Athenaeus Deipnosophistae 9

Charles Duke Yonge (Translator)

Deipnosophistae. Athenaeus. Charles Duke Yonge (Translator). Medford, MA. 2013.

Sponsored by Perseus Project, Tufts University.

Funding provided by The National Endowment for the Humanities.

Current edition Perseus

The Deipnosophists (English) (Athenaeus. The Deipnosophists or Banquet Of The Learned Of Athenaeus. Yonge, Charles Duke, translator. London: Henry G. Bohn, 1854.)

Editions (2)
Δειπνοσοφισταί Perseus (Athenaeus. The Deipnosophists. 7 vols. Gulick, Charles Burton, editor. London: William Heinemann, Ltd.; New York: G. P. Putnam's Sons; Cambridge, MA: Harvard University Press, 1927-1941.) — 9 focus
Δειπνοσοφισταί Perseus (Athenaeus. Athenaei Naucratitae Dipnosophistarum Libri XV (3 volumes). Kaibel, Georg, editor. Leipzig: Teubner, 1887-1892.) — 9 focus

Notes on the current edition

The Deipnosophists

1. The fragment here given appears to be hopelessly corrupt.
2. Hom. Iliad. ix. 323, Pope's translation.
3. Hom. Odyss. xiv. 80.
4. This is very obscure and corrupt. Casaubon suspects the genuineness of the last four lines altogether.
5. μέροπες means properly men speaking articulately, in contradis- tinction to brutes. It is a favourite word with Homer.
6. These are words applied by Homer to sacrifices.— μοῖρα is a portion, and ὀβελὸς a spit; but μίστυλλα is only a word derived from Homer's verb μιστύλλω, (from which Aemilianus, a friend of Martial, called his cook Mistyllus,) and δίπτυχα is used by Homer as an adverb.
7. I have translated ἀτταγᾶς the woodcock, because that is always considered to be the bird meant, but it is plain that the description here given does not apply in the least to the woodcock. In some particulars it is more like the landrail.
8. Schweighaeuser thinks, with apparent reason, that there is some corruption in the text here.
9. Athenæus here does not arrange his conjugations as we do; nor is it very plain what he means by an immutable consonant.
10. The same as Puteoli.
11. The cordax was a lascivious dance of the old comedy; to dance it off the stage was considered a sign of drunkenness and indecency.
12. As being thrown to the dogs; from κυὼν, a dog.