χαίρων ἐπιψόγοισι δεννάσεις ἐμέ.
750
Antigone. Sophocles. Berlin. 1806.
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Current edition Experimental
Greek (F. H. Bothe, 1806) (OCR draft) (Greek) (Greek (F. H. Bothe, 1806))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 750 focus
τίς δ᾽ ἔστ᾽ ἀπειλὴ, πρὸς κενὰς γνώμας λέγειν
1
;
750
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 750 focus
ἄγων ἔρημος ἔνθ᾽ ἂν ᾖ βροτῶν στίβος,
750
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 750 focus
ταύτην ποτ᾽ οὐκ ἔσθ᾽ ὡς ἔτι ζῶσαν γαμεῖς.
750
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 750 focus
ταύτην ποτ᾽ οὐκ ἔσθ᾽ ὡς ἔτι ζῶσαν γαμεῖς.
750
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 750.mvp-line-743 focus
ταύτην ποτ’ οὐκ ἔσθ’ ὡς ἔτι ζῶσαν γαμεῖς.
750
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 750 focus
ταύτην ποτ᾽ οὐκ ἔσθ᾽ ὡς ἔτι ζῶσαν γαμεῖς.
750
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 750 focus
κλαίων φρενώσεις, ὢν φρενῶν αὐτὸς κενός.
750
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 750 focus
ταύτην ποτ᾽ οὐκ ἔσθ᾽ ὡς ἔτι ζῶσαν γαμεῖς.
750
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 750.mvp-line-743 focus
ταύτην ποτ᾽ οὐκ ἔσθ᾽ ὡς ἔτι ζῶσαν γαμεῖς.
750
Antigone (OCR draft) Experimental (Antigone) — 750 focus
ταύτην ποτʼ οὐκ ἔσθʼ ὡς ἔτι ζῶσαν γαμεῖς.
750
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 750 focus
ταύτην ποτ᾽ οὐκ ἔσθ᾽ ὡς ἔτι ζῶσαν γαμεῖς.
750
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 758 focus
Wahrhaftig? Bei'm Olympos, nicht zur Freude dir,
Das sei versichert, höhnst du mich mit frechem Wort.
(zu den Begleitern:)
Führt her das Scheusal, daß sie gleich im Angesicht
Des Bräutigams an seiner Seite sterbe hier!.
755
Wahrhaftig? Bei'm Olympos, nicht zur Freude dir,
Das sei versichert, höhnst du mich mit frechem Wort.
Führt her das Scheusal, daß sie gleich im Angesicht
Des Bräutigams an seiner Seite sterbe hier!.
755
Hämon.
Nie soll sie wahrlich, wähne das doch nimmermehr,
An meiner Seite sterben, noch wirst du hinfort
Mich je mit Augen wiederseh'n: dann rase nur
Vor deinen Freunden, welchen dies gefallen mag!
1
Kreon. Der Chor.
Nie soll sie wahrlich, wähne das doch nimmermehr,
An meiner Seite sterben, noch wirst du hinfort
Mich je mit Augen wiederseh'n: dann rase nur
Vor deinen Freunden, welchen dies gefallen mag!
1
Der Chor.
Der Mann, o König, eilte rasch im Zorne fort:
760
Wohl Schweres brütet schmerzempört so junger Sinn.
(ab.)
Der Mann, o König, eilte rasch im Zorne fort:
760
Wohl Schweres brütet schmerzempört so junger Sinn.
Kreon.
Er geh' und thue, sinne mehr als Menschliches;
Doch diese Jungfrau'n soll er nicht dem Tod entziehn.
Er geh' und thue, sinne mehr als Menschliches;
Doch diese Jungfrau'n soll er nicht dem Tod entziehn.
Der Chor.
Den Beiden also hast du gar den Tod bestimmt?
Den Beiden also hast du gar den Tod bestimmt?
Kreon.
Der nicht, die Nichts verbrochen. Wohl ermahnst du mich.
765
Der nicht, die Nichts verbrochen. Wohl ermahnst du mich.
765
Der Chor.
Und welche Todesstrafe denkst du jener zu?
Und welche Todesstrafe denkst du jener zu?
Kreon.
Wo keines Menschen Tritte geh'n, am öden Ort,
Berg' ich in tiefem Felsengrab die Lebende,
2
An Speise nur darreichend, was die Sühne heischt,
Daß vor Befleckung sicher sei die ganze Stadt.
770
Und dort zum Gotte, welchen sie allein verehrt,
Zum Hades flehend, mag sie wohl dem Tod entgeh'n;
Wo nicht, erkennt sie endlich doch, daß unbelohnt
Sich mühe, wer verehre, was im Hades ist.
(ab in den Palast. Der Chor bleibt allein zurück.)
Erste Strophe.
Wo keines Menschen Tritte geh'n, am öden Ort,
Berg' ich in tiefem Felsengrab die Lebende,
2
An Speise nur darreichend, was die Sühne heischt,
Daß vor Befleckung sicher sei die ganze Stadt.
770
Und dort zum Gotte, welchen sie allein verehrt,
Zum Hades flehend, mag sie wohl dem Tod entgeh'n;
Wo nicht, erkennt sie endlich doch, daß unbelohnt
Sich mühe, wer verehre, was im Hades ist.
Der Chor.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 781-805 focus
Chorus
Love, the unconquered in battle, Love, you who descend upon riches, and watch the night through on a girl’s soft cheek,
you roam over the sea and among the homes of men in the wilds. Neither can any immortal escape you,
785
nor any man whose life lasts for a day. He who has known you is driven to madness.
790
Love, the unconquered in battle, Love, you who descend upon riches, and watch the night through on a girl’s soft cheek,
you roam over the sea and among the homes of men in the wilds. Neither can any immortal escape you,
785
nor any man whose life lasts for a day. He who has known you is driven to madness.
790
Chorus
You seize the minds of just men and drag them to injustice, to their ruin. You it is who have incited this conflict of men whose flesh and blood are one.
But victory belongs to radiant Desire swelling from the eyes of the sweet-bedded bride. Desire sits enthroned in power beside the mighty laws.
795
For in all this divine Aphrodite plays her irresistible game.
800
You seize the minds of just men and drag them to injustice, to their ruin. You it is who have incited this conflict of men whose flesh and blood are one.
But victory belongs to radiant Desire swelling from the eyes of the sweet-bedded bride. Desire sits enthroned in power beside the mighty laws.
795
For in all this divine Aphrodite plays her irresistible game.
800
Enter Antigone under guard from the palace.
Chorus
But now, witnessing this, I too am carried beyond the bounds of loyalty. The power fails me to keep back my streaming tears any longer, when I see Antigone making her way to the chamber where all are laid to rest,
now her bridal chamber.
805
But now, witnessing this, I too am carried beyond the bounds of loyalty. The power fails me to keep back my streaming tears any longer, when I see Antigone making her way to the chamber where all are laid to rest,
now her bridal chamber.
805
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-445-1
Objections have been made to the traditional order of these verses, chiefly in two respects. (1) 755
εἰ μὴ πατὴρ ἦσθ’ is—it is argued—the strongest thing said by Haemon, and ought therefore to come immediately before Creon's final outburst,
ἄληθες; (758). How could it be followed by merely so mild a phrase as
μὴ κώτιλλέ με?—We may reply:— Haemon says that,
if Creon were not his father, he
would have thought him mad. It is to this that
μὴ κώτιλλέ με refers, meaning, ‘Do not seek to deceive me by an affectation of filial deference.’ (2) 757
βούλει λέγειν τι is too mild a remark—it is said—to form the climax of provocation to Creon's anger. We may reply:—It is in substance, if not in form, such a climax, —for a father who holds that
unquestioning obedience (640) is a son's first duty. It asserts Haemon's right to maintain his own views against his father's,—
διὰ δίκης ἰέναι, as Creon put it (742). The traditional order seems, therefore, to be right.
mvp-comment-445-2
Three modes of transposition have been proposed. (1) Enger puts 756 and 757 after 749. Then
κώτιλλε (756) refers to Haemon's plea that he has his father's cause, and that of religion, at heart. We lose nothing by such a transposition; but neither do we gain.
mvp-comment-445-3 (2) Donner (in his transl., ed. 1863) simply transposed verses 755 and 757, leaving the rest as they stand. For this it may fairly be said that 757 comes very fitly after 754. On the other hand it seems to me that 756 does not aptly follow 757.
mvp-comment-445-4
(3) Pallis arranges thus:—749, 756, 755, 754, 757, 750—753. Thus
κενὰς γνώμας (753) becomes the last sting.— The fact is that, in a stormy altercation, we do not look for a closely logical texture and a delicately graduated
crescendo. The MS. order is (to my mind) the best; but other arrangements are possible, and would be nearly as good.
mvp-comment-445-5
Creon, instead of replying to v. 749, abruptly repeats his resolve.
οὐκ ἔστιν ὡς ταύτην ἔτι ζῶσαν γαμεῖς (fut.)
ποτέ, it cannot be that you shall ever wed her while she yet lives; i.e. she is to die at once, and can become your bride, if ever, only
ἐν Ἅιδου (654).
Cp. 1240
.—
ὡς
1
ποτέ
2
ταύτην
3
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
635-765. mvp-comment-375-1 Haemon professes obedience to his father, but with the implied condition that his father commands what is right. Not heeding this, Creon welcomes his general profession, and enlarges on the blessings that follow from obedience in public and private. He urges Haemon to renounce Antigone. Haemon replies by repeating the praise of her which he has heard in the city (Ar. Rhet. 3. 17, ἕτερον χρὴ λέγοντα ποιεῖν.. ὡς Σοφοκλῆς τὸν Αἴμονα ὑπὲρ τῆς Ἀντιγόνης πρὸς τὸν πατέρα, ὡς λεγόντων ἑτέρων), and begs his father not to be deaf to all opinions but his own. Creon is impatient at this, and, after an altercation, in which both speakers become exasperated, Creon orders Antigone to be brought for immediate execution, and Haemon breaks away in sullen anger. This episode interposes a necessary pause between the condemnation of Antigone and its results, i. e, between the two chief crises of the action, and assists the main impression by bringing the light of natural affection and common opinion to bear on the situation.