λόγων τε πίστιν ὧν ἔχεις ἐφαρμόσαι.
Trachiniae. Sophocles. ed. Lewis Campbell. Oxford. 1879.
Table of Contents
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 633-662 focus
Χορός
ὦ ναύλοχα καὶ πετραῖα
θερμὰ λουτρὰ καὶ πάγους
Οἴτας παραναιετάοντες, οἵ τε μέσσαν Μηλίδα πὰρ λίμναν
635
χρυσαλακάτου τʼ ἀκτὰν κόρας,
ἔνθʼ Ἑλλάνων ἀγοραὶ
Πυλάτιδες κλέονται·
ὦ ναύλοχα καὶ πετραῖα
θερμὰ λουτρὰ καὶ πάγους
Οἴτας παραναιετάοντες, οἵ τε μέσσαν Μηλίδα πὰρ λίμναν
635
χρυσαλακάτου τʼ ἀκτὰν κόρας,
ἔνθʼ Ἑλλάνων ἀγοραὶ
Πυλάτιδες κλέονται·
Χορός
ὁ καλλιβόας τάχʼ ὑμῖν
640
αὐλὸς οὐκ ἀναρσίαν
ἀχῶν καναχὰν ἐπάνεισιν, ἀλλὰ θείας ἀντίλυρον μούσας.
ὁ γὰρ Διὸς Ἀλκμήνας κόρος
σοῦται πάσας ἀρετᾶς
645
λάφυρʼ ἔχων ἐπʼ οἴκους·
ὁ καλλιβόας τάχʼ ὑμῖν
640
αὐλὸς οὐκ ἀναρσίαν
ἀχῶν καναχὰν ἐπάνεισιν, ἀλλὰ θείας ἀντίλυρον μούσας.
ὁ γὰρ Διὸς Ἀλκμήνας κόρος
σοῦται πάσας ἀρετᾶς
645
λάφυρʼ ἔχων ἐπʼ οἴκους·
Χορός
ὃν ἀπόπτολιν εἴχομεν παντᾷ,
δυοκαιδεκάμηνον ἀμμένουσαι
χρόνον, πελάγιον, ἴδριες οὐδέν·
ἁ δέ οἱ φίλα δάμαρ
650
τάλαιναν δυστάλαινα καρδίαν
πάγκλαυτος αἰὲν ὤλλυτο·
νῦν δʼ Ἄρης οἰστρηθεὶς
ἐξέλυσʼ ἐπίπονον ἁμέραν.
ὃν ἀπόπτολιν εἴχομεν παντᾷ,
δυοκαιδεκάμηνον ἀμμένουσαι
χρόνον, πελάγιον, ἴδριες οὐδέν·
ἁ δέ οἱ φίλα δάμαρ
650
τάλαιναν δυστάλαινα καρδίαν
πάγκλαυτος αἰὲν ὤλλυτο·
νῦν δʼ Ἄρης οἰστρηθεὶς
ἐξέλυσʼ ἐπίπονον ἁμέραν.
Χορός
ἀφίκοιτʼ ἀφίκοιτο· μὴ σταίη
655
πολύκωπον ὄχημα ναὸς αὐτῷ,
πρὶν τάνδε πρὸς πόλιν ἀνύσειε,
νασιῶτιν ἑστίαν
ἀμείψας, ἔνθα κλῄζεται θυτήρ·
ὅθεν μόλοι πανίμερος,
660
τᾶς πειθοῦς παγχρίστῳ
συγκραθεὶς ἐπὶ προφάσει φάρους.
ἀφίκοιτʼ ἀφίκοιτο· μὴ σταίη
655
πολύκωπον ὄχημα ναὸς αὐτῷ,
πρὶν τάνδε πρὸς πόλιν ἀνύσειε,
νασιῶτιν ἑστίαν
ἀμείψας, ἔνθα κλῄζεται θυτήρ·
ὅθεν μόλοι πανίμερος,
660
τᾶς πειθοῦς παγχρίστῳ
συγκραθεὶς ἐπὶ προφάσει φάρους.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 620 focus
Ja, wenn ich anders meine Kunst in Hermes' Hut
1
Wohl übe, werd' ich keinen Fehl an dir begehn:
610
Ich überbringe, wie es ist, ihm dies Gefäß,
Und füge treu die Worte, die du sprachst, hinzu.
Ja, wenn ich anders meine Kunst in Hermes' Hut
1
Wohl übe, werd' ich keinen Fehl an dir begehn:
610
Ich überbringe, wie es ist, ihm dies Gefäß,
Und füge treu die Worte, die du sprachst, hinzu.
Deianeira.
Nun magst du hingeh'n: ist es dir doch wohlbekannt,
Wie dort die Sachen alle steh'n in unserm Haus.
Nun magst du hingeh'n: ist es dir doch wohlbekannt,
Wie dort die Sachen alle steh'n in unserm Haus.
Lichas.
Ich weiß und werde sagen, daß es glücklich steht.
615
Ich weiß und werde sagen, daß es glücklich steht.
615
Deianeira.
Auch weißt du denn du sahst es ja - wie liebevoll
Von mir die fremde Dirne jüngst empfangen ward.
Auch weißt du denn du sahst es ja - wie liebevoll
Von mir die fremde Dirne jüngst empfangen ward.
Lichas.
Daß frohes Staunen meine Brust durchschütterte.
Daß frohes Staunen meine Brust durchschütterte.
Deianeira.
Was kannst du sonst noch sagen? Bangt mir doch, du wirst
Von meiner Sehnsucht früher ihm verkündigen,
620
Bevor dir kund ist, ob auch er nach mir sich sehnt.
(Lichas und Deianeira nach verschiedenen Seiten ab. Der Chor
bleibt allein zurück.)
Erste Strophe.
Was kannst du sonst noch sagen? Bangt mir doch, du wirst
Von meiner Sehnsucht früher ihm verkündigen,
620
Bevor dir kund ist, ob auch er nach mir sich sehnt.
Der Chor.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 633-660 focus
Chorus
O you who dwell by the warm springs near ships’ haven and rocky cliff, and you who live by
the crags of Oeta! And you dwellers by the land-locked waters of the Malian gulf, and the headland sacred to the virgin-goddess of the golden shuttle, where are the famed councils of the Greeks at the gates!
635
O you who dwell by the warm springs near ships’ haven and rocky cliff, and you who live by
the crags of Oeta! And you dwellers by the land-locked waters of the Malian gulf, and the headland sacred to the virgin-goddess of the golden shuttle, where are the famed councils of the Greeks at the gates!
635
Chorus
Soon the glorious voice of the flute will go up for you again, sounding no bothersome, strident notes, but divine music worthy of the lyre! For the son whom Alcmena bore to Zeus
640
is hurrying homeward, with spoils won by supreme valor.
645
Soon the glorious voice of the flute will go up for you again, sounding no bothersome, strident notes, but divine music worthy of the lyre! For the son whom Alcmena bore to Zeus
640
is hurrying homeward, with spoils won by supreme valor.
645
Chorus
We thought him lost utterly to our land, a wanderer over sea, while we waited through twelve long months and knew nothing.
She, his loving wife, miserable, was ever pining in her miserable heart, always weeping. But now Ares, stung to rage, has freed her days from their toil.
650
We thought him lost utterly to our land, a wanderer over sea, while we waited through twelve long months and knew nothing.
She, his loving wife, miserable, was ever pining in her miserable heart, always weeping. But now Ares, stung to rage, has freed her days from their toil.
650
Chorus
May he come, may he come! Let him not halt the many-oared ship that carries him before he has reached this town, leaving the island altar where he is reported to be sacrificing!
655
May he come from there full of desire, steeped in love on the pretext of the robe by Persuasion’s all-powerful ointment!
660
May he come, may he come! Let him not halt the many-oared ship that carries him before he has reached this town, leaving the island altar where he is reported to be sacrificing!
655
May he come from there full of desire, steeped in love on the pretext of the robe by Persuasion’s all-powerful ointment!
660
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
531-632. mvp-comment-400-1 Deianira, who has already prepared the charmed robe, confides her intention to the Trachinian maidens, and, on Lichas' coming forth, entrusts the gift to him, with the appropriate commands.
623. mvp-comment-469-1 λόγων τε πίστιν ὧν ἔχεις ἐφαρμόσαι] ‘And add thereto the fitting assurance of thy very words.' The Scholiasts misinterpret this passage, taking ἐφαρμόσαι (which they must have read ἐφάρμοσαι) for an imperative. The use of the word ἁρμόζω, cp. supr. l. 494, προσαρμόσαι, has no reference (as Schndw. supposes) to the closely-fitting robe (πλευραῖσιν ἀρτίκολλος, infr. l. 768). ἔχεις has been suspected: but cp. El. 934, 5, λόγους τοιούσδ᾽ ἔχουσ': Ant. 635,6, σύ μοι γνώμας ἔχων | χρηστὰς ἀπορθοῖς. ἔχω has a wide range of meaning in Sophocles. Thus explained, the line may be translated, And adding therewith faithfully the words you use,' referring to ll. 604-613. The words λόγων πίστιν may be explained as = λόγους πιστῶς λεχθέντας (abstract for concrete), cp. supr. l. 173, τῶνδε ναμέρτεια= τάδε νημερτῶς γενησόμενα. But λόγων πίστιν may also mean, 'A verbal confirmation,' and the words of Deianira, including ll. 614.5, may be regarded as the proof that Lichas is to give of the reality of his mission from her. The seal would be enough, but the repetition of her vow, and the injunction not to display the robe too soon (of which Lichas did not know the real reason) may have been felt by him to add likelihood to his assertion that this was Deianira's gift. Cp. infr. ll. 775, 6, τὸ σὸν μόνης δώρημ᾽ ἔλεξεν. ἔχεις then = παρέχεις, and, possibly, ἥν should be read for ὧν.