Sophocles Trachiniae 216

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 205-496 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 216 focus
HER
Of her. This then is all I urge, my son.
When I am dead, if thou wouldst show thy duty,
Think of thine oath to me, and, on my word,
Make her thy wife: nor let another man
Take her, but only thou; since she hath lain
So near this heart. Obey me, O my boy!
And be thyself the maker of this bond.
To spurn at trifles after great things given,
Were to confound the meed already won.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 225 focus
Ich seh' es, liebe Frauen, seh' ihn hier, den Zug,
Und meines Auges treuer Wacht entging er nicht.
220
Willkommen, Herold! ruf' ich, der nach langer Zeit
Willkommen nahte, wenn du mir Willkomm'nes bringst.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 216 focus
Hercules
With this I will be satisfied: yet more
One grace, a small one, to the greater add.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 141-495 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-111-1 ἀείρομ’ 1

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

205-224. mvp-comment-159-1 The Chorus in response to Deianira raise this strain, accompanied, at least in the latter part of it (216 foll.), with dancing, or some rapid motion to and fro. Cp. Aj. 693-717, О. Т. 1086–1109, Ant. 1115-1152, for similar expressions of hope before some catastrophe. See also O. C. 1044 foll., El. 1384-1397. The maidens who are come to visit Deianira (1) challenge the maidens within the house to shout for joy, and (2) invite the young men to accompany them; (3) they encourage each other to raise the hymn to Artemis, (4) they dance under the excitement of the flute and the thyrsus, (5) they call attention to the coming of Lichas with the captives. These quick changes mark the feeling of trepidation which the situation is calculated to produce.