Sophocles Trachiniae 520

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 531-632 focus
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 517 focus
Da scholl von der Faust, von Wurfpfeilen erklang
510
Das Gedröhn, dumpf krachten die Hörner;
Verschlungne Füße
Rangen, es trafen die Stirn tödtliche Stöße;
Seufzen erscholl von den Beiden.
Doch voll Reizes und hold,
515
Auf weitschauendem Hügel
Saß sie, in Angst ihres Gatten harrend.
Und sie schied von der Mutter eilig,
Gleich der einsamen Stärke.
Deianeira. Der Chor.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 531-630 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-272-1 ἦν 1

mvp-comment-272-2 ἀμφίπλεκτοι κλίμακες 2

mvp-comment-272-3 At any rate

κλιμακίζω
was a familiar term in Greek wrestling: cp. Plato comicus
Πρέσβεις
fr. 2
χαίρεις, οἶμαι, μεταπεττεύσας αὐτὸν διακλιμακίσας τε
(explained by Hesych. as
διαπαλαίσας
). For a like use of wrestling terms, cp. Ar. Eq.262 f. —One of the subjects on the archaic throne of Apollo at Amyclae was
ἡ πρὸς Ἀχελῷον Ἡρακλέους πάλη
( Paus.3. 18. 5 ).

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

498-530. mvp-comment-373-1 The power of Aphrodite here, as in Ant. 781 foll., is regarded more with awe than with delight. It has been now exemplified in Iole's conquest of Heracles, so cruel to Deianira, and destined to be so calamitous to all concerned (infr. l.872). The maidens in their sympathy with Deianira recall the time when the same power had driven heroes to do battle for her, and when she was carried triumphantly from her mother's side. There is a close correspondence, as elsewhere, between this lyric strain and passages in the preceding senarii. Cp. esp. ll. 4-40, 142-150, 441-3,465-7. The ode consists of a strophe, antistrophe, and epode, in which logaoedic rhythms are varied with anapaestic and iambic metres. The anapaests (cp. O. T. 469, 470, 479, 480) indicate the coming on of the combatants; the interrupted rhythms of the epode help to express the struggle between them, while the happy issue is marked by the trochaics and glyconics at the close.

517. mvp-comment-388-1 Schndw. regards this line as a hendiadys describing the noise made by hand and bow together, 'There was the sound of the hand, the sound of the bow, i. e. the sound of the hand upon the bow. But χερός rather means, Of blows with the fist,' and in τόξων πάταγος is included, besides the twang of the bow, the whizz and loud impact of the arrow. Musgrave objects to τόξων as unsuited for close fighting (cp. Hdt. 3.78. § 3), and absurdly suggests ταρσῶν. The arrows might be delivered before closing, or Heracles might retire a few paces. But it is needless to press the details of the description, which is meant to suggest in a few words the incidents of a varied encounter. Cp. the meeting of Satan and Death in Milton, or of Christian and Apollyon in the Pilgrim's Progress.