Sophocles, Antigone, ed. August Boeckh, 190

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ANTIGONE.
Str. 1. 806

O seht mich, o Bürger des Vaterlandes,
775

die ich den letzten Weg

wandle, die ich den letzten Strahl

schaue jetzt von Helios Licht,

und nie wieder! Lebend entführt

Hades, alle lagernd zur Ruh',
780

Acherons Ufern

zu mich; nicht Hymenäen

empfing ich, nimmer ein bräutliches Lied

feierte mich im Lust-

reigen: Acheron führt als Braut heim mich!
785

Antigone. Sophocles. ed. August Boeckh. Leipzig. 1884.

Current edition Experimental

German (A. Boeckh, 1884) (OCR draft) (German) (German (A. Boeckh, 1884))

Provisional text from uncorrected OCR; expect errors.

Editions (12)

Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 190 focus

τοιοῖς δ᾽ ἐγὼ νόμοισι τήνδ᾽ αὔξω πόλιν.

190

Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 190 focus

Ἐτεοκλέα μέν, ὃς πόλεως ὑπερμαχῶν

190

Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 190 focus

καὶ νῦν ἀδελφὰ τῶνδε κηρύξας ἔχω

190

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

190

Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα·

190

Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 190.mvp-line-190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα·

190

Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

190

Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

190

Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

190

Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 190.mvp-line-190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

190

Antigone (OCR draft) Experimental (Antigone) — 190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

190

Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 190 focus

πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

190

Translations (9)

Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 190 focus

CREONTE

883 ¿Acaso no sabéis que de cantos y lloros antes de morir no hay ninguno que desistiera si le hubieran de ser útiles? Que os la llevéis en seguida; y una vez la encerréis en aquella abovedada tumba, como os he mandado, dejadla sola y abandonada, ya desee morir, ya desposarse viviendo en tal morada; que yo quedo exento del delito de sacrilegio por lo que se refiere a esta muchacha; porque sólo se la privará de habitar entre los vivos.

Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 190 focus

Creon

883 Scitisne, querelae et luctus si morituris prodessent, neminem fore, qui iis desinat? Quin abducitis hanc quam citissime, et postquam eam, ut iussi , incluseritis solam desertamque in obtecto sepulcro, abibitis: sive ibi moritura sit, sive sub hoc tecto sepulta aevum ducat. Nos enim immunes sumus piaculi, puellae huius caussa ; sed nullum ei cum superis erit consortium.

English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 190 focus

CR

Then for that, be sure

Her warders shall lament their tardiness.

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 211 focus

Dir, Sohn Menökeus', Kreon, ist es so genehm

Mit dieses Landes Gegner und mit seinem Freund.

Denn jede Sazung anzuordnen steht dir frei,

So für die Todten, wie für uns, die Lebenden.

Kreon.

Seid ihr die Hüter dessen nun, was ich gebot!
215

Der Chor.

Der Jüngern Einem lege dies zu tragen auf.

Kreon.

Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor.

Warum denn einem Andern noch gebeutst du dies?

Kreon.

Daß Keinem Nachsicht werde, der dawider thut.

Der Chor.

Wer ist so thöricht, daß er sich zu sterben sehnt?
220

Kreon.

Und dieses wäre, traun, der Lohn; doch Vielen ja

Hat schon die Hoffnung auf Gewinn den Tod gebracht.

Ein Wächter. Die Voriger.

Der Wächter.

Herr, ich will nicht sagen, daß ich athemlos

Vor Eile komme mit behend erhob'nem Fuß;

Denn viel Bedenken schus mir manchen Aufenthalt,
225

Und oft zur Rückkehr wandt' ich unterwegs mich um.

Denn meine Seele sprach zu mir und warnte viel:

„Was willst du dorthin, Armer, wo dir Strafe droht?

Elender, säumst du? Doch erfährt es Kreon dann

Von einem Andern, würde dir's nicht schlimm ergeh'n?"
230

In solchem Grübeln ging ich langsam schnell voran,

Und also streckt sich lange hin der kurze Weg.

Doch siegt' am Ende der Entschluß, hieher zu geh'n,

Zu dir; und sag' ich dir auch Nichts, ich sag' es doch.

Denn an die Hoffnung klammr' ich unverrückt mich an,
235

Nichts könne sonst mich treffen, als bestimmtes Loos.

Kreon.

English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 190 focus

Antigone

O dreadful marriage bed !

O my deep dungeon ! My eternal liome,

Whither I go to join my kindred dead !

For not a few hath fell Persephone

Already ta'en ; to her I go, the last
895

And most unhappy, ere my time was come ;

But still I have sweet hope I shall not go

Unwelcome to my father, nor to thee, •

My mother. Dear to thee, Eteocles^
900

Still shall I ever be. These pious hands

Washed your pale bodies, and adorned you botli

With rites sepulchral, and libations due !

And thus, my Polynices, for my care

Of thee am I rewarded, and the good

Alone shall praise me. For a husband dead, j -^-"-^

Nor, had 1 been a mother, for my children '

Would I have dared to violate the laws :

Another husband and another child
910

Might soothe affliction. But, my parents dead,

A brother's loss could never be repaired.

And therefore did I dare the venturous deed,

And therefore die by Creon's dread command.
915

Ne'er shall i taste of Hymen's joys, or know

A mother's pleasures in her infant race ;

But, friendless and forlorn, alive descend

Into the dreary mansion;^ of the dead.

And how have I offended the just gods !

But wherefore call on them? Will they protect me,

When thus I meet with the reward of ill

For doing good? If this be just, ye gods,

If I am guilty, let me suffer foi' it.
925

But if the crime be theirs, oh ! let them feel

That weight of misery they have laid on me !

Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 190 focus

CORO

791 Tú arrastras á los buenos al erimen y ála injusticia; tú eres quien acaba de suscitar esa reyerta entre el padre y el hijo. De todo triunfa el amor que inspiran los ojos de una hermosa. El amor preside con los dioses á las loyes de la naturaleza. ¡Cómo juega con nosotros la irresistible Afródita!... 801 Yo mismo en este instante, rebelde á los mandatos de Creonte, no puedo contener el raudal de mis lágrimas, viendo á Antigona caminar hácia la mansión en que se duerme el eterno sueño.

German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 190 focus

KREON

Deswegen werden denen, die sie führen,

Thränen kommen, des Aufschubs wegen.

English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 190 focus

Antigone

Tomb, bridal-chamber, eternal prison in the caverned rock, whither I go to find mine own, those many who have perished, and whom Persephone hath received among the dead! Last of all shall I pass thither, and far most miserably of all, before the term of my life is spent. But I cherish good hope that my coming will be welcome to my father, and pleasant to 900 thee, my mother, and welcome, brother, to thee; for, when ye died, with mine own hands I washed and dressed you, and poured drink-offerings at your graves ; and now, Polyneices, ’tis for tending thy corpse that I win such recompense as this.

And yet I honoured thee, as the wise will deem, rightly. Never, had I been a mother of children, or if a husband had been mouldering in death, would I have taken this task upon me in the city’s despite. What law, ye ask, is my warrant for that word? The husband lost, another might have been found, and child from 910 another, to replace the first-born; but, father and mother hidden with Hades, no brother’s life could ever bloom for me again. Such was the law whereby I held thee first in honour; but Creon deemed me guilty of error therein, and of outrage, ah brother mine! And now he leads me thus, a captive in his hands; no bridal bed, no bridal song hath been mine, no joy of marriage, no portion in the nurture of children; but thus, forlorn of friends, unhappy one, I go living to the vaults of 920 death. And what law of heaven have I transgressed? Why, hapless one, should I look to the gods any more,—what ally should I invoke,—when by piety I have earned the name of impious? Nay, then, if these things are pleasing to the gods, when I have suffered my doom, I shall come to know my sin; but if the sin is with my judges, I could wish them no fuller measure of evil than they, on their part, mete wrongfully to me.

English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Enter Creon, with two attendants.

Creon

My fellow citizens! First, the gods, after tossing the fate of our city on wild waves, have once more righted it. Second, I have ordered you through my messengers to come here

apart from all the rest, because I knew, first of all, how constant was your reverence for the power of the throne of Laius; how, again, you were reverent, when Oedipus was guiding our city; and lastly, how, when he was dead, you still maintained loyal thoughts towards his children.
165

Since, then, these latter have fallen in one day by a twofold doom—each striking, each struck, both with the stain of a brother’s murder—I now possess all the power and the throne according to my kinship with the dead.
170

Now, it is impossible to know fully any man’s character, will, or judgment, until he has been proved by the test of rule and law-giving. For if anyone who directs the entire city does not cling to the best and wisest plans,
175

but because of some fear keeps his lips locked, then, in my judgment, he is and has long been the most cowardly traitor. And if any man thinks a friend more important than his fatherland, that man, I say, is of no account. Zeus, god who sees all things always, be my witness—
180

I would not be silent if I saw ruin, instead of safety, marching upon the citizens. Nor would I ever make a man who is hostile to my country a friend to myself, because I know this, that our country is the ship that bears us safe, and that only when
185

we sail her on a straight course can we make true friends. Such are the rules by which I strengthen this city. Akin to these is the edict which I have now published to the citizenry concerning the sons of Oedipus: Eteocles, who fell fighting
190

in behalf of our city and who excelled all in battle, they shall entomb and heap up every sacred offering that descends to the noblest of the dead below. But as for his brother, Polyneices, I mean, who on his return from exile wanted to burn to the ground
195

the city of his fathers and his race’s gods, and wanted to feed on kindred blood and lead the remnant into slavery—it has been proclaimed to the city that no one shall give him funeral honors or lamentation,
200

but all must leave him unburied and a sight of shame, with his body there for birds and dogs to eat. This is my will, and never will I allow the traitor to stand in honor before the just. But whoever has good will to Thebes ,
205

he shall be honored by me in death as in life.
210

211

Chorus

That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon

See, then, that you be guardians of my commands.
215

Chorus

Lay the weight of this task on some younger man.

Creon

That is not what I meant—the guards for the corpse are already in place.

Chorus

Then what is this other command that you would give?

Creon

That you not give way to the breakers of my commands.

Chorus

There is no one so foolish as to crave death.
220

Creon

I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Enter Guard.

Guard

My king, I will not say that I arrive breathless because of speed, or from the action of a swift foot.

For often I brought myself to a stop because of my thoughts, and wheeled round in my path to return. My mind was telling me many things: Fool, why do you go to where your arrival will mean your punishment? Idiot, are you dallying again? If Creon learns it from another, must you not suffer for it?
225

So debating, I made my way unhurriedly, slow, and thus a short road was made long. At last, however, the view prevailed that I should come here—to you. Even if my report brings no good, still will I tell you,
230

since I come with a good grip on one hope, that I can suffer nothing except what is my fate.
235

237

Creon

And what is it that so disheartens you?

Guard

I want to tell you first about myself—I did not do the deed, nor did I see the doer,

so it would be wrong that I should come to any harm.
240

Creon

Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard

That I do, for terrible news imposes great hesitation.

Creon

Then tell it, will you, and so unburdened go away?

Guard

Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands.
245

Creon

What are you saying? What man dared do this?

Guard

I do not know. For there was no scar of a pickax to be seen there,

no earth thrown up by a mattock. The ground was hard and dry, unbroken, not rolled over by wheels. The doer was someone who left no trace. When the first day-watchman showed it to us, a discomforting amazement fell on us all.
250

The dead man was veiled from us—not shut within a tomb, but a light cover of dust was on him, as if put there by the hand of one who shunned a curse. And no sign was visible that any beast of prey or any dog had approached or torn him. Then evil words flew thick and loud among us,
255

guard accusing guard. It would even have come to blows in the end, nor was there anyone there to prevent it: every man was the culprit, and no one was plainly guilty, while all disclaimed knowledge of the act. We were ready to take red-hot iron in our hands,
260

to walk through fire and to swear oaths by the gods that we had neither done the deed, nor shared knowledge of the planning or the doing. At last, when our investigating got us nowhere, someone spoke up and made us all bend our faces
265

in fear towards the earth. For we did not know how we could argue with him, nor yet prosper, if we did what he said. His argument was that the deed must be reported to you and not hidden. This view prevailed, and so it was that
270

the lot doomed miserable me to win this prize. So here I stand, as unwelcome to you as I am unwilling, I well know. For no man delights in the bearer of bad news.
275

278

Chorus

My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Creon

Quiet, before your words truly fill me with rage, so that you not be found at the same time foolish as well as old. You say what is intolerable when you claim that the gods have concern for that corpse. Was it in high esteem for his benefactions
280

that they sought to hide him, when he had come to burn their columned shrines, their sacred treasures and their land, and scatter its laws to the winds? Or do you see the gods honoring the wicked? It cannot be. No! From the very first
285

certain men of the city were chafing at this edict and muttering against me, tossing their heads in secret, and they did not keep their necks duly under the yoke in submission to me. By those men, I am certain, they were led astray and bribed to do this deed.
290

Nothing so evil as money ever grew to be current among men. This destroys cities, this drives men from their homes, this trains and warps honest minds to set themselves to works of shame,
295

this teaches people to practise villainies, and to know every act of unholiness. But all the men who did this job for hire have made sure that, sooner or later, they shall suffer the punishment. Now, as Zeus still has my reverence, know this well—
300

I tell you on my oath. If you do not find the very hand that made this burial, and reveal him before my eyes, mere death shall not suffice for you, not before, hung up alive, you have made this outrage plain,
305

so that hereafter you may thieve with better knowledge of where your money should be received from, and learn that it is best not to be fond of money-making from any and every source. For you will find that ill-gotten gains bring more men to ruin than to safety.
310

315

Guard

Will you allow me to speak? Or shall I just turn and go?
315

Creon

Do you not know even now how much your voice sickens me?

Guard

Is the pain in your ears, or in your soul?

Creon

And why would you define the seat of my pain?

Guard

He who did it hurts your heart, but I, your ears.

Creon

God! How plain it is that you are a born babbler.
320

Guard

Perhaps, but never the author of this action.

Creon

Yes, and what is more, you sold your life for silver.

Guard

Ah! It is truly sad when the judge judges wrong .

Creon

Expound on judgment as you will. But, if you fail to

show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon.
325

Guard

Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again.

Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard.
330

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-464-1 ὡς ἄγος μόνον ¹ ὡς ² ὅσον ³

mvp-comment-464-2 ἄγος ⁴

mvp-comment-464-3 Creon's edict had announced that the transgressor would be publicly stoned to death (36). It is to this that the anxious question of the Chorus alludes (772). Creon had already said that Antigone's doom was to be

κάκιστος

(489). But now, at least, he feels that he cannot inflict such a death on the maiden, his kinswoman. She shall die, not by stoning, but by starvation. The choice is not prompted by cruelty, but simply by the desire to avoid physical violence.

mvp-comment-464-4 The danger of a

μίασμα

—to be avoided by a dole of food—has no relation to the special circumstances,—Antigone's royal birth, and the nature of her offence. In the ancient belief, that danger existed whenever a person was put to death by starvation. Two notions were probably blended; ( a) that, if a little food was given, the death was nature's work, not man's; ( b) that the

νέρτεροι

claimed an indemnity for the usual

ἐναγίσματα

. So the Greeks put Philoctetes ashore on desolate Lemnos, —

ῥάκη προθέντες βαιὰ καί τι καὶ βορᾶς | ἐπωφέλημα σμικρόν

( Ph. 274 ). So, too, when a Vestal was to be buried alive, the small vault in the Campus Sceleratus was furnished with a couch, a burning lamp, and a small table, on which the dole was placed,—bread, olives, milk, and a jug of water ( Plut. Num. 10 ).

mvp-comment-465-1 πᾶσ’ ⁵

mvp-comment-466-1 ὃν μόνον σέβει ⁶

mvp-comment-466-2

ἐγγενεῖς

(199). By honouring him, and Hades (519), she has dishonoured those other gods.

mvp-comment-467-1 τὸ μὴ θανεῖν ⁷ τεύξεται ⁸

mvp-comment-468-1 ἀλλὰ τηνικαῦτα ⁹ τἀν ¹⁰

mvp-comment-470-1 ἀνίκατε μάχαν ¹¹

mvp-comment-471-1 ἐν κτήμασι πίπτεις, ¹²

mvp-comment-472-1 ἐν μαλακαῖς παρειαῖς ¹³

mvp-comment-472-2 ἐννυχεύεις ¹⁴

mvp-comment-473-1 ὑπερπόντιος ¹⁵

mvp-comment-473-2 ἔν τ’ ἀγρ. αὐλαῖς ¹⁶

mvp-comment-474-1 οὔτ’ ἀθανάτων ¹⁷

mvp-comment-474-2 σὲ … φύξιμός ἐστι ¹⁸

mvp-comment-475-1 σέ γ’ ¹⁹

mvp-comment-475-2 ὁ δ’ ἔχων ²⁰

mvp-comment-476-1 ἀδίκους ²¹ παρασπᾷς ²²

mvp-comment-477-1 ξύναιμον ²³

mvp-comment-477-2 ἔχεις ²⁴

mvp-comment-477-3 ταράξας ²⁵

mvp-comment-478-1 ἐναργής ²⁶

mvp-comment-478-2 βλεφάρωνἵμερος ²⁷ εὐλέκτρου νύμφας ²⁸

mvp-comment-478-3 εὐλέκτρου ²⁹

mvp-comment-479-1 πάρεδρος ἐν ἀρχαῖς ³⁰ πάρεδρος ³¹ ἐν ἀρχαῖς ³²

mvp-comment-479-2 The words answer metrically to

φύξιμος οὐδείς

(788). The first two syllables of

πάρεδρος

therefore represent a resolved long syllable. Pindar affords some instances of such resolution (see Appendix), and there is a probable example below (970

ἀγχίπολις Ἄρης

, where see n.). But it is rare, and certainly unpleasing. As

mvp-comment-479-3 a whole, too, the phrase

πάρεδρος ἐν ἀρχαῖς

is suspicious. A yet stronger objection is the strangeness of describing the power which is in conflict with the

θεσμοί

as their assessor, or peer, in sway; an expression which would seem appropriate only if that power was working in harmony with them; as when Eur. ( Eur. Med. 843 ) speaks of

σοφίᾳ παρέδρους...ἔρωτας, | παντοίας ἀρετᾶς ξυνεργούς

,—‘the loves that sit with wisdom, co-workers of all excellence,’—those aspirations of the soul which assist intellectual effort.

mvp-comment-479-4 The best line of emendation yet suggested is that of Semitelos, who writes ὥστε πέρα δρᾶν ³³

mvp-comment-480-1 ἐμπαίζει ³⁴ νικᾷ ³⁵

mvp-comment-481-1 καὐτὸς θεσμῶν ἔξω ³⁶

mvp-comment-481-2 φέρομαι ³⁷

mvp-comment-481-3 ἴσχειν δ’ ³⁸

mvp-comment-482-1 πηγάς ³⁹

mvp-comment-483-1 παγκοίτην ⁴⁰

mvp-comment-483-2 of Antigone are brought into finer relief by the different tone of the choral anapaests. Cp. 822 , and see Appendix on 110.—Cp. O. C. 1578 (Death)

τὸν αἰένυπνον

. The word θάλαμον ⁴¹

mvp-comment-483-3 ἀνύτουσαν ⁴²

mvp-comment-485-1 νεάταν … νέατον δέ ⁴³

mvp-comment-485-2 νέατον ⁴⁴

mvp-comment-485-3 κοὔποτ’ αὖθις ⁴⁵

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

775. mvp-comment-452-1 i. e. τοσοῦτον μόνον, ὅσον ἄγος εἶναι. Essay on Language § 39. p. 74. For ἄγος = expiation, see Hesych., ἄγος· ἅγνισμα θυσίας, Σοφοκλῆς Φαίδρα.

776. mvp-comment-453-1 i. e. Lest the whole city might suffer pollution.

780. mvp-comment-454-1 περισσός Bootless. Cp. Aesch. Prom. 383, μόχθον περισσόν. It is characteristic of the time (cp. Thucydides) that the political energy of Creon is combined with scepticism.

781-800. mvp-comment-455-1 Haemon's disobedience to his father, against his own interest, is due to the might of love.

781-800. mvp-comment-455-2 'Never-vanquished love, that layest riches waste, keeping nightly watch in the fair, soft, youthful cheek: love that roamest over seas and findest out the wildest nook! No god, nor any mortal man, escapes thy maddening power. By love the upright mind is drawn to wrong unto its hurt. By love this present strife is kindled between kinsmen. And clearly triumphant is the influence of desire that cometh from the looks of the fair bride - desire that divides empire with the majestic law: so resistlessly doth goddess Aphrodite mock mankind.

781-800. mvp-comment-455-3 This little ode consists of a strophe and antistrophe, of which the scansion is as follows:- CCLトしてし CICCICII CCCICII IICIICCIト(CLトー 5-0-0-ICCICI-

781-800. mvp-comment-455-4 A glyconic quatrain is followed by two choriambic lines, and the strophe ends with a return to the glyconic rhythm. L. 7 admits of being otherwise divided, viz.: CCLCー.

781. mvp-comment-456-1 ἀνίκατε μάχαν Cp. the similar personification of θυμός by Heraclitus, χαλεπὸν θυμῷ μάχεσθαι, ψυχῆς γὰρ ὠνέεται.

782. mvp-comment-457-1 ὃς ἐν κτήμασι πίπτεις (i. e.

782. mvp-comment-457-2 ἐμπίπτεις κτήμασι.) These words have been variously interpreted and emended. They probably mean, Who fallest upon wealth, i. e. art the destroyer of possessions, ruining worldly fortunes in various ways, as the love of Helen wasted Troy, etc. Cp. Eur. Hipp. 538, foll., Ἔρωτα δὲ τὸν τύραννον ἀνδρῶν |.. πέρθοντα καὶ διὰ πάσας | ἰόντα συμφορὰς | θνατοῖς, ὅταν ἔλθῃ. So, in this instance, Haemon is losing all for love. Others interpret, Desire who makest wealth thy object (Schol. rec.), Love, who by attacking enslavest, or Who makest victims of the wealthy.

783-784. mvp-comment-458-1 ὃς .. ἐννυχεύεις Cp. Milton, L'Allegro, 29, 30, 'Such as hang on Hebe's cheek, | And love to live in dimple sleek.' Love is still figured as an enemy, who keeps nightly watch where he is ready to spring forth armed on the unwary. Pind. Nem. 8. 2, ὥρα .. παρθενηΐοις .. ἐφίζοισι γλεφάροις.

785. mvp-comment-459-1 The poet is thinking of legendary examples, such as Paris, Leander, Anchises, etc.

786. mvp-comment-460-1 σε .. φύξιμος i.e. δύναταί σε φεύγειν. Cp. Hom. h. Ven. 34. 5, τῶν δ' ἄλλων οὐ πέρ τι πεφυγμένον ἔστ᾽ Ἀφροδίτην, | οὔτε θεῶν μακάρων, οὔτε θνητῶν ἀνθρώπων. But see on 796 ff.

790. mvp-comment-461-1 ἁμερίων ἐπ᾿ ἀνθρώπων The insertion of the preposition, although omitted with θεῶν, is no objection to this reading. See Essay on Language § 19. p. 27: and for ἐπί, with the genitive, meaning In the case of, So far as extends to, cp. Plato, Rep. 3. 406 C, 8.. ἐπὶ .. τῶν δημιουργῶν αἰσθανόμεθα, alib. The force of the preposition and case here is nearer to the original locative sense, = Extending over, 'Quantum hominum genus propagatum extenditur. (Ellendt.)

790. mvp-comment-461-2 ὁ ἔχων Sc. τὸ νόσημα. Wecklein compares ἔχει, he is wounded, with reference to the arrow of love. But this is fanciful.

791-792. mvp-comment-462-1 ἀδίκους.. παρασπᾷς i. e. εἰς ἀδικίαν παρασπᾷς. Drawest awry to wrong. For this proleptic use of the adjective, see Essay on Language § 23. P. 39; § 38. p. 71.

792. mvp-comment-463-1 ἐπὶ λώβᾳ ‘Το their hurt or disgrace.'

794. mvp-comment-464-1 ξύναιμον is an emphatic epithet added by an afterthought (Essay on Language § 23. p. 38) and by hypallage made to agree with the principal word, although more properly belonging to ἀνδρῶν. (Ibid. § 42. p. 80).

795. mvp-comment-465-1 νικᾷ δ᾽ ἐναργής i. e. ἐναργής ἐστι νικῶσα.

795. mvp-comment-465-2 βλεφάρων ἵμερος The modern poet speaks of love as engendered in the eyes, with gazing fed: the ancients rather spoke of an influence passing from the eye of the beloved (τὸ ἐρωτικὸν ὄμμα, Plat. Phaedr. 253 E) to the soul of the lover. Desire was viewed as an emanation from the object. Hence Plato's account of ἵμερος, Phaedr. 251 Β, C, δεξάμενος γὰρ τοῦ κάλλους τὴν ἀπορροὴν διὰ τῶν ὀμμάτων, ἐθερμάνθη ἢ ἡ τοῦ πτεροῦ φύσις ἄρδεται .. ὅταν μὲν οὖν βλέπουσα πρὸς τὸ κάλλος, ἐκεῖθεν μέρη ἐπιόντα καὶ ῥέοντα, ἃ δὴ διὰ τοῦτο ἵμερος καλεῖται, δεχομένη ἄρδηταί τε καὶ θερμαίνηται, λωφᾷ τε τῆς ὀδύνης καὶ γέγηθεν. This ancient conception, which had a root in language as well as in philosophy, is reflected even in Milton, L'Allegro, 1. 121, With store of ladies, whose bright eyes | Rain influence, though in this case probably with a further allusion to astrology.

796-799. mvp-comment-466-1 τῶν .. θεσμῶν In the counsels of princes holding an equal place with the majesty of law. This seems the best way of taking these words, which have been variously interpreted; e.g. Equal to the laws in power. 'Assessor in the authority of the laws, etc. There is an allusion to Haemon, who, though a prince, has been led to disobey his father, and to disregard the edict of the king. Cp. Hdt. 4. 165, ἐν βουλῇ παρίζουσα. The resolution of the arsis in πάρεδρος is extremely unusual; see Christ's Metrik, § 178; and Arndt suggested ξύνθρονος ἀρχαῖς, 'Assessor with the rule of majesticlaw. But qy. πάρεδρος *ἀρχαῖς, with "πέφευγεν οὐδείς in 786 ff.? (IILUCCICII).

800. mvp-comment-467-1 Wecklein finds here an oxymoron, turning on the opposition of μάχη and παιδιά. She is resistless, though sport is her only weapon. But this is doubtful.

804. mvp-comment-468-1 παγκοίταν.. θάλαμον The chamber where all must lie. The implied contrast between the fate of Antigone and her intended bridal recurs repeatedly throughout the latter part of the play. Supr. 575, Ἅιδης ὁ παύσων τούσδε τοὺς γάμους γάμ ἔφυ: infr. 891, νυμφεῖον : 1205, νυμφεῖον" Αιδου κοίλον.

806-802. mvp-comment-469-1 Antigone bewails her untimely death, and the chorus attempt to console her by pointing to the singularity of her end. She quotes the example of Niobe, who was encrusted with rock. But Niobe, rejoin the chorus, was a Divine Being. Then the maiden bursts into a cry against such vain comfort, and appeals to the forms of nature around Thebes to bear witness to the strangeness of her fate. The tone of the chorus changes to admonition. Thou hast offended against the majesty of law. Some curse, inherited from thy sire, must have led thee on. At last they have touched her, but it is only to aggravate her sorrow. Dire indeed had been the curse upon her parents; and now she is going to be with them, having never tasted any joy. Her brother's seeming success in marriage had been death to him and to her. The chorus reiterate that piety towards her brother should have yielded to authority. Selfwill has been thy ruin. Antigone: 'Friendless, unmourned, uncomforted, I leave the holy light of day. I die unmarried, and no one weeps for me.'

806-802. mvp-comment-469-2 The metres in this commos, ll. 806-833, chiefly logaoedic. and for the most part glyconic, are as follows:- α΄. 806-816, 823-833. 805 luclu IIC1CCI II1CCIC ―トしかしCICLL Anapaests of cho. 817-822, 834-837- β'. Second strophe and antistrophe. 51IC (トートートートー ICCICII にかくCIトトに CICLC- トトロー CCLCICIC 15010し! 이기 5- ἐπ. } Iambic. ひトしレトCCICI- 51110CIRKIICCI CICCートリート ―トしーしトー

806-802. mvp-comment-469-3 The effect produced by the epitrite rhythm in a' 9. β΄ 8, ἐπ. 5, and of the spondees in ß' 6, is especially noticeable.

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CR Then for that, be sure Her warders shall lament their tardiness.

Dir, Sohn Menökeus', Kreon, ist es so genehm Mit dieses Landes Gegner und mit seinem Freund. Denn jede Sazung anzuordnen steht dir frei, So für die Todten, wie für uns, die Lebenden.

Kreon. Seid ihr die Hüter dessen nun, was ich gebot! 215

Der Chor. Der Jüngern Einem lege dies zu tragen auf.

Kreon. Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor. Warum denn einem Andern noch gebeutst du dies?

Kreon. Daß Keinem Nachsicht werde, der dawider thut.

Der Chor. Wer ist so thöricht, daß er sich zu sterben sehnt? 220

Kreon. Und dieses wäre, traun, der Lohn; doch Vielen ja Hat schon die Hoffnung auf Gewinn den Tod gebracht. Ein Wächter. Die Voriger.

Kreon.

KREON Deswegen werden denen, die sie führen, Thränen kommen, des Aufschubs wegen.

Chorus That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon See, then, that you be guardians of my commands. 215

Chorus Lay the weight of this task on some younger man.

Creon That is not what I meant—the guards for the corpse are already in place.

Chorus Then what is this other command that you would give?

Creon That you not give way to the breakers of my commands.

Chorus There is no one so foolish as to crave death. 220

Creon I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Creon And what is it that so disheartens you?

Guard I want to tell you first about myself—I did not do the deed, nor did I see the doer, so it would be wrong that I should come to any harm. 240

Creon Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard That I do, for terrible news imposes great hesitation.

Creon Then tell it, will you, and so unburdened go away?

Guard Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands. 245

Creon What are you saying? What man dared do this?

Chorus My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Guard Will you allow me to speak? Or shall I just turn and go? 315

Creon Do you not know even now how much your voice sickens me?

Guard Is the pain in your ears, or in your soul?

Creon And why would you define the seat of my pain?

Guard He who did it hurts your heart, but I, your ears.

Creon God! How plain it is that you are a born babbler. 320

Guard Perhaps, but never the author of this action.

Creon Yes, and what is more, you sold your life for silver.

Guard Ah! It is truly sad when the judge judges wrong .

Creon Expound on judgment as you will. But, if you fail to show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon. 325

Guard Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again. Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard. 330

Commentary

Stable identifiers

CR

Then for that, be sure

Her warders shall lament their tardiness.

Dir, Sohn Menökeus', Kreon, ist es so genehm

Mit dieses Landes Gegner und mit seinem Freund.

Denn jede Sazung anzuordnen steht dir frei,

So für die Todten, wie für uns, die Lebenden.

Kreon.

Seid ihr die Hüter dessen nun, was ich gebot!
215

Der Chor.

Der Jüngern Einem lege dies zu tragen auf.

Kreon.

Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor.

Warum denn einem Andern noch gebeutst du dies?

Kreon.

Daß Keinem Nachsicht werde, der dawider thut.

Der Chor.

Wer ist so thöricht, daß er sich zu sterben sehnt?
220

Kreon.

Und dieses wäre, traun, der Lohn; doch Vielen ja

Hat schon die Hoffnung auf Gewinn den Tod gebracht.

Ein Wächter. Die Voriger.

KREON

Deswegen werden denen, die sie führen,

Thränen kommen, des Aufschubs wegen.

Chorus

That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon

See, then, that you be guardians of my commands.
215

Chorus

Lay the weight of this task on some younger man.

Creon

That is not what I meant—the guards for the corpse are already in place.

Chorus

Then what is this other command that you would give?

Creon

That you not give way to the breakers of my commands.

Chorus

There is no one so foolish as to crave death.
220

Creon

I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Creon

And what is it that so disheartens you?

Guard

I want to tell you first about myself—I did not do the deed, nor did I see the doer,

so it would be wrong that I should come to any harm.
240

Creon

Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard

That I do, for terrible news imposes great hesitation.

Creon

Then tell it, will you, and so unburdened go away?

Guard

Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands.
245

Creon

What are you saying? What man dared do this?

Chorus

My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Guard

Will you allow me to speak? Or shall I just turn and go?
315

Creon

Do you not know even now how much your voice sickens me?

Guard

Is the pain in your ears, or in your soul?

Creon

And why would you define the seat of my pain?

Guard

He who did it hurts your heart, but I, your ears.

Creon

God! How plain it is that you are a born babbler.
320

Guard

Perhaps, but never the author of this action.

Creon

Yes, and what is more, you sold your life for silver.

Guard

Ah! It is truly sad when the judge judges wrong .

Creon

Expound on judgment as you will. But, if you fail to

show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon.
325

Guard

Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again.

Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard.
330