ἄληθες;
ἀλλ᾽ οὐ, τόνδ᾽ Ὄλυμπον, ἴσθ᾽ ὅτι
Antigone. Sophocles. Berlin. 1806.
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Funding provided by Tufts University.
Table of Contents
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Current edition Experimental
Greek (F. H. Bothe, 1806) (OCR draft) (Greek) (Greek (F. H. Bothe, 1806))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 749 focus
ἦ κἀπαπειλῶν ὧδ᾽ ἐπεξέρχει θρασύς·
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 749 focus
μόρῳ δὲ ποίῳ καί σφε βουλεύει κτανεῖν;
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 749 focus
καὶ σοῦ γε κἀμοῦ, καὶ θεῶν τῶν νερτέρων.
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 749 focus
καὶ σοῦ γε κἀμοῦ, καὶ θεῶν τῶν νερτέρων.
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 749.mvp-line-742 focus
καὶ σοῦ γε κἀμοῦ, καὶ θεῶν τῶν νερτέρων.
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 749 focus
καὶ σοῦ γε κἀμοῦ, καὶ θεῶν τῶν νερτέρων.
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 749 focus
τίς δ᾽ ἔστ᾽ ἀπειλή, πρὸς κενὰς γνώμας λέγειν;
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 749 focus
καὶ σοῦ γε κἀμοῦ, καὶ θεῶν τῶν νερτέρων.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 749.mvp-line-742 focus
καὶ σοῦ γε κἀμοῦ, καὶ θεῶν τῶν νερτέρων.
Antigone (OCR draft) Experimental (Antigone) — 749 focus
καὶ σοῦ γε κἀμοῦ, καὶ θεῶν τῶν νερτέρων.
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 749 focus
καὶ σοῦ γε κἀμοῦ καὶ θεῶν τῶν νερτέρων.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 758 focus
Wahrhaftig? Bei'm Olympos, nicht zur Freude dir,
Das sei versichert, höhnst du mich mit frechem Wort.
(zu den Begleitern:)
Führt her das Scheusal, daß sie gleich im Angesicht
Des Bräutigams an seiner Seite sterbe hier!.
755
Wahrhaftig? Bei'm Olympos, nicht zur Freude dir,
Das sei versichert, höhnst du mich mit frechem Wort.
Führt her das Scheusal, daß sie gleich im Angesicht
Des Bräutigams an seiner Seite sterbe hier!.
755
Hämon.
Nie soll sie wahrlich, wähne das doch nimmermehr,
An meiner Seite sterben, noch wirst du hinfort
Mich je mit Augen wiederseh'n: dann rase nur
Vor deinen Freunden, welchen dies gefallen mag!
1
Kreon. Der Chor.
Nie soll sie wahrlich, wähne das doch nimmermehr,
An meiner Seite sterben, noch wirst du hinfort
Mich je mit Augen wiederseh'n: dann rase nur
Vor deinen Freunden, welchen dies gefallen mag!
1
Der Chor.
Der Mann, o König, eilte rasch im Zorne fort:
760
Wohl Schweres brütet schmerzempört so junger Sinn.
(ab.)
Der Mann, o König, eilte rasch im Zorne fort:
760
Wohl Schweres brütet schmerzempört so junger Sinn.
Kreon.
Er geh' und thue, sinne mehr als Menschliches;
Doch diese Jungfrau'n soll er nicht dem Tod entziehn.
Er geh' und thue, sinne mehr als Menschliches;
Doch diese Jungfrau'n soll er nicht dem Tod entziehn.
Der Chor.
Den Beiden also hast du gar den Tod bestimmt?
Den Beiden also hast du gar den Tod bestimmt?
Kreon.
Der nicht, die Nichts verbrochen. Wohl ermahnst du mich.
765
Der nicht, die Nichts verbrochen. Wohl ermahnst du mich.
765
Der Chor.
Und welche Todesstrafe denkst du jener zu?
Und welche Todesstrafe denkst du jener zu?
Kreon.
Wo keines Menschen Tritte geh'n, am öden Ort,
Berg' ich in tiefem Felsengrab die Lebende,
2
An Speise nur darreichend, was die Sühne heischt,
Daß vor Befleckung sicher sei die ganze Stadt.
770
Und dort zum Gotte, welchen sie allein verehrt,
Zum Hades flehend, mag sie wohl dem Tod entgeh'n;
Wo nicht, erkennt sie endlich doch, daß unbelohnt
Sich mühe, wer verehre, was im Hades ist.
(ab in den Palast. Der Chor bleibt allein zurück.)
Erste Strophe.
Wo keines Menschen Tritte geh'n, am öden Ort,
Berg' ich in tiefem Felsengrab die Lebende,
2
An Speise nur darreichend, was die Sühne heischt,
Daß vor Befleckung sicher sei die ganze Stadt.
770
Und dort zum Gotte, welchen sie allein verehrt,
Zum Hades flehend, mag sie wohl dem Tod entgeh'n;
Wo nicht, erkennt sie endlich doch, daß unbelohnt
Sich mühe, wer verehre, was im Hades ist.
Der Chor.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 781-805 focus
Chorus
Love, the unconquered in battle, Love, you who descend upon riches, and watch the night through on a girl’s soft cheek,
you roam over the sea and among the homes of men in the wilds. Neither can any immortal escape you,
785
nor any man whose life lasts for a day. He who has known you is driven to madness.
790
Love, the unconquered in battle, Love, you who descend upon riches, and watch the night through on a girl’s soft cheek,
you roam over the sea and among the homes of men in the wilds. Neither can any immortal escape you,
785
nor any man whose life lasts for a day. He who has known you is driven to madness.
790
Chorus
You seize the minds of just men and drag them to injustice, to their ruin. You it is who have incited this conflict of men whose flesh and blood are one.
But victory belongs to radiant Desire swelling from the eyes of the sweet-bedded bride. Desire sits enthroned in power beside the mighty laws.
795
For in all this divine Aphrodite plays her irresistible game.
800
You seize the minds of just men and drag them to injustice, to their ruin. You it is who have incited this conflict of men whose flesh and blood are one.
But victory belongs to radiant Desire swelling from the eyes of the sweet-bedded bride. Desire sits enthroned in power beside the mighty laws.
795
For in all this divine Aphrodite plays her irresistible game.
800
Enter Antigone under guard from the palace.
Chorus
But now, witnessing this, I too am carried beyond the bounds of loyalty. The power fails me to keep back my streaming tears any longer, when I see Antigone making her way to the chamber where all are laid to rest,
now her bridal chamber.
805
But now, witnessing this, I too am carried beyond the bounds of loyalty. The power fails me to keep back my streaming tears any longer, when I see Antigone making her way to the chamber where all are laid to rest,
now her bridal chamber.
805
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-234-1 πικρᾶς 1
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
422. mvp-comment-243-1 ἐν χρόνῳ μακρῷ After lasting a long while: giving time for Antigone to come out of her concealment, with the libation ready. 423, foll. κἀνακωκύει] ‘And raises a shrill wailing cry, like the voice of the despairing bird. For the descriptive genitive, see Essay on Language § 9. p. 12.
422. mvp-comment-243-2 πικρᾶς Embittered, 'Full of bitterness: the quality of the object is transferred to the subject: i.e. πικρᾶς, ἅτε πασχούσης πικρά. Also the bitterness of anger is joined to that of grief. Cp. the Latin dolor. For the genitive, cp. Trach. 768, ὥστε τέκτονοs. And for the omission of ὡs, which is supplied in the following clause, cp. supr. 114, λευκῆς χιόνος πτέρυγι στεγανός. G. Wolff reads ὅ. δ. φθόγγον ὥς, ὅταν κ. But this yields a less probable rhythm.