ff., 626 ff.

378. mvp-comment-216-1 οὐκ εἶναι, not μὴ εἶναι, because the entrance of Antigone is a patent fact.

382. mvp-comment-217-1 *ἀπάγουσι Sc. εἰς κρίσιν.