Sophocles Antigone 244

ed. Lewis Campbell

οὔκουν ἐρεῖς ποτ', εἶτʼ ἀπαλλαχθεὶς ἄπει;

Antigone. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 244 focus
καὶ δὴ λέγω σοι. τὸν νεκρόν τις ἀρτίως
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 244 focus
τί φής; τίς ἀνδρῶν ἦν ὁ τολμήσας τάδε;
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 244 focus
θάψας βέβηκε, κἀπὶ χρωτὶ διψίαν
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 244.mvp-line-244 focus
οὔκουν ἐρεῖς ποτ’, εἶτ’ ἀπαλλαχθεὶς ἄπει;
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 244 focus
οὔκουν ἐρεῖς πότ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 244.mvp-line-244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Antigone (OCR draft) Experimental (Antigone) — 244 focus
οὔκουν ἐρεῖς ποτʼ, εἶτʼ ἀπαλλαχθεὶς ἄπει;
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 244 focus
οὔκουν ἐρεῖς ποτ᾽, εἶτ᾽ ἀπαλλαχθεὶς ἄπει;
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 244 focus
CHOR.
Str. 1. 1115
Vielnam'ger, der Kadmischen Jungfrau wonnig Kleinod!
1070
Sprofs Sproß des hocherdonnernden Zeus, Italia's der herrlichen.
Schutz! es beherrschet deine
Macht Eleusis' gastliche Flur
in Deo's Thalgrund!
O Baccheus, hier in Bacchischer Fraun Urland
1075
Theba, bei des Ismenos Stromflut
wohnend, wo des grimmen Drachen Saat sprofs!
Gegenstr. 1. 1126
Dich schauet vom Doppelgeklipp' auflodernd helle
Dampfglut, wo Korykische Nymphen schreiten froh im Bacchoschor,
schauet der Born Kastalia's!
1080
Dich entsendet Nysa's Gebirg
und Epheuwaldhöh'n,
wo grünumlaubtem Ufer entlang Wein prangt!
Gottvoll schallet dann jauchzend Festlied,
weil du freundlich Thebens Gassen heimsuchst,
1085
Str. 2. 1137
die weit du, weit vorziehst an Ehren jeglicher Stadt,
mit der Donnermutter du!
Komme jetzt, da graunvoll
das gesammte Land des Weh's herbe Gewalt erfafst,
sühnvollen Fufses über der Parnassoshöh'n
1090
Geklüft steigend oder die wilde Meerfurt!
Gegenstr. 2. 1146
Io du, glutaussprühn'der Sterne führend den Chor,
Herr des Jubelschalls der Nacht,
Zeusentsprofsner Knabe!
O erscheine sammt der Schaar Naxischer Mägdelein,
1095
der Thyien, die durchschwärmend die Nacht dich entzückt
im Tanzreigen, Spender Iakchos, feiern!
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 244 focus
CORO
– ¡Oh adivino! ¡Cuán cumplidamente diste la profecia profecía!
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 244 focus
Nuntius
Nempe cum sic se res habeant, de ceteris consulere expedit.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 244 focus
MESS
Dear lady, I will tell thee what I saw,
And hide no grain of truth: why should I soothe
Thy spirit with soft tales, when the harsh fact
Must prove me a liar? Truth is always best.
I duly led the footsteps of thy lord
1195
To the highest point of the plain, where still was lying,
Forlorn and mangled by the dogs, the corse
Of Polynices. We besought Persephonè
And Pluto gently to restrain their wrath,
And wash’d him pure and clean, and then we burned
1200
The poor remains with brushwood freshly pulled,
And heaped a lofty mound of his own earth
Above him. Then we turned us to the vault,
The maiden’s stony bride-chamber of death.
And from afar, round the unhallowed cell,
1205
One heard a voice of wailing loud and long,
And went and told his lord: who coming near
Was haunted by the dim and bitter cry,
And suddenly exclaiming on his fate
Said lamentably, ‘My prophetic heart
1210
Divined aright. I am going, of all ways
That e’er I went, the unhappiest to-day.
My son’s voice smites me. Go, my men, approach
With speed, and, where the stones are torn away,
Press through the passage to that door of death,
1215
Look hard, and tell me, if I hear aright
The voice of Haemon, or the gods deceive me.’
Thus urged by our despairing lord, we made
Th’ espial. And in the farthest nook of the vault
1219
We saw the maiden hanging by the neck
With noose of finest tissue firmly tied,
1220
And clinging to her on his knees the boy,
Lamenting o’er his ruined nuptial-rite,
Consummated in death, his father’s crime
And his lost love. And when the father saw him,
With loud and dreadful clamour bursting in
1225
He went to him and called him piteously:
‘What deed is this, unhappy youth? What thought
O’ermaster’d thee? Where did the force of woe
O’erturn thy reason? O come forth, my son,
I beg thee!’ But with savage eyes the youth
1230
Glared scowling at him, and without a word
Plucked forth his two-edged blade. The father then
Fled and escaped: but the unhappy boy,
Wroth with himself, even where he stood, leant heavily
Upon his sword and plunged it in his side.—
1235
And while the sense remained, his slackening arm
Enfolded still the maiden, and his breath,
Gaspingly drawn and panted forth with pain,
Cast ruddy drops upon her pallid face;
Then lay in death upon the dead, at last
1240
Joined to his bride in Hades’ dismal hall:—
A monument unto mankind, that rashness
Is the worst evil of this mortal state.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 237 focus
Was ist's, warum befiel dich solche Bangigkeit?
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 244 focus
Messenger
\fixit EURYDICE. Scene HI.
Chorus.
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 244 focus
CREONTE
¡Ay!... con cuánto pesar desisto de mi intención; pero no se puede luchar contra la fatalidad ( ἀνάγκη).
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 244 focus
DER BOTE
Mich wunderts auch , doch nähr’ ich mich mit Hoffnung,
Dafs auf des Kindes Unglük sie das Jammern
Anständig nicht gehalten vor der Stadt,
Und in den Zimmern drinn den Mägden sage,
Dals sie des Hauses Klage klagen. Denn
1305
So ohne Rath ist sie nicht, dass sie fehlte.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 244 focus
Chorus
Lo, I see the hapless Eurydicé, Creon’s wife, approaching; she comes from the house by chance, haply,—or because she knows the tidings of her son.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.

223-330. mvp-comment-136-2 The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp. Shak. Hamlet, 5. 1 ,

We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.

244. mvp-comment-150-1 εἰτ᾿ ἀπαλλαχθεὶς ἄπει And be off with you. The Scholiast acutely remarks that these impatient words are intended to hold out the hope of impunity, which is withdrawn again in the angry threats of ll. 305, foll.