Sophocles Trachiniae 515

ed. Lewis Campbell

τότ᾽ ἦν χερός, ἦν δὲ τόξων πάταγος,
515

Trachiniae. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 531-632 focus
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 517 focus
Da scholl von der Faust, von Wurfpfeilen erklang
510
Das Gedröhn, dumpf krachten die Hörner;
Verschlungne Füße
Rangen, es trafen die Stirn tödtliche Stöße;
Seufzen erscholl von den Beiden.
Doch voll Reizes und hold,
515
Auf weitschauendem Hügel
Saß sie, in Angst ihres Gatten harrend.
Und sie schied von der Mutter eilig,
Gleich der einsamen Stärke.
Deianeira. Der Chor.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 531-630 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-269-1 μόνα δ’ 1

mvp-comment-269-2 ἐν μέσῳ 2

mvp-comment-269-3 ῥαβδονόμει 3

mvp-comment-269-4 Aphroditè is here the only person near the two combatants ( ξυνοῦσα 4

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

498-530. mvp-comment-373-1 The power of Aphrodite here, as in Ant. 781 foll., is regarded more with awe than with delight. It has been now exemplified in Iole's conquest of Heracles, so cruel to Deianira, and destined to be so calamitous to all concerned (infr. l.872). The maidens in their sympathy with Deianira recall the time when the same power had driven heroes to do battle for her, and when she was carried triumphantly from her mother's side. There is a close correspondence, as elsewhere, between this lyric strain and passages in the preceding senarii. Cp. esp. ll. 4-40, 142-150, 441-3,465-7. The ode consists of a strophe, antistrophe, and epode, in which logaoedic rhythms are varied with anapaestic and iambic metres. The anapaests (cp. O. T. 469, 470, 479, 480) indicate the coming on of the combatants; the interrupted rhythms of the epode help to express the struggle between them, while the happy issue is marked by the trochaics and glyconics at the close.

514. mvp-comment-386-1 ἱέμενοι λεχέων] 'Eager for the bridal.' See Essay on L. § 56. p. 102 , and cp. Il. 23. 371, πάτασσε δὲ θυμὸς ἑκάστου | νίκης ἱεμένων. μόνα] The combat was manifold, but one power, that of the Goddess of Love (supr.497-506), presided over the whole.