Plutarch, Quaestiones Romanae, ed. William W. Goodwin, 26

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[26]

Question 26.

Why do women wear for mourning white mantles and white kerchiefs?

Solution. What if they do this in conformity to the Magi, who, as they say, standing in defiance of death and darkness, do fortify themselves with bright and splendid robes? Or, as the dead corpse is wrapped in white, so do they judge it meet that the relations should be conformable thereto? For they beautify the body so, since they cannot the soul; wherefore they wish to follow it as having gone before, pure and white, being dismissed after it hath fought a great and various warfare. Or is it that what is very mean and plain is most becoming in these things? For garments dyed of a color argue either luxury or vanity. Neither may we say less of black than of sea-green or purple, Verily garments are deceitful, and so are colors. And a thing that is naturally black is not dyed by art but by nature, and is blended with an intermixed shade. It is white only therefore that is sincere, unmixed, free from the impurity of a dye, and inimitable; therefore most proper to those that are buried. For one that is dead is become simple, unmixed, and pure, freed from the body no otherwise than from a tingeing poison. In Argos they wear white in mourning, as Socrates saith, vestments rinsed in water.

Quaestiones Romanae. Plutarch. ed. William W. Goodwin. Boston. 1874.

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Current edition Perseus

Roman Questions (English) (Plutarch. Plutarch's Morals, Vol. II. Goodwin, William W., editor; Chauncy, Isaac translator. Boston: Little, Brown, and Company; Cambridge: Press of John Wilson and Son, 1874.)

Editions (2)

Αἴτια Ῥωμαϊκά Perseus (Plutarch. Moralia, Vol. IV. Babbitt, Frank Cole, editor. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1936 (printing).) — 26 focus

[26] διὰ τί λευκὰ φοροῦσιν ἐν τοῖς πένθεσιν αἱ γυναῖκες ἱμάτια καὶ λευκοὺς κεκρυφάλους;

πότερον ὡς τοὺς μάγους φασὶν πρὸς τὸν Ἅιδην καὶ τὸ σκότος ἀντιταττομένους, τῷ δὲ φωτεινῷ καὶ λαμπρῷ συνεξομοιοῦντας ἑαυτοὺς τοῦτο ποιεῖν;

ἤ, καθάπερ τὸ σῶμα τοῦ τεθνηκότος ἀμφιεννύουσι 270e λευκοῖς, καὶ τοὺς προσήκοντας ἀξιοῦσι; τὸ δὲ σῶμα κοσμοῦσιν οὕτως, ἐπεὶ μὴ δύνανται τὴν ψυχήν· βούλονται δʼ ἐκείνην λαμπρὰν καὶ καθαρὰν προπέμπειν, ὡς ἀφειμένην ἤδη καὶ διηγωνισμένην μέγαν ἀγῶνα καὶ ποικίλον.

ἢ τὸ μὲν λιτὸν ἐν τούτοις μάλιστα καὶ τὸ ἁπλοῦν πρέπει; τῶν δὲ βαπτῶν τὰ μὲν καὶ πολυτέλειαν ἐμφαίνει τὰ δὲ περιεργίαν· οὐ γὰρ ἧττον ἔστι πρὸς τὸ μέλαν ἢ τὸ ἁλουργὸν εἰπεῖν, 270f δολερὰ μὲν τὰ εἵματα, δολερὰ δὲ τὰ χρώματα.¹ τὸ δʼ αὐτόχρουν μέλαν οὐχ ὑπὸ τέχνης ἀλλὰ φύσει, βαπτόν ἐστι, καὶ μεμειγμένον τῷ σκιώδει κεκράτηται. ² μόνον οὖν τὸ λευκὸν εἰλικρινὲς καὶ ἀμιγὲς καὶ ἀμίαντόν ἐστι βαφῇ καὶ ἀμίμητον ³, οἰκειότατον οὖν τοῖς θαπτομένοις. καὶ γὰρ ὁ τεθνηκὼς ἁπλοῦν τι γέγονε καὶ ἀμιγὲς καὶ καθαρὸν, ἀτεχνῶς οὐδὲν ἀλλʼ ἢ φαρμάκου δευσοποιοῦ τοῦ σώματος ἀπηλλαγμένος. ἐν δʼ Ἄργει λευκὰ φοροῦσιν ἐν τοῖς πένθεσιν, ὡς Σωκράτης φησίν, ὑδατόκλυστα.

Κεφαλαίων καταγραφή Ῥωμαϊκά Perseus (Plutarch. Plutarchi Chaeronensis Moralia, Vol IΙ. Vernardakēs, Grēgorios N., editor. Leipzig: Teubner, 1889.) — 26 focus

[26] διὰ τί λευκὰ φοροῦσιν ἐν τοῖς πένθεσιν αἱ γυναῖκες ἱμάτια καὶ λευκοὺς κεκρυφάλους; πότερον ὡς τοὺς μάγους φασὶν πρὸς τὸν ᾍδην καὶ τὸ σκότος ἀντιταττομένους, τῷ δὲ φωτεινῷ καὶ λαμπρῷ συνεξομοιοῦντας ἑαυτοὺς τοῦτο ποιεῖν· ἤ, καθάπερ τὸ 15 270e σῶμα τοῦ τεθνηκότος ἀμφιεννύουσι λευκοῖς, καὶ τοὺς προσήκοντας ἀξιοῦσι; τὸ δὲ σῶμα κοσμοῦσιν οὕτως, ἐπεὶ μὴ δύνανται τὴν ψυχήν· βούλονται δʼ ἐκείνην λαμπρὰν καὶ καθαρὰν προπέμπειν, ὡς ἀφειμένην ἤδη καὶ διηγωνισμένην μέγαν ἀγῶνα καὶ ποικίλον. 20 ἢ τὸ μὲν λιτὸν ἐν τούτοις μάλιστα καὶ τὸ ἁπλοῦν πρέπει; τῶν δὲ βαπτῶν τὰ μὲν καὶ πολυτέλειαν ἐμφαίνει τὰ δὲ περιεργίαν οὐ γὰρ ἧττον ἔστι πρὸς τὸ μέλαν ἢ τὸ ἁλουργὸν εἰπεῖν δολερὰ μὲν τὰ 270f εἵματα, δολερὰ ¹ δὲ τὰ χρώματα τὸ δʼ αὐτόχρουν 25 μέλαν οὐχ ὑπὸ τέχνης ἀλλὰ φύσει βαπτόν ἐστι, καὶ μεμιγμένον τῷ σκιώδει κεκράτηται. μόνον οὖν τὸ λευκὸν εἰλικρινὲς καὶ ἀμιγὲς καὶ ἀμίαντόν ἐστι βαφῇ καὶ ² ἀμίμητον· οἰκειότατον οὖν τοῖς θαπτομένοις. καὶ γὰρ ὁ τεθνηκὼς ἁπλοῦν τι γέγονε καὶ ἀμιγὲς καὶ καθαρὸν ἀτεχνῶς οὐδὲν ἀλλʼ ἢ φαρμάκου δευσοποιοῦ τοῦ σώματος ἀπηλλαγμένος. ἐν δʼ Ἄργει λευκὰ φοροῦσιν ἐν τοῖς πένθεσιν, ὡς Σωκράτης ³ φησίν, ὑδατόκλυστα. 5

Translations (1)

The Roman Questions Perseus (Plutarch. Moralia, Vol. IV. Babbitt, Frank Cole, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1936 (printing).) — 26 focus

[26] Why do women in mourning wear white robes and white head-dresses?

Do they do this, as men say the Magi do, arraying themselves against Hades and the powers of darkness, and making themselves like unto Light and Brightness?

Or is it that, just as they clothe the body of the dead in white, they think it proper that the relatives should also wear this colour? They adorn the body thus since they cannot so adorn the soul; and they wish to send forth the soul bright and pure, since it is now set free after having fought the good fight in all its manifold forms.

Or are plainness and simplicity most becoming on these occasions? Of the dyed garments, some reflect expense, others over-elaboration: for we may say no less with reference to black than to purple: These be cheating garments, these be cheating colours.¹ That which is naturally black is dyed not through art, but by nature: and when it is combined with a dark colour, it is overpowered.² Only white,³ therefore, is pure, unmixed, and uncontaminated by dye, nor can it be imitated: wherefore it is most appropriate for the dead at burial. For he who is dead has become something simple, unmixed, and pure, once he has been released from the body, which is indeed to be compared with a stain made by dyeing. In Argos, as Socrates⁴ says, persons in mourning wear white garments washed in water.

Plutarch Quaestiones Romanae 26

ed. William W. Goodwin

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Question 26.

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