211-212.
mvp-comment-130-1
For the construction of the accusatives τὸν .. δύσνουν. . τὸν εὐμενῆ, after σοὶ ταῦτ᾽ ἀρέσκει as = οὕτω τάσσεις, or the like, cр. О. С. 1120, τέκν᾽ εἰ φανέντ᾽ ἄελπτα μηκύνω λόγον, and see Essay on Language § 16. p. 22. No emendation is necessary.
213.
mvp-comment-131-1
παντί πού γ᾽ ἔνεστί σοι γε has been thought a useless insertion, and Dindorf reads πάντι που πάρεστί σοι. But δέ γε is not unsuitable to the connection, introducing the second premiss of an implied argument. The words of the chorus express the barest acquiescence in the will of the ruler. Cp. infr. 509, σοὶ δ᾽ ὑπίλλουσι στόμα. They hide their disapproval, and that is all. Cp. Richard III, 4. 2, 21,
Buck. Your grace may do your pleasure.
215.
mvp-comment-132-1
ὡς ἂν.. εἰρημένων Sc. οὕτω πράσσετε. The subjunctive with ὡς ἄν follows the implied imperative.
Act, then, so as to see my words obeyed. Cp. Ο. Τ. 325, ὡς οὖν μηδ᾽ ἐγὼ ταὐτὸν πάθω : Plat. Phaedo 59 Ε, παραγγέλλουσιν, ὅπως ἂν τῇδε τῇ ἡμέρᾳ τελευτήσῃ. The ellipse is idiomatic. It is not to be supposed either that Creon hesitates, or that the elders interrupt him.
218.
mvp-comment-133-1
τί.. ἔτι 'What means then this charge further given by you to another?' τοῦτο, cogn. acc. = σκοποὶ εἶναι τῶν εἰρημένων : τί, suppl. predic. = With what meaning?'
To what effect? ἄλλῳ = to another than the appointed guards. ἄλλο gives a poorer sense,
What then is this other thing which you enjoin besides?
220.
mvp-comment-134-1
ὃς .. ἐρᾷ
As to be in love with death. For the irregular correlative (οὕτω .. ὅς), see Essay on Language § 22. p. 36. There is a confusion of οὐκ ἔστιν ὃς ἐρᾷ and οὐκ ἔστιν οὕτω μῶρος ὥστε ἐρᾶν.
222.
mvp-comment-135-1
The emphatic position of ἄνδρας at the beginning of the line shows that the word is intended to mark Creon's unconsciousness of the real source of danger. So infr. 1. 248. Cp. Aesch. Ag. 1110: O. T. 928, al. So ὑπ᾿ ἐλπίδων shows how incapable he is of divining the motive of Antigone.
223-330.
mvp-comment-136-1
The half-comic or rustic character of the watchman in this play is an extension of the common character of the
messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the
gravediggers in Hamlet, and the
rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.
223-330.
mvp-comment-136-2
The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp.
Shak. Hamlet, 5. 1
,
We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.
223-224.
mvp-comment-137-1
I am out of breath, but not with speed. It is not that I ran nimbly hither. Aristotle, Rhet. 3. 14. § 10, quotes 223 thus, Ἄναξ, ἐρῶ μὲν οὐχ ὅπως σπουδῆς ὕπο.., adding, as if from the reply of Creon, τί φροιμιάζῃ; But it is as unsafe to follow his authority in this line, as it would be to substitute τί φροιμιάζῃ for εὖ γε στοχάζει in l. 241. It is evident that he is quoting from memory: and, although it is curious that the Scholiast uses the same word in his explanation, οὐ τοῦτο λέγω, ὅτι μετὰ σπουδῆς ἀσθμαίνων πρὸς σὲ πορεύομαι, yet this does not amount to a proof that this is the right reading. σπουδῆς may be the word which would be more naturally used in prose, but it is less pointed than τάχους in this connection. κοῦφον ἐξάρας πόδα is added in explanation of τάχους ὕπο. ἐξάρας,
having set forth from the point of departure, like αἴρειν στόλον.
225.
mvp-comment-138-1
For I had many stoppages by reason of thoughts, i. e. My thoughts cried halt to me (ἐπέστησάν με) again and again. Cp. Αj. 869, κοὐδεὶς ἐφίσταταί με συμμαθεῖν τόπος. The genitive φροντίδων is part causal, My thoughts checked me,' and part final,
I stopped to think.
226.
mvp-comment-139-1
ὁδοῖς
As I came. Essay on Language § 14. p. 20. Ср. О. С. 553, ὁδοῖς ἐν ταῖσδ᾽ ἀκούων.
Hearing of you on your coming hither.
227.
mvp-comment-140-1
This mockery of dialectic is curiously significant of the earlier stage of rhetoric.
229.
mvp-comment-141-1
κεἰ has the authority of the oldest MS. The reading of Par. A, καὶ .. ἀνδρός, has a certain liveliness, but is perhaps too abrupt.
231.
mvp-comment-142-1
τοιαῦθ᾽ ἑλίσσων
Turning round and round such thoughts as these. Cp. Plat. Phil. 19 (of the boyish dialectician), πάντα κινεῖ λόγον ἄσμενος, τότε μὲν ἐπὶ θάτερα κυκλῶν καὶ συμφορῶν εἰς ἕν, τότε δὲ πάλιν ἀνειλίττων καὶ διαμερίζων.
231.
mvp-comment-142-2
σπουδῇ βραδύς The reading of L, σχολῇ βραδύς,
Slowly because I stopped, is not pointed enough, and it seems probable that an oxymoron is intended in this as in the following line. The correction adopted by the Scholiast, σχολῇ ταχύς, secures this in rather an awkward way. That of Seyffert, which is here adopted (for the collocation of words, cp. the proverb σπεῦδε βραδέως), appears far more probable.