Sophocles Trachiniae 20

Thomas Francklin (Translator)

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Chorus
Of better omen be thy words Behold
205
A messenger, who bears (for on his brow

Trachiniae. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 20 focus
ὃς εἰς ἀγῶνα τῷδε συμπεσὼν μάχης
20
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-93 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 20 focus
MESSENGER
Enter Messenger . 180
Queen Dêanira, mine shall be the tongue
180
To free thee first from fear. Alcmena’s child
Is living, be assured, and triumphing,
And bringing to our Gods the fruits of war.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1 focus
Wohl sagt ein Spruch der Menschen schon in alter Zeit, 1
1
Kein irdisch Leben könne man, bevor es schloß,
Erkennen, ob es glücklich, ob unselig sei:
Ich aber weiß von meinem, eh' in Hades' Haus
Ich wandre, daß es bitter ist und jammervoll.
5
Schon, als in Deneus', meines Vaters, Haus ich war, 2
Und noch zu Pleuron wohnte, litt ich herbe Qual
Der Ehe wegen, wie noch kein Aetolerweib.
Ein Strom, genannt Acheloos, war mein Freier, der 3
Um mich in drei Gestalten bei dem Vater warb:
10
Leibhaft erschien er als ein Stier, dann wand er sich
Als bunter Drache, kam darauf in Mannsgestalt
Mit Stiereshaupte; von dem dichtbeschatteten
Barthaare strömten Bäche lautern Quellentranks.
So war der Freier, dessen ich gewärtig war,
15
Und täglich sehnt' ich Arme mir den Tod herbei,
Bevor ich solchem Manne mich als Braut gesellt.
Doch endlich, spät erst, aber vielwillkommen mir,
Erschien Alkmene's und des Zeus gepries'ner Sohn,
Der mit dem Strome kühn bestand den Kampf der Schlacht,
20
Und mich erlöste. Zwar des Kampfes Gang und Art
Beschreib' ich nicht; wie könnt ich's auch? Wer ohne Furcht
Dem grausen Schauspiel zugeseh'n, erzähle der's!
Denn ich erschüttert saß ich da, voll banger Angst,
Daß mir die Schönheit herben Gram bereite noch.
25
Doch gab ein gutes Ende Zeus, der Kampfeshort,
Wenn's anders gut war. Denn nachdem Herakles mich
Zum Weib erkoren, nähr' ich Sorg' um Sorge ſtets,
Um ihn mich härmend; zeugt ja doch die eine Nacht,
Die andre Nacht, ihr folgend, treibt hinweg das Leid.
30
Ich gab ihm Kinder, die der Vater irgendwann,
So wie der Landmann, der ein fernes Feld bebaut,
Nur bei der Aussaat und der Ernt' Einmal geseh'n.
So war das Leben, welches mir den Gatten stets
In's Haus und aus dem Hause trieb in fremdem Dienst. 4
35
Doch nun, nachdem er seiner Kämpfe Ziel errang,
Durchwühlt die Sorge mein Gemüth am heftigsten.
Denn seit den tapfern Iphitos sein Arm erschlug,
Sind wir in Trachis, wohnen als Vertrieb'ne hier
Bei'm alten Gastfreund; doch wohin Herakles sich 5
40
Gewendet, Niemand weiß es; mir nur ließ der Held,
Von hinnen ziehend, bittre Weh'n um sich zurück.
Ia, fast gewiß erkenn' ich's, daß ein Leid ihn traf.
Denn lange her schon ist es, fünfzehn Monde weilt
Er außen, ohne daß von ihm mir Kunde kam.
45
Ein schweres Leid ist's: also zeigt das Blatt mir an,
Das er zurückließ, als er schied; daß dieses mir
Kein Leiden bringe, fleh' ich oft die. Götter an.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 20 focus
Attendant
ATTENDANT, DEIANIRA, CHORUS. 180
My royal Mistress, I am come the first
180
To bear thee tidings, which from all thy fears
180
Will set thee free: know then Alcides lives,
And is victorious; to his country's gods
He brings the consecrated spoils of war.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-92 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-91-1 εὐφημίαν 1

mvp-comment-91-2 πρὸς χαρὰν λόγων 2

mvp-comment-92-1 πρῶτος ἀγγέλων 3

mvp-comment-93-1 γὰρ 4

mvp-comment-93-2 κρατοῦντα 5

mvp-comment-93-3 ἀπαρχὰς 6 τοῖς ἐγχωρίοις 7

mvp-comment-94-1 τίνα … τόνδε 8

mvp-comment-95-1 πολύζηλον 9

mvp-comment-95-2 φανέντα 10

mvp-comment-95-3 κράτει νικηφόρῳ 11

mvp-comment-96-1 ἀστῶν ἢ ξένων 12

mvp-comment-97-1 βουθερεῖ 13

mvp-comment-98-1 τοι 14

mvp-comment-99-1 εἴπερ εὐτυχεῖ 15

mvp-comment-99-2 193 (

ἄπεστιν
), οὐκ εὐμ. χρώμενος 16

mvp-comment-100-1 Μηλιεὺς 17

mvp-comment-100-2 ἅπας 18

mvp-comment-101-1 κρίνει 19

mvp-comment-101-2 παραστάς 20 κύκλῳ 21 περιστάς 22

mvp-comment-101-3 βῆναι 23

mvp-comment-102-1 τὸ γὰρ ποθοῦν 24 τὸ … ποθοῦν 25 τὰ γὰρ ποθείν’ 26

mvp-comment-102-2 (1) If τὸ … ποθοῦν 27

mvp-comment-102-3 (2) τὸ ποθοῦν ἐκμαθεῖν 28 ἐκμαθεῖν 29 τὸ ποθοῦν 30

mvp-comment-102-4 (3) It remains, then, to take τὸ ποθοῦν 31

mvp-comment-103-1 οὐχ ἑκών, ἑκοῦσι δὲ 32

mvp-comment-104-1 τὸν Οἴτης ἄτομον … λειμῶν’ 33 ἄτομον 34

mvp-comment-105-1 ἀλλὰ 35 σὺν χρόνῳ 36

mvp-comment-106-1 εἴσω 37 ἔσω 38

mvp-comment-106-2 στέγης … αὐλῆς 39

mvp-comment-106-3 ὄμμα φήμης τῆσδε, ἄελπτον ἐμοὶ ἀνασχόν 40

mvp-comment-106-4 The wording here, ὡς … ἀνασχόν 41 τῆσδε 42 τῆσδ’ ὃ 43 ἄελπτον 44

mvp-comment-107-1 This lively ‘dance-song’ (

ὑπόρχημα
) is the direct response of the Chorus to Deianeira's appeal (202
φωνήσατ’
),—expressing their delight at the good news. As Dr. W. Christ, who calls it ‘a paean to Artemis and Apollo,’ justly remarks ( Metrik § 443), its contents clearly point to a distribution of the verses between different singers. (1) The first part, down to v. 215 (
Νύμφας
), is an invitation to song and dance; this would be given either by the coryphaeus, or by the leader of one semichorus. (2) The second part, vv. 216—220 (
ἀείρομ’...ἅμιλλαν
), is the response, delivered by the leader of the other semichorus. (3) Then, at v. 221, the whole Chorus joins in with the refrain of the paean,
ἰὼ ἰὼ Παιάν
. (4) The coryphaeus then gives the last three verses, which introduce the next scene.—For the metres, see Metrical Analysis.

mvp-comment-107-2 ἀνολολυξάτω 45 δόμοις 46 ἁ 47 ὁ 48 δόμοις 49 ἐφεστίοις 50 ἐν δὲ κοινὸς ἀρσένων 51

mvp-comment-107-3 Hence we have to choose between these views, of which I prefer the first. (1) ἁ μελλόνυμφος 52 ἁ μελλόνυμφος 53 δόμος … ὁ μελλόνυμφος 54

mvp-comment-107-4 ἀνολολυξάτω 55

mvp-comment-107-5 δόμοις 56 ἀλαλαῖς 57

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

178. mvp-comment-139-1 εὐφημίαν νῦν ἴσχε] 'Say now no more.' Deianira's last words were not auspicious, and the Chorus warn her not to continue them for fear of crossing with an evil omen one who seemed to be a messenger of good tidings. εὐφήμει is an injunction to silence, but generally with reference to some unlucky word that has been or is likely to be said. For the form of expression, cp. Phil. 807, ἀλλ᾽, ὦ τέκνον, καὶ θάρσος ἴσχ᾽, κ.τ.λ. Others would explain, 'Speak no more sadly,' for you will now have cause for joy.

179. mvp-comment-140-1 καταστεφή] O. T. 83, Aesch. Ag. 493. πρὸς χαρὰν λόγων] To be joined with καταστεφή στείχοντα in one phrase. Coming garlanded, like a messenger of joy.' πρὸς χάριν λόγων would merely mean, 'To do the office of a messenger.'

180. mvp-comment-141-1 πρῶτος ἀγγέλων] This busy-body, who is somewhat like the Φύλαξ in the Antigone, though not quite so mean, has rushed in before Lichas in the hope of getting some reward (infr. 191).

183. mvp-comment-142-1 ἀπαρχάς] Including the captives, see below, l. 245.

184. mvp-comment-143-1 Deianira is too much overcome by the announcement to realise it at once. Cp. Phil. 917-19, ib. 1380, where an unwelcome statement is received in the same vacant way: O. Τ. 359, λέγ᾽ αὖθις, ὡς μᾶλλον μάθω : Aesch. Ag. 268, πῶς φής; πέφευγε τοὔπος ἐξ ἀπιστίας.

186. mvp-comment-144-1 σὺν κράτει νικηφόρῳ] · Bringing with him triumphant conquest.'

188. mvp-comment-145-1 βουθερεῖ] 'Where the oxen in summer feed.' The summer grass is the harvest (θέρος) of the cattle. This is more picturesque (esp. with ἄτομον λειμώνα following, infr. 200) than Bovθόρῳ, 'Where the oxen leap.'

189. mvp-comment-146-1 τοῦ] (a) With κλύων, (b) with ἀπῇξα.

190. mvp-comment-147-1 τοι] 'Το say sooth.' The particle introduces the avowal of his motive. Cp. esp. El. 1468, 9. ὅπως | τὸ συγγενές τοι κἀπ᾿ ἐμοῦ θρήνων τύχῃ. The candour of the messenger here resembles that of the Corinthian in O. T. 1005, καὶ μὴν μάλιστα τοῦτ᾽ ἀφικόμην, ὅπως | σοῦ πρὸς δόμους ἐλθόντος εὖ πράξαιμί τι. Cp. also the Old Man in the Electra, when assuming a similar character, 772, μάτην ἄρ᾽ ἡμεῖς, ὡς ἔοικεν, ἥκομεν.

192. mvp-comment-148-1 αὐτός] 'Lichas himself.' εἴπερ εὐτυχεῖ] Sc. ὁ Λίχας. If all is well with him.'

193. mvp-comment-149-1 οὐκ εὐμαρείᾳ χρώμενος πολλῇ] 'Being not altogether his own master; i. e. he is detained, not quite of his own free will.

194. mvp-comment-150-1 Μηλιεύς .. λεώς] The Melian people and the Trachinians are the same in the mind of Sophocles. Cp. his indifference about Calydon and Pleuron in l. 7. The gentile substantive is used for the adjective, as often elsewhere. 'All the Melian folk press round and question him (cp. infr. 314), nor can he advance a step.'

195. mvp-comment-151-1 κρίνει . . ἔχει] There is no difficulty in the change of subject. See Essay on L. § 36. p. 65.

196. mvp-comment-152-1 τὸ . . ποθοῦν.. ἐκμαθεῖν] Το satisfy his longing with full information.' For this use of the active neuter participle, see Essay on L. § 30. p. 51. The abstract notion is here put for the object, the desire of knowledge, for the knowledge desired. Cp. Shak. Temp. 1. 2. 176, For still 'tis beating in my mind.'

197. mvp-comment-153-1 οὐκ ἂν μεθεῖτο] (1) 'Refuse to let him go. The third person is used as the first might have been, οὐκ ἂν μεθείμην σε, 'I will not let thee go.' See Aristophanes, Ran. 830, οὐκ ἂν μεθείμην τοῦ θρόνου: Αj. 313, εἰ μὴ φανοίην, and note. Or (2), 'He is not likely to be let go.' καθ' ἡδονήν] ‘To their heart's content.' κατά, as in κατὰ νοῦν.

198. mvp-comment-154-1 οὐχ ἑκών, ἑκοῦσι δέ] 'Not of his will, but by theirs.' Cp. Odyss. 5. 155, παρ᾿ οὐκ ἐθέλων ἐθελούσῃ.

200. mvp-comment-155-1 foll. The mention of the precinct on Mount Oeta, which was sacred to Zeus (infr. 436, 1191), is preparatory to the death of Heracles on that spot. ἄτομον, * Inviolate.' Cp. Hymn Merc. 72, where the oxen of the gods are λειμῶνες ἀκηράσιοι, a Cretan inscription (Corp. Inscr. 2. 1103), ἵνα μηθεὶς ἐν τῷ ἱερῷ τοῦ Διὸς τοῦ Δικταίου μήτε ἐννέμῃ μήτε ἐναυλοστατῇ μήτε σπείρῃ μήτε ξυλεύῃ : Eur. Hipp. 73, σοὶ τόνδε πλεκτὸν στέφανον ἐξ ἀκηράτου, κ.τ.λ.: Hom H. Ven. 269, 70, ἑστᾶσ᾽ ἠλίβατοι· τεμένη δέ ἑ κικλήσκουσιν | ἀθανάτων· τὰς δ᾽ οὔτι βροτοὶ κείρουσι σιδήρῳ.

201. mvp-comment-156-1 ἀλλὰ σὺν χρόνῳ] 'At length, though late.' Cp. Ant. 552, τί δῆτ᾽ ἂν ἀλλὰ νῦν σ᾽ ἔτ᾿ ὠφελοῖμ᾽ ἐγώ ;

202-203. mvp-comment-157-1 αἵ τ᾿ εἴσω στέγης.. αἵ τ᾿ ἐκτὸς αὐλῆς] The variety of expression has little or no significance. Deianira addresses herself to the women who belong to the house, as well as to the Chorus who have come to visit her, and are standing before the gates.

203-204. mvp-comment-158-1 We now reap the gladness of a vision of hope that has arisen unexpectedly on me in the utterance of this auspicious word.' On the mixed metaphor, see Essay on L. § 58. p. 105. ὄμμα] The notions of an act and of an object of vision, as well as of the instrument, are contained in this word. See Essay on L. § 54. p. 99. Hence it comes to mean anything which suddenly affects (1) the eye, or (2) (metaphorically) the mind. Cp. esp. El. 902, 3, ἐμπαίει τί μοι | ψυχῇ ξύνηθες ὄμμα. ἐμοί is in construction with ἀνασχόν, and also with ἄελπτον. φήμης is genitive of origin. The news is regarded as a star or sun from which the new light proceeds. For ἀνασχεῖν of a sudden event, cp. Hdt. 7. 14, τάδε τοι ἐξ αὐτῶν ἀνασχήσειν.

205-224. mvp-comment-159-1 The Chorus in response to Deianira raise this strain, accompanied, at least in the latter part of it (216 foll.), with dancing, or some rapid motion to and fro. Cp. Aj. 693-717, О. Т. 1086–1109, Ant. 1115-1152, for similar expressions of hope before some catastrophe. See also O. C. 1044 foll., El. 1384-1397. The maidens who are come to visit Deianira (1) challenge the maidens within the house to shout for joy, and (2) invite the young men to accompany them; (3) they encourage each other to raise the hymn to Artemis, (4) they dance under the excitement of the flute and the thyrsus, (5) they call attention to the coming of Lichas with the captives. These quick changes mark the feeling of trepidation which the situation is calculated to produce.

205. mvp-comment-160-1 ἀνολολύξατε δόμοις] There is no cause for changing the MS. reading of this line, which, as Hermann pointed out, has the same metre as El. 1384, ἴδεθ᾽ ὅπου προνέμεται. The plur. imperative is addressed to all within the house (young men and maidens), who are mentioned separately afterwards.

206. mvp-comment-161-1 ὁ μελλόνυμφος is either (1) used collectively-the indefinite singular for the indefinite plural ( Essay on L. § 20. p. 31 )-or (2) there is an ellipse of χόρος (κατὰ σύνεσιν). The former (1) is more probable, and the gender is to be accounted for, as in l. 151 supr., τὴν αὑτοῦ σκοπῶν πρᾶξιν. The word μελλόνυμφος may be suggested by Deianira's description in ll. 144-150. Those to whom marriage is in futurity. Such echoes of the dialogue are frequent in the choric songs. ἐν δέ] · And therewith.' Essay on L. § 18. p. 26. κοινός] Mingling' with the voices of the maidens. Cp. O. C. 1500, τίς αὖ παρ᾽ ὑμῶν κοινὸς ἠχεῖται κτύπος; κοινὸς feminine occurs only here.

207. mvp-comment-162-1 ἴτω] Nauck well quotes Fr. 435, ἴτω δὲ Πυθιὰς βοὰ θεῷ : Eur. Fr. Phaeth. 775, l. 52, ἴτω τελεία γάμων ἀοιδά. τὸν .. προστάταν] The accusative is governed by the general notion of celebrating' implied in the preceding words. See E. on L. § 16. p. 23. εὐφαρέτραν] ‘Lord of the quiver,' an epithet which either (1) simply brings the figure of the god vividly before the eye, cp. ἀργυρότοξος, or (2) implies his propitious power.