Sophocles Trachiniae 217

ed. Lewis Campbell

εὐοῖ μ᾿ εὕ οἱ μ' ὁ κισσὸς ἄρτι βακχίαν βακχείαν

Trachiniae. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 205-496 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 217 focus
HYL
Oh, anger is not right, when men are ill!
But who could bear to see thee in this mind?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 225 focus
Ich seh' es, liebe Frauen, seh' ihn hier, den Zug,
Und meines Auges treuer Wacht entging er nicht.
220
Willkommen, Herold! ruf' ich, der nach langer Zeit
Willkommen nahte, wenn du mir Willkomm'nes bringst.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 217 focus
Hyllus
Great though it be, it shall not be refused.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 141-495 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-112-1 τὸν αὐλόν 1 ὦ τύραννε 2 τᾶς ἐμᾶς φρενός 3

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

205-224. mvp-comment-159-1 The Chorus in response to Deianira raise this strain, accompanied, at least in the latter part of it (216 foll.), with dancing, or some rapid motion to and fro. Cp. Aj. 693-717, О. Т. 1086–1109, Ant. 1115-1152, for similar expressions of hope before some catastrophe. See also O. C. 1044 foll., El. 1384-1397. The maidens who are come to visit Deianira (1) challenge the maidens within the house to shout for joy, and (2) invite the young men to accompany them; (3) they encourage each other to raise the hymn to Artemis, (4) they dance under the excitement of the flute and the thyrsus, (5) they call attention to the coming of Lichas with the captives. These quick changes mark the feeling of trepidation which the situation is calculated to produce.

216. mvp-comment-168-1 This line seems to mark the point where the dance, or the rapid movement of the Chorus, begins. The elision of the termination in ἀείρομαι is very unusual.

216. mvp-comment-168-2 ἀείρομ᾽ οὐδ᾽ ἀπώσομαι τὸν αὐλόν] 'I am uplifted, and will not repel the flute;' i.e. I will yield to its power. The following words are not addressed to Deianira, but are an apostrophe to the power of the flute, 'The sovran of the willing soul' (as Gray calls the lyre, in summing up the first Pythian), which is compelling them to the dance. Cp. Αj. 693, περιχαρής δ᾽ ἀνεπτάμαν.