Sophocles Antigone 244

Lewis Campbell (Translator)

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MESS
Dear lady, I will tell thee what I saw,
And hide no grain of truth: why should I soothe
Thy spirit with soft tales, when the harsh fact
Must prove me a liar? Truth is always best.
I duly led the footsteps of thy lord
1195
To the highest point of the plain, where still was lying,
Forlorn and mangled by the dogs, the corse
Of Polynices. We besought Persephonè
And Pluto gently to restrain their wrath,
And wash’d him pure and clean, and then we burned
1200
The poor remains with brushwood freshly pulled,
And heaped a lofty mound of his own earth
Above him. Then we turned us to the vault,
The maiden’s stony bride-chamber of death.
And from afar, round the unhallowed cell,
1205
One heard a voice of wailing loud and long,
And went and told his lord: who coming near
Was haunted by the dim and bitter cry,
And suddenly exclaiming on his fate
Said lamentably, ‘My prophetic heart
1210
Divined aright. I am going, of all ways
That e’er I went, the unhappiest to-day.
My son’s voice smites me. Go, my men, approach
With speed, and, where the stones are torn away,
Press through the passage to that door of death,
1215
Look hard, and tell me, if I hear aright
The voice of Haemon, or the gods deceive me.’
Thus urged by our despairing lord, we made
Th’ espial. And in the farthest nook of the vault
1219
We saw the maiden hanging by the neck
With noose of finest tissue firmly tied,
1220
And clinging to her on his knees the boy,
Lamenting o’er his ruined nuptial-rite,
Consummated in death, his father’s crime
And his lost love. And when the father saw him,
With loud and dreadful clamour bursting in
1225
He went to him and called him piteously:
‘What deed is this, unhappy youth? What thought
O’ermaster’d thee? Where did the force of woe
O’erturn thy reason? O come forth, my son,
I beg thee!’ But with savage eyes the youth
1230
Glared scowling at him, and without a word
Plucked forth his two-edged blade. The father then
Fled and escaped: but the unhappy boy,
Wroth with himself, even where he stood, leant heavily
Upon his sword and plunged it in his side.—
1235
And while the sense remained, his slackening arm
Enfolded still the maiden, and his breath,
Gaspingly drawn and panted forth with pain,
Cast ruddy drops upon her pallid face;
Then lay in death upon the dead, at last
1240
Joined to his bride in Hades’ dismal hall:—
A monument unto mankind, that rashness
Is the worst evil of this mortal state.

Antigone. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 244 focus
καὶ δὴ λέγω σοι. τὸν νεκρόν τις ἀρτίως
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 244 focus
τί φής; τίς ἀνδρῶν ἦν ὁ τολμήσας τάδε;
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 244 focus
θάψας βέβηκε, κἀπὶ χρωτὶ διψίαν
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 244 focus
οὔκουν ἐρεῖς ποτ', εἶτʼ ἀπαλλαχθεὶς ἄπει;
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 244.mvp-line-244 focus
οὔκουν ἐρεῖς ποτ’, εἶτ’ ἀπαλλαχθεὶς ἄπει;
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 244 focus
οὔκουν ἐρεῖς πότ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 244.mvp-line-244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Antigone (OCR draft) Experimental (Antigone) — 244 focus
οὔκουν ἐρεῖς ποτʼ, εἶτʼ ἀπαλλαχθεὶς ἄπει;
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Translations (9)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 244 focus
CHOR.
Str. 1. 1115
Vielnam'ger, der Kadmischen Jungfrau wonnig Kleinod!
1070
Sprofs Sproß des hocherdonnernden Zeus, Italia's der herrlichen.
Schutz! es beherrschet deine
Macht Eleusis' gastliche Flur
in Deo's Thalgrund!
O Baccheus, hier in Bacchischer Fraun Urland
1075
Theba, bei des Ismenos Stromflut
wohnend, wo des grimmen Drachen Saat sprofs!
Gegenstr. 1. 1126
Dich schauet vom Doppelgeklipp' auflodernd helle
Dampfglut, wo Korykische Nymphen schreiten froh im Bacchoschor,
schauet der Born Kastalia's!
1080
Dich entsendet Nysa's Gebirg
und Epheuwaldhöh'n,
wo grünumlaubtem Ufer entlang Wein prangt!
Gottvoll schallet dann jauchzend Festlied,
weil du freundlich Thebens Gassen heimsuchst,
1085
Str. 2. 1137
die weit du, weit vorziehst an Ehren jeglicher Stadt,
mit der Donnermutter du!
Komme jetzt, da graunvoll
das gesammte Land des Weh's herbe Gewalt erfafst,
sühnvollen Fufses über der Parnassoshöh'n
1090
Geklüft steigend oder die wilde Meerfurt!
Gegenstr. 2. 1146
Io du, glutaussprühn'der Sterne führend den Chor,
Herr des Jubelschalls der Nacht,
Zeusentsprofsner Knabe!
O erscheine sammt der Schaar Naxischer Mägdelein,
1095
der Thyien, die durchschwärmend die Nacht dich entzückt
im Tanzreigen, Spender Iakchos, feiern!
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 244 focus
CORO
– ¡Oh adivino! ¡Cuán cumplidamente diste la profecia profecía!
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 244 focus
Nuntius
Nempe cum sic se res habeant, de ceteris consulere expedit.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 237 focus
Was ist's, warum befiel dich solche Bangigkeit?
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 244 focus
Messenger
\fixit EURYDICE. Scene HI.
Chorus.
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 244 focus
CREONTE
¡Ay!... con cuánto pesar desisto de mi intención; pero no se puede luchar contra la fatalidad ( ἀνάγκη).
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 244 focus
DER BOTE
Mich wunderts auch , doch nähr’ ich mich mit Hoffnung,
Dafs auf des Kindes Unglük sie das Jammern
Anständig nicht gehalten vor der Stadt,
Und in den Zimmern drinn den Mägden sage,
Dals sie des Hauses Klage klagen. Denn
1305
So ohne Rath ist sie nicht, dass sie fehlte.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 244 focus
Chorus
Lo, I see the hapless Eurydicé, Creon’s wife, approaching; she comes from the house by chance, haply,—or because she knows the tidings of her son.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-719-1 καὶ παρὼν ἐρῶ, κοὐδὲν παρήσω 1 παρὠν 2

mvp-comment-720-1 ὧν 3

mvp-comment-720-2 ὧν 4 ψεῦσται 5 φανούμεθ’ 6

mvp-comment-720-3 ὀρθόν 7

mvp-comment-721-1 ποδαγός 8 ἑσπόμην 9

mvp-comment-722-1 πεδίον … ἄκρον 10

mvp-comment-722-2 νηλεές 11

mvp-comment-723-1 κυνοσπάρακτον 12

mvp-comment-724-1 τὸν μέν 13

mvp-comment-724-2 ἐνοδίαν θεόν 14

mvp-comment-724-3 θεόν 15

mvp-comment-724-4 εὐμενεῖς 16

mvp-comment-724-5 κατασχεθεῖν 17

mvp-comment-725-1 λούσαντες ἁγν. λουτρόν 18

mvp-comment-725-2 ἐν 19 θαλλοῖς 20

mvp-comment-725-3 )λέλειπτο 21

mvp-comment-725-4 συγκατῄθομεν 22 εἰσεβαίνομεν 23

mvp-comment-726-1 τύμβον 24

mvp-comment-726-2 ὀρθόκρανον 25

mvp-comment-726-3 οἰκείας 26

mvp-comment-727-1 αὖθις 27

mvp-comment-727-2 For

αὖθις
as=‘afterwards,’ cp. Ai. 1283 , Tr. 270 .

mvp-comment-727-3 λιθόστρωτον 28

mvp-comment-727-4 κόρης νυμφεῖον‐Ἅιδου 29

mvp-comment-728-1 κωκυμάτων 30

mvp-comment-729-1 ἀκτέριστον ἀμφὶ παστάδα 31

mvp-comment-730-1 ἀθλίας … ἄσημα βοῆς 32

mvp-comment-730-2 περιβαίνει 33

mvp-comment-731-1 μᾶλλον ἆσσον 34

mvp-comment-731-2 ἔπος 35 δυσθρήνητον 36

mvp-comment-731-3 ὦ τάλας 37

mvp-comment-732-1 τῶν παρελθουσῶν 38

mvp-comment-732-2 σαίνει 39

mvp-comment-733-1 ὠκεῖς 40

mvp-comment-734-1 ἁρμὸν χώματος λιθοσπ. 41

mvp-comment-734-2 ἁρμόν 42 δύντες 43

mvp-comment-735-1 στόμιον 44

mvp-comment-735-2 The kind of tomb which the poet here imagines is perhaps best represented, in Greece, by the rock-tombs of Nauplia, and of Spata in Attica. These consist of chambers worked horizontally into the rock, and approached by a passage or

δρόμος
, answering to that which Creon's men have to traverse before they reach the
στόμιον
of the tomb. The general type seems to have been determined by that of the more elaborate domed tombs, such as the so-called ‘Treasury of Atreus’ at Mycenae, which, like these ruder copies, were entered by a
δρόμος
. Indeed, the Nauplia tombs indicate a rough attempt to reproduce the dome (
θόλος
). [See Helbig, Das Homer. Epos aus den Denkm. erläutert, p. 53, with the sources quoted there in nn. 5, 6.]

mvp-comment-735-3 The phrase

λοίσθιον τύμβευμα
(1220) might suggest a recess within the principal chamber, like that in the ‘Treasury of Atreus’; but it is simpler to take it as merely ‘the furthest part of the tomb.’ We may observe that the words
κατῶρυξ
(774) and
κατασκαφής
(891) are sufficiently explained if we suppose that the
δρόμος
leading to the chamber sloped downwards from the entrance.

mvp-comment-736-1 θεοῖσι 45

mvp-comment-736-2 κλέπτομαι 46

mvp-comment-737-1 The simple correction, κελευσμάτων 47

mvp-comment-737-2 With κελεύσμασιν 48

mvp-comment-737-3 (2) The alternative is to amend ἐξ ἀθύμου 49 ὀξυθύμου 50

mvp-comment-737-4 Dindorf writes κελεύμασιν 51

mvp-comment-738-1 αὐχένος 52

mvp-comment-739-1 μιτώδει 53

mvp-comment-740-1 Haemon has thrown his arms around her waist ( ἀμφὶ μέσσῃ περιπετῆ 54 προσκείμενον 55

mvp-comment-740-2 μέσσῃ 56

mvp-comment-740-3 περιπετῆ 57

mvp-comment-741-1 εὐνῆς … τῆς κάτω 58

mvp-comment-741-2 πατρὸς ἔργα 59

mvp-comment-741-3 λέχος 60

mvp-comment-742-1 σφε 61

mvp-comment-742-2 στυγνόν 62

mvp-comment-743-1 οἷον ἔργον 63 τίνα νοῦν ἔσχες 64

mvp-comment-743-2 ἐν τῷ συμφορᾶς 65

mvp-comment-743-3 διεφθάρης 66

mvp-comment-744-1 ἱκέσιος 67

mvp-comment-744-2 ὄσσοισι 68

mvp-comment-744-3 παπτήνας 69

mvp-comment-745-1 πτύσας προσώπῳ 70

mvp-comment-746-1 διπλοῦς κνώδοντας ξίφους 71 διπλοῦς κνώδοντας 72

mvp-comment-746-2 ἐκ δ’ ὁρμ. 73

mvp-comment-746-3 φυγαῖσιν 74

mvp-comment-746-4 Haemon, in his madness, meant to kill his father. He had harboured no such purpose before ( see on 752

); and his frantic impulse is instantly followed by violent remorse. Arist. ( Arist. Poet. 14 ) observes that it is not conducive to a properly tragic effect (
οὐ τραγικόν, ἀπαθές
) if a person contemplates a dreadful act, and then desists from it, in the light of sober thought or fuller knowledge:
διόπερ οὐδεὶς ποιεῖ ὁμοίως εἰ μὴ ὀλιγάκις
(such incidents in Tragedy are rare),
οἷον ἐν Ἀντιγόνῃ Κρέοντα ὁ Αἵμων
. It need not be assumed that Arist. meant to censure Sophocles; it is more natural to suppose that he cited the exception as one justified by the circumstances. But it should further be noticed that Aristotle was not accurate in taking this incident as the exception which illustrated his rule. For Haemon did not abandon his dreadful purpose; he was simply foiled by his father's flight. And then, in swift remorse, he actually did
τῶν ἀνηκέστων τι
.

mvp-comment-747-1 ὥσπερ εἶχ’ 75 ἐπενταθείς 76

mvp-comment-747-2 πλευραῖς 77

mvp-comment-747-3 μέσσον 78

mvp-comment-747-4 ἔγχος 79

mvp-comment-747-5 ἐς δ’ ὑγρὸν ἀγκῶν’ 80

mvp-comment-748-1 φυσιῶν 81

mvp-comment-748-2 ῥοὴν 82

mvp-comment-749-1 τέλη 83

mvp-comment-749-2 ἔν γ’ Ἅιδου 84 ἔν γ 85 γε 86 ἔν γε 87

mvp-comment-750-1 δείξας … τὴν ἀβουλίαν 88

mvp-comment-751-1 πρόσκειται 89

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1192. mvp-comment-674-1 παρών 'As an eye-witness of the fact. See Essay on Language § 32. P. 55.

1194. mvp-comment-675-1 ὧν Sc. τούτοις τοῖς ἔπεσι, περὶ ὧν. Essay on Language § 9. p. 13.

1195. mvp-comment-676-1 ὀρθὸν .. ἀεί Truth is always safe: i. e. never hurts him who tells it.

1197. mvp-comment-677-1 νηλεές Uncared for. О. Т. 180, νηλέα .. κεῖται ἀνοίκτως.

1199. mvp-comment-678-1 ἐνοδίαν θεόν Probably Hecate. Cp. Fr. 490. πῦρ ἱερόν, | τῆς εἰνοδίας Ἑκάτης ἔγχος.

1200. mvp-comment-679-1 εὐμενεῖς Supplementary predicate, agreeing with θεών and Πλούτωνα : i.e. ὥστε εὐμενεῖς εἶναι.

1201. mvp-comment-680-1 ἐν νεοσπάσιν θαλλοῖς This probably had a ceremonial importance. Cp. O. C. 466, foll., especially l. 474, θαλλοῖσιν, ἢ κρόκαισιν, ἢ ποίῳ τρόπῳ;

1202. mvp-comment-681-1 ὃ δὴ λέλειπτο resumes τὸν μέν with greater definiteness, and repeats what is implied in κυνοσπάρακτον. συγκατήθομεν implies that scattered fragments were collected.

1203. mvp-comment-682-1 For the feeling of οἰκείας, cp. Ο. C. 406, ἢ καὶ κατασκιῶσι Θηβαίᾳ κόνει; 1206-1207. And ere we came near one heard the voice of shrill lamentings in the neighbourhood of the unhallowed cell.'

1207. mvp-comment-683-1 ἀκτέριστον.. παστάδα The unhallowed vault. Lit. The narrow cell, not consecrated by funeral rites.'

1209. mvp-comment-684-1 τῷ δ᾽. ἆσσον And as he came nearer, an undistinguishable crying filled his ears. See Essay on Language § 10. p. 17, and for περιβαίνει, cp. Hom. Od. 6. 122, ἀμφήλυθε θήλυς ἀϋτή.

1210. mvp-comment-685-1 In the phrase άσσον ἕρπειν, To draw near, ἆσσον, which was a rare word in Attic, lost something of the comparative meaning. Hence the double comparative.

1211. mvp-comment-686-1 δυσθρήνητον Lamentable. For the apparently active use of the verbal, see Essay on Language p. 98.

1212. mvp-comment-687-1 ἆρ᾽ εἰμὶ μάντις; 'Are my heart's forebodings true?' i.e. Must I believe what my heart is telling me?

1213. mvp-comment-688-1 τῶν παρελθουσῶν ὁδῶν Cp. О. С. 1397.

1214. mvp-comment-689-1 σαίνει It has been supposed that this word reverts to its original meaning as a derivative of σείω, being used actively in the sense of To thrill.' But it is more in accordance with analogy to suppose that it has passed through the following changes of meaning: (1) to move frequently: (2) to wag the tail; σαίνειν οὔρῃ: (3) to make signs of recognition, to greet: (4) to touch with a feeling of recognition. See Essay on Language p. 99 (ὄμμα).

1216. mvp-comment-690-1 In preparing the vault, an opening had been left, through which the victim was thrust into the chamber. This opening was then roughly closed with stones. (1) Through these Haemon had passionately torn his way. And the cleft so made by him is the ἁρμὸς χώματος λιθοσπαδής. Entering within the closure from which the stones have been torn, even to the very mouth of the vault. Or (2), supposing a prolepsis, Pulling out the stones and entering.

1219. mvp-comment-691-1 ἐξ ἀθύμου δεσπότου κελεύσμασιν On hearing our despairing lord and at his bidding. Cp. supr. l. 957. Haemon, on rushing in, had found Antigone already dead by her own act.

1222. mvp-comment-692-1 καθημμένην Fastened, sc. to the roof. Those who read καθειμένην must have understood it to mean let down, i.e. suspended. The muslin noose of fine tissue is the maiden's veil, the βύσσινον πέπλωμα of Aesch. S. c. T. 1039.

1225. mvp-comment-693-1 Lamenting the ruin of his bridal, that was only to be found in death (τῆς κάτω).' λέχος] Bride.

1228. mvp-comment-694-1 τίνα νοῦν ἔσχες What design possessed you?

1229. mvp-comment-695-1 ἐν τῷ.. διεφθάρης At what point of calamity did you go mad? Cp. Hom. Il. 15. 128, μαινόμενε, φρένας ἠλέ, διέφθορας: Eur. Hell. 1192, λύπῃ σὰς διέφθαρσαι φρένας;

1231. mvp-comment-696-1 τόν is governed by πτύσας ('Abhorring,' i.e. expressing abhorrence of, cp. 1. 653) as well as by παπτήνας, ='Glaring wildly upon.' 1232. It is not clear whether Aristotle means to find fault with this when he says that Knowingly to intend evil, and not perform it, is at once abominable and without tragic interest;' διόπερ οὐδεὶς ποιεῖ ὁμοίως, εἰ μὴ ὀλιγάκις, οἷον ἐν Ἀντιγόνῃ τὸν Κρέοντα ὁ Αἵμων, Poet. 1453 b. But he clearly had not anticipated the refinement of the Scholiast and some modern critics, who think that Haemon only meditated suicide, and that his action is misunderstood by the messenger who reports the circumstance. Cp. supr. 751.

1231. mvp-comment-696-2 ξίφους Seyffert thinks that the Laurentian reading points to βέλους with ξίφους as a gloss. But although the generic word is used in Aj. 658, τόδ' ἔγχος τοὐμόν, ἔχθιστον βελῶν, it would be out of place here.

1233. mvp-comment-697-1 ξίφους διπλοῦς κνώδοντας Probably, the double-hilted sword.

1235. mvp-comment-698-1 ἐπενταθείς 'Stretching himself over it, i. e. Falling upon his sword.

1236-1237. mvp-comment-699-1 He clung to the maiden, enfolding her in his slackening arm. The construction of ἐς .. ἀγκῶνα is as if λαμβάνει, or some such verb, were to follow. 6

1236. mvp-comment-700-1 ἤρεισε.. μέσσον Drove the blade right into his side. See on O. C. 1595. Essay on Language § 51. p. 85.

1238. mvp-comment-701-1 πνοήν, which the Scholiast read, is at once a harder reading than ῥοήν, and harmonizes better with the context. And panting hard, he cast on her pale cheek sharp breath of gory dew.' Cp. Aesch. Ag. 1388: Essay on Language § 10. p. 17.

1241. mvp-comment-702-1 εἰν ῞Αιδου δόμοις The particle γε, which Heath introduced, reading ἔν γ', is defended by Seyffert: Apud inferos saltem, inquit poeta, nactus est Haemon nuptias rite confectas, quarum vivus expers fuit: in complexu tenet mortuam mortuus (v. 1235, sq.). But iv, the reading of L², is supported by the other Epic forms which occur in the play. See Introd., and cp. the Homeric καὶ εἰν Ἀίδαο δόμοισι.