Sophocles Antigone 28

Lewis Campbell (Translator)

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ISM
Go, if you must—Not to be checked in folly,
But sure unparalleled in faithful love!

Antigone. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 28 focus
τάφῳ καλύψαι, μηδὲ κωκῦσαί τινα,
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 28 focus
τάφῳ καλύψαι, μηδὲ κωκῦσαί τινα,
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 28 focus
τάφῳ καλύψαι, μηδὲ κωκῦσαί τινα,
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 28 focus
τάφῳ καλύψαι μηδὲ κωκῦσαί τινα,
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 28 focus
τάφῳ καλύψαι μηδὲ κωκῦσαί τινα,
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 28.mvp-line-28 focus
τάφῳ καλύψαι μηδὲ κωκῦσαί τινα,
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 28 focus
τάφωι καλύψαι μηδὲ κωκῦσαί τινα,
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 28 focus
τάφῳ καλύψαι, μηδὲ κωκῦσαί τινα,
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 28 focus
τάφῳ καλύψαι μηδὲ κωκῦσαί τινα,
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 28.mvp-line-28 focus
τάφῳ καλύψαι μηδὲ κωκῦσαί τινα,
Antigone (OCR draft) Experimental (Antigone) — 28 focus
τάφῳ καλύψαι μηδὲ κωκῦσαί τινα,
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 28 focus
τάφωι καλύψαι μηδὲ κωκῦσαί τινα,
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 28 focus
ISMENE
Auch nicht beginnen soll man, was unmöglich ist.
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 28 focus
Ismena
Pues si te parece, anda; pero ten esto en cuenta, que procedes insensatamente, bien que muy amable a los seres queridos.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 28 focus
Ismene
At si tibi videtur, ito: hoc autem scias, stultam te quidem esse, sed amicis probe amicam.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 39 focus
Was kann ich, wenn dies also steht, Unselige, 1
Hier, lösend oder bindend, uns zum Frommen thun?
40
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 28 focus
Creon
211
At length our empire, shook by civil broils.
The gods to peace and safety have restored ;
Wherefore, my friends, you had our late request
That you should meet us here ; for well I know
Your firm allegiance to great Laius, next
To (Edipus, and his unhappy sons ;
These by each other's hand untimely slain,
To me the sceptre doth of right descend,
As next in blood. Never can man be know,
His mind, his will, his passions ne'er appear
Till power and office call them forth ; for me,
'Tis my firm thought, and I have held it ever,
That he who rules and doth not follow that
Which wisdom counsels, but, restrained by fear,
Shuts up his lips, must be the worst of men ;
Nor do I deem him worthy who prefers
A friend, how dear soever, to his country.
Should I behold — witness all-seeing Jove ! —
This city wronged, I never would be silent,
Never would make the foe of Thebes my friend,
For on her safety must depend our own j
And if she flourish we can never want
Assistance or support. Thus would I act,
And therefore have I sent my edict forth
Touching the sons of OEdipus, commanding
That they should bury him who nobly fought
And died for Thebes, the good Eteocles,
Gracing his memory with each honour due
To the illustrious dead. For Polynices,
Abandoned exile, for a brother's blood
Thirsting insatiate — he who would in flames
Have wasted all, his country and his gods.
And made you slaves — I have decreed he lie
Unburied, his vile carcase to the birds
And hungry dogs a prey. There let him rot
Inglorious — 'tis my will ; for ne'er from me
Shall vice inherit virtue's due reward,
But him alone who is a friend to Thebes,
Living or dead shall Creon reverence still.
Choe. Son of Menseceus, 'twas thy great behest
Thus to reward them both ; thine is the power
O'er all supreme, the living and the dead.
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 28 focus
ISMENA
Puesto que tú lo quieres..... parte, hermana imprudente;..... pero, en realidad, amiga de tus amigos. Se van ambas, por diferente lado. Sube el coro compuesto de los ancianos ó senadores de Thebas).
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 28 focus
ISMENE
Wenn dir es.dünkt, so geh. Wiss aber difs,
100
Sinnlos, doch lieb in liebem Tone sprichst du.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 28 focus
Ismene
Go, then, if thou must; and of this be sure,— that, though thine errand is foolish, to thy dear ones thou art truly dear. Exit ANTIGONE on the spectators’ left. ISMENE retires into the palace by one of the two side-doors.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 28 focus
Creon
Who did the deed, my words offend thy ears.
320
What a quaint prater this!
320
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 1-98 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-66-1 τοῖς φίλοις δ’ ὀρθῶς φίλη 1 ἴσθι 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

99. mvp-comment-62-1 τοῖς φίλοις δ᾽ ὀρθῶς φίλη But unfailing in kindness to thy friends; i. e. A faithful sister to thine own brother. Cp. Eur. Or. 424, ἀληθὴς δ᾽ ἐς φίλους ἔφυν φίλος. Antigone goes to perform the sepulture, and Ismene returns into the palace. The stage is left vacant. As in the Ajax, there is a distinct break after the prologue, which has laid the ground of the action so far as Antigone is concerned. The first episodion, ll. 163 ff., is in one sense a fresh beginning, as setting forth the motives of Creon, and still only preparing for the collision. The parados, ll. 100 ff., introduces us to the public feeling of Thebes, and to the wider sphere of which the action forms the central point. 100 ff. Instead of a long series of anapaests, followed by lyrical strophes and antistrophes, as in the Ajax (with which cp. Aesch. Agamemnon), we have here two strophes and antistrophes alternating with anapaestic systems of about seven lines each: making a form of parodos intermediate between that of the Ajax and that of the O. T., in which there are no anapaests. The α' (100-109=117-133). chorus on its first appearance chants ll. 100-109, then advances while the coryphaeus recites 110-116, then the antistrophe is chanted, then another advance is made during the recitative of 11. 127-133, then strophe B' is chanted, the chorus by this time standing near the stage; then they make a final advance, and, during the second antistrophe, are standing full in front of the stage. Lastly, as Creon is seen approaching, the coryphaeus chants ll. 155-162, which thus form at once the conclusion of the parodos and the introit or prelude of the first episodium.

99. mvp-comment-62-2 The total effect is that of a stately and solemn triumph, in which the bright influence of the glyconic opening is tempered with slow movements (---), as in ll. 106, 122, 137, 151, and interrupted rhythms, as in ll. 103, 120, 138, 152; the notes of triumph and solemnity being combined in the choriambi, which bring the lyrical part to a close. Thus we have- β΄ (134-140=148-154). CI IICCー​しー CLトくト​CCI 51--10CICIC ト 1001010110010||| ――ト​し​て​トー luclcclcULCII) C- 「SƆIDII7 5トレト​しし LCCLLCCLLCCLLCCLI トリトー The culmination of feeling is marked by the dactylic opening of β'. The rhythms of a' 3. 4, 6, and β' 3, 4, show the correlation of the two movements. The adaptation of sound to sense is specially obvious in the resolved trochees of a' 7, while the concluding lines, a' 8, β' 7, serve to harmonize the logaoedic with the anapaestic measures. Cp. O. C. 135-137, 167-169.

99. mvp-comment-62-3 'Never did morning rise so fair as this which thou didst bring at length to waiting Thebè, O eye of golden day! For thy first beams, shooting over Dircè's rills, stirred into quicker flight the Argive warrior, who for Polynices' quarrel swooped upon our land on snow-white wing, with many a shield and many a plumèd helm.

99. mvp-comment-62-4 Threatening our halls in towering pride he stood, and gaped with bristling spears around our gates, thirsting for our blood: but he is gone, or ever his desire was slaked, or ever the fire-god caught our coronal of towers. Such fight displayed the serpent writhing in his gripe, not easily subdued. Such din of war assailed him as he turned to flee. For Zeus abhors the boaster and contemns the clank of gold. And when he saw them moving in a full proud stream, he smote with lightning from on high the daring climber who had gained the pinnacle and was eagerly preparing to shout victory. And swung to earth he fell with a rebound, the firebearer, who with mad rush was breathing his blast of enmity against the wall. And various was the fortune of the day. But terrible was the War-god as he plunged amidst our enemies, a mighty helper for us.

99. mvp-comment-62-5 'For at all our gates their captains, seven against seven, left their panoplies as trophies to our cause. All, save the horrid pair, who fell together with the guilt of mutual fratricide.

99. mvp-comment-62-6 But forget we the griefs of war. For victory came with smiles of joy to greet our smiling town. So visit we the temples of the gods with dances all night long: and let Theban Bacchus be the master of our revelry.