Sophocles, Antigone, 98

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Antigone

At mihi non ea est indoles, ut aliorum odii particeps ego sim, sed amoris.

Antigone. Sophocles. Berlin. 1806.

Sponsored by Perseus Project, Tufts University.

Funding provided by Tufts University.

Current edition Experimental

Latin (F. H. Bothe, 1806) (OCR draft) (Latin) (Latin (F. H. Bothe, 1806))

Provisional text from uncorrected OCR; expect errors.

Editions (12)

Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 98 focus

ἀλλ᾽, εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 98 focus

ἀλλ', εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ', ὅτι

Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 98 focus

ἀλλ᾽, εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 98 focus

ἀλλ᾽ εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 98 focus

ἀλλ᾽, εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽ ὅτι

Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 98.mvp-line-98 focus

ἀλλ’, εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ’ ἴσθ’ ὅτι

Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 98 focus

ἀλλ᾽, εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 98 focus

ἀλλ᾽, εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 98 focus

ἀλλ᾽ εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 98.mvp-line-98 focus

ἀλλ᾽ εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Antigone (OCR draft) Experimental (Antigone) — 98 focus

ἀλλʼ εἰ δοκεῖ σοι, στεῖχε· τοῦτο δʼ ἴσθʼ ὅτι

Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 98 focus

ἀλλ᾽ εἰ δοκεῖ σοι, στεῖχε· τοῦτο δ᾽ ἴσθ᾽, ὅτι

Translations (10)

German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 98 focus

ANTIGONE

Dies wird der Hingeschiedne nicht bestätigen.

Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 98 focus

ANTIGONA

No he nacido para compartir odio, sino amor.

English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 98 focus

ANT

Love, and not hatred, is the part for me.

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 100 focus

Strahl des Helios, schönstes Licht,¹
100

Das der siebenthorigen Stadt

Thebe's nimmer zuvor erschien!

Du strahlst endlich, des gold'nen Tags

Aufblick, herrlich herauf,

Ueber Dirke's Fluten herüberwandelnd;²
105

Und Ihn, der mit leuchtendem Schild

Kam von Argos in voller Wehr,

Triebest du flüchtig in eilendem Lauf

Fort mit hastigem Zügel:

English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 98 focus

Chorus
526

Lo ! At the portal stands the fair Ismene,

Tears in her lovely eyes, a cloud of grief

Sits on her brow, wetting her beauteous cheek

With pious sorrow for a sister's fate.

Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 98 focus

ANTÍGONA

Es que no murió siendo su esclavo, sino su hermano.

German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 98 focus

KREON

So geh’ hinunter, wenn du lieben willst,

Und liebe dort! mir herrscht kein Weib im Leben.

Zweite Scene DER CHOR. KREON. ANTIGONAE. ISMENE.

English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 98 focus

Antigone

‘Tis not my nature to join in hating, but in loving.

English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 98 focus

Haemon

Is faithful found, that man will be approv’d 3

Just to the state: but he, who scorns, or dares)

English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus

Enter the Chorus on the right.

Chorus

Shaft of the sun, fairest light of all that have dawned on Thebes of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100

You have goaded with a sharper bit the warrior of the white shield, who came from Argos in full armor, driving him to headlong retreat.
105

110

Chorus

He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110

with a mass of weapons and crested helmets.
115

117

Chorus

He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left

before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120

So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125

127

Chorus

For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,

arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130

134

Chorus

Staggered, he fell to the earth with a crash,

torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135

Ares, our mighty ally at the turning-point.
140

141

Chorus

For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one

mother, set against each other their spears, both victorious, and who now share in a common death.
145

148

Chorus

But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich Thebes ,

let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of Thebes , rule our dancing!
150

155

Chorus

But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155

that he has proposed this special conference of elders, and summoned it by a general mandate?
160

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-160-1 ἵν’ … ἁρπάζητε ¹

mvp-comment-160-2 τὸ κέρδος ² ἔνθεν οἰστέον ³

mvp-comment-160-3 μάθηθ’ ⁴

mvp-comment-160-4 ἐξ ἅπαντος ⁵ τὸ κερδαίνειν ⁶

mvp-comment-160-5

πιεῖν

. In O. C. 807

ἑξ ἅπαντος εὖ λέγει

=speaks well on any theme (starting from anything).

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.

223-330. mvp-comment-136-2 The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp. Shak. Hamlet, 5. 1 ,

We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.

308-311. mvp-comment-181-1 οὐχ ὑμὶν ῞Αιδης.. ἁρπάζητε] Death shall not alone suffice for you, but first you shall be hung up alive to show the heinousness of this offence, that for the future, in your wrongful gettings, you may know better where to look for gain. See Essay on Language § 37. p. 64. There is a confusion of two constructions: (1) οὐχ ὑμὶν ῞Αιδης ἀρκέσει, τo which μοῦνος is added for emphasis, i. e. οὐ θανεῖσθε μόνον: and (2) οὐ θανεῖσθε πρίν, κ.τ.λ. Cp. 1064 ff., and see Aj. 106 ff., θανεῖν γὰρ αὐτὸν οὐτί πω θέλω, κ.τ.λ. The Φύλαξ is to take this message to his fellows.

Sophocles Antigone 98

Search the Perseus Catalog for:

Antigone

At mihi non ea est indoles, ut aliorum odii particeps ego sim, sed amoris.

Current edition Experimental

ANTIGONE

Dies wird der Hingeschiedne nicht bestätigen.

ANTIGONA

No he nacido para compartir odio, sino amor.

ANT

Love, and not hatred, is the part for me.

Chorus
526

Lo ! At the portal stands the fair Ismene,

Tears in her lovely eyes, a cloud of grief

Sits on her brow, wetting her beauteous cheek

With pious sorrow for a sister's fate.

ANTÍGONA

Es que no murió siendo su esclavo, sino su hermano.

KREON

So geh’ hinunter, wenn du lieben willst,

Und liebe dort! mir herrscht kein Weib im Leben.

Zweite Scene DER CHOR. KREON. ANTIGONAE. ISMENE.

Antigone

‘Tis not my nature to join in hating, but in loving.

Haemon

Is faithful found, that man will be approv’d 3

Just to the state: but he, who scorns, or dares)

Chorus

He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110

with a mass of weapons and crested helmets.
115

Chorus

For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,

arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130

Chorus

But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155

that he has proposed this special conference of elders, and summoned it by a general mandate?
160

Commentary

Stable identifiers

Search the Perseus Catalog for:

Search the Perseus Catalog for:

Antigone At mihi non ea est indoles, ut aliorum odii particeps ego sim, sed amoris.

Current edition Experimental

ANTIGONE Dies wird der Hingeschiedne nicht bestätigen.

ANTIGONA No he nacido para compartir odio, sino amor.

ANT Love, and not hatred, is the part for me.

Chorus 526 Lo ! At the portal stands the fair Ismene, Tears in her lovely eyes, a cloud of grief Sits on her brow, wetting her beauteous cheek With pious sorrow for a sister's fate.

ANTÍGONA Es que no murió siendo su esclavo, sino su hermano.

KREON So geh’ hinunter, wenn du lieben willst, Und liebe dort! mir herrscht kein Weib im Leben. Zweite Scene DER CHOR. KREON. ANTIGONAE. ISMENE.

Antigone ‘Tis not my nature to join in hating, but in loving.

Haemon Is faithful found, that man will be approv’d 3 Just to the state: but he, who scorns, or dares)

Chorus He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing, 110 with a mass of weapons and crested helmets. 115

Chorus For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood, arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts. 130

Chorus But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion, 155 that he has proposed this special conference of elders, and summoned it by a general mandate? 160

Commentary

Stable identifiers

Antigone

At mihi non ea est indoles, ut aliorum odii particeps ego sim, sed amoris.

ANTIGONE

Dies wird der Hingeschiedne nicht bestätigen.

ANTIGONA

No he nacido para compartir odio, sino amor.

ANT

Love, and not hatred, is the part for me.

Chorus
526

Lo ! At the portal stands the fair Ismene,

Tears in her lovely eyes, a cloud of grief

Sits on her brow, wetting her beauteous cheek

With pious sorrow for a sister's fate.

ANTÍGONA

Es que no murió siendo su esclavo, sino su hermano.

KREON

So geh’ hinunter, wenn du lieben willst,

Und liebe dort! mir herrscht kein Weib im Leben.

Zweite Scene DER CHOR. KREON. ANTIGONAE. ISMENE.

Antigone

‘Tis not my nature to join in hating, but in loving.

Haemon

Is faithful found, that man will be approv’d 3

Just to the state: but he, who scorns, or dares)

Chorus

He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110

with a mass of weapons and crested helmets.
115

Chorus

For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,

arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130

Chorus

But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155

that he has proposed this special conference of elders, and summoned it by a general mandate?
160