κρῷ, τὰν κισσὸς ὡς ἀτενὴς
795
Antigone. Sophocles. Leipzig. 1884.
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Table of Contents
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Current edition Experimental
Greek (A. Boeckh, 1884) (OCR draft) (Greek) (Greek (A. Boeckh, 1884))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 795 focus
πάρεδρος ἐν ἀρχαῖς
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Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 795 focus
ὁρᾶτέ μ᾽, ὦ γᾶς πατρίας πολῖται,
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Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 795 focus
νικᾷ δ᾽ ἐναργὴς βλεφάρων ἵμερος εὐλέκτρου
795
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 795 focus
νικᾷ δ᾽ ἐναργὴς βλεφάρων
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Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 795.mvp-line-788 focus
νικᾷ δ’ ἐναργὴς βλεφάρων
795
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 795 focus
νικᾶι δ᾽ ἐναργὴς βλεφάρων
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Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 795 focus
νῦν δ᾽ ἤδη ᾿γὼ καὐτὸς θεσμῶν
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Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 795 focus
νικᾷ δ᾽ ἐναργὴς βλεφάρων ἵμερος εὐλέκτρου
3
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Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 795.mvp-line-787 focus
νικᾷ δ᾽ ἐναργὴς βλεφάρων
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Antigone (OCR draft) Experimental (Antigone) — 795 focus
νικᾷ δʼ ἐναργὴς βλεφάρων ἵμερος εὐλέκτρου
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Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 795 focus
νικᾶι δ᾽ ἐναργὴς βλεφάρων
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Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 791 focus
Du lockst auch unschuldigen Sinn
In böse Schuld, ihn zu verderben;
785
Du hast auch eben die Zwietracht
Des Vaters und Sohns entzündet.
Im Blick der holdseligen Braut
Leuchtet der Sehnsucht Macht
Siegreich, thronend im Rath hoher Geseze;
1
790
Denn nimmerbezwingbar übt ihr Spiel
Aphrodite's Gottheit.
(Antigone wird herbeigeführt.
Du lockst auch unschuldigen Sinn
In böse Schuld, ihn zu verderben;
785
Du hast auch eben die Zwietracht
Des Vaters und Sohns entzündet.
Im Blick der holdseligen Braut
Leuchtet der Sehnsucht Macht
Siegreich, thronend im Rath hoher Geseze;
1
790
Denn nimmerbezwingbar übt ihr Spiel
Aphrodite's Gottheit.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 806-880 focus
Antigone
Citizens of my fatherland, see me setting out on my last journey, looking at my last sunlight,
and never again. No, Hades who lays all to rest leads me living to
Acheron
’s shore, though I have not had my due portion of the chant that brings the bride, nor has any hymn been mine
810
for the crowning of marriage. Instead the lord of
Acheron
will be my groom.
815
Citizens of my fatherland, see me setting out on my last journey, looking at my last sunlight,
and never again. No, Hades who lays all to rest leads me living to
Acheron
’s shore, though I have not had my due portion of the chant that brings the bride, nor has any hymn been mine
810
for the crowning of marriage. Instead the lord of
Acheron
will be my groom.
815
Chorus
Then in glory and with praise you depart to that deep place of the dead, neither struck by wasting sickness,
nor having won the wages of the sword. No, guided by your own laws and still alive, unlike any mortal before, you will descend to Hades.
820
Then in glory and with praise you depart to that deep place of the dead, neither struck by wasting sickness,
nor having won the wages of the sword. No, guided by your own laws and still alive, unlike any mortal before, you will descend to Hades.
820
Antigone
I have heard with my own ears how our Phrygian guest, the daughter of Tantalus, perished
in so much suffering on steep Sipylus—how, like clinging ivy, the sprouting stone subdued her. And the rains, as men tell, do not leave her melting form, nor does the snow,
825
but beneath her weeping lids she dampens her collar. Most like hers is the god-sent fate that leads me to my rest.
830
I have heard with my own ears how our Phrygian guest, the daughter of Tantalus, perished
in so much suffering on steep Sipylus—how, like clinging ivy, the sprouting stone subdued her. And the rains, as men tell, do not leave her melting form, nor does the snow,
825
but beneath her weeping lids she dampens her collar. Most like hers is the god-sent fate that leads me to my rest.
830
Chorus
Yet she was a goddess, as you know, and the offspring of gods,
while we are mortals and mortal-born. Still it is a great thing for a woman who has died to have it said of her that she shared the lot of the godlike in her life, and afterwards, in death.
835
Yet she was a goddess, as you know, and the offspring of gods,
while we are mortals and mortal-born. Still it is a great thing for a woman who has died to have it said of her that she shared the lot of the godlike in her life, and afterwards, in death.
835
Antigone
Ah, you mock me! In the name of our fathers’ gods,
why do you not wait to abuse me until after I have gone, and not to my face, O my city, and you, her wealthy citizens? Ah, spring of Dirce, and you holy ground of
Thebes
whose chariots are many,
840
you, at least, will bear me witness how unwept by loved ones, and by what laws I go to the rock-closed prison of my unheard-of tomb! Ah, misery!
845
I have no home among men or with the shades, no home with the living or with the dead.
850
Ah, you mock me! In the name of our fathers’ gods,
why do you not wait to abuse me until after I have gone, and not to my face, O my city, and you, her wealthy citizens? Ah, spring of Dirce, and you holy ground of
Thebes
whose chariots are many,
840
you, at least, will bear me witness how unwept by loved ones, and by what laws I go to the rock-closed prison of my unheard-of tomb! Ah, misery!
845
I have no home among men or with the shades, no home with the living or with the dead.
850
Chorus
You have rushed headlong to the far limits of daring, and against the high throne of Justice
you have fallen, my daughter, fallen heavily. But in this ordeal you are paying for some paternal crime.
855
You have rushed headlong to the far limits of daring, and against the high throne of Justice
you have fallen, my daughter, fallen heavily. But in this ordeal you are paying for some paternal crime.
855
Antigone
You have touched on my most bitter thought
and moved my ever-renewed pity for my father and for the entire doom ordained for us, the famed house of Labdacus. Oh, the horrors of our mother’s bed! Oh, the slumbers of the wretched mother at the side
860
of her own son, my own father! What manner of parents gave me my miserable being! It is to them that I go like this, accursed and unwed, to share their home.
865
Ah, my brother, the marriage you made was doomed, and by dying you killed me still alive!
870
You have touched on my most bitter thought
and moved my ever-renewed pity for my father and for the entire doom ordained for us, the famed house of Labdacus. Oh, the horrors of our mother’s bed! Oh, the slumbers of the wretched mother at the side
860
of her own son, my own father! What manner of parents gave me my miserable being! It is to them that I go like this, accursed and unwed, to share their home.
865
Ah, my brother, the marriage you made was doomed, and by dying you killed me still alive!
870
Chorus
Your pious action shows a certain reverence, but an offence against power can no way be tolerated by him who has power in his keeping.
Your self-willed disposition is what has destroyed you.
875
Your pious action shows a certain reverence, but an offence against power can no way be tolerated by him who has power in his keeping.
Your self-willed disposition is what has destroyed you.
875
Antigone
Unwept, unfriended, without marriage-song, I am led in misery on this journey that cannot be put off. No longer is it permitted me, unhappy girl,
to look up at this sacred eye of the burning sun. But for my fate no tear is shed, no friend moans in sorrow.
880
Unwept, unfriended, without marriage-song, I am led in misery on this journey that cannot be put off. No longer is it permitted me, unhappy girl,
to look up at this sacred eye of the burning sun. But for my fate no tear is shed, no friend moans in sorrow.
880
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
781-800. mvp-comment-455-1 Haemon's disobedience to his father, against his own interest, is due to the might of love.
781-800. mvp-comment-455-2 'Never-vanquished love, that layest riches waste, keeping nightly watch in the fair, soft, youthful cheek: love that roamest over seas and findest out the wildest nook! No god, nor any mortal man, escapes thy maddening power. By love the upright mind is drawn to wrong unto its hurt. By love this present strife is kindled between kinsmen. And clearly triumphant is the influence of desire that cometh from the looks of the fair bride - desire that divides empire with the majestic law: so resistlessly doth goddess Aphrodite mock mankind.
781-800. mvp-comment-455-3 This little ode consists of a strophe and antistrophe, of which the scansion is as follows:- CCLトしてし CICCICII CCCICII IICIICCIト(CLトー 5-0-0-ICCICI-
781-800. mvp-comment-455-4 A glyconic quatrain is followed by two choriambic lines, and the strophe ends with a return to the glyconic rhythm. L. 7 admits of being otherwise divided, viz.: CCLCー.
794. mvp-comment-464-1 ξύναιμον is an emphatic epithet added by an afterthought (Essay on Language § 23. p. 38) and by hypallage made to agree with the principal word, although more properly belonging to ἀνδρῶν. (Ibid. § 42. p. 80).
795. mvp-comment-465-1 νικᾷ δ᾽ ἐναργής i. e. ἐναργής ἐστι νικῶσα.
795. mvp-comment-465-2 βλεφάρων ἵμερος The modern poet speaks of love as engendered in the eyes, with gazing fed: the ancients rather spoke of an influence passing from the eye of the beloved (τὸ ἐρωτικὸν ὄμμα, Plat. Phaedr. 253 E) to the soul of the lover. Desire was viewed as an emanation from the object. Hence Plato's account of ἵμερος, Phaedr. 251 Β, C, δεξάμενος γὰρ τοῦ κάλλους τὴν ἀπορροὴν διὰ τῶν ὀμμάτων, ἐθερμάνθη ἢ ἡ τοῦ πτεροῦ φύσις ἄρδεται .. ὅταν μὲν οὖν βλέπουσα πρὸς τὸ κάλλος, ἐκεῖθεν μέρη ἐπιόντα καὶ ῥέοντα, ἃ δὴ διὰ τοῦτο ἵμερος καλεῖται, δεχομένη ἄρδηταί τε καὶ θερμαίνηται, λωφᾷ τε τῆς ὀδύνης καὶ γέγηθεν. This ancient conception, which had a root in language as well as in philosophy, is reflected even in Milton, L'Allegro, 1. 121, With store of ladies, whose bright eyes | Rain influence, though in this case probably with a further allusion to astrology.