Euripides Rhesus 52-222

Gilbert Murray (Translator)

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Rhesus. Euripides. Gilbert Murray (Translator). London. 1913.

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Current edition Perseus

Rhesus (English) (Euripides. The Rhesus of Euripides. Murray, Gilbert, translator. London: George Allen and Company, Ltd., 1913.)

Editions (1)
Ῥῆσος Perseus (Euripides. Euripidis Fabulae, Vol. III. Murray, Gilbert, editor. Oxford: Clarendon Press, 1913. (Reprinted 1920-1978)) — 52-223 focus
Translations (2)
Rhesus Perseus (Euripides. The Plays of Euripides, Vol. I. Coleridge, Edward P., translator. London: George Bell and Sons, 1906. (Modernized by Perseus.)) — 52-220 focus
Rhesus (OCR draft) Experimental (Rhesus. Robert Potter's English verse translation, first published in 1781–1783; text from the 1808 Oxford printing.)

No corresponding passage available

Notes on the current edition

Rhesus

1. P. 8, 1. 105, Brother! I would thy wit were like thy spear!]—In Homer Hector is impulsive and over-daring, but still good in counsel. On the stage every quality that is characteristic is apt to be over-emphasized, all that is not characteristic neglected. Hence on the Attic stage Odysseus is more crafty, Ajax and Diomedes more blunt, Menelaus more unwarlike and more uxorious than in Homer. This speech of Aeneas, though not inapposite, is rather didactic—a fault which always remained a danger to Euripides.
2. [Strophe.
3. P. 10, l. 150 ff., Dolon.]—The name is derived from dolos, craft. In our version of Homer Dolon merely wears, over his tunic, the skin of a grey wolf. He has a leather cap and a bow. In the play he goes, as Red Indian spies used to go, actually disguised as a wolf, on all fours in a complete wolf-skin. The same version is found on the Munich cylix of the early vase-painter Euphronius (about 500 B.C.), in which Dolon wears a tight-fitting hairy skin with a long tail. The plan can of course only succeed in a country where wild animals are common enough to be thought unimportant. The playwright has evidently chosen a more primitive and romantic version of the story; the Homeric reviser has, as usual, cut out what might seem ridiculous. (See J. A. K. Thomson in Classical Review, xxv. pp. 238 f.).
4. P. 12, 1. 175, Ajax, Ileus’ son.]— Ajax is mentioned here and at 11. 463, 497, 601, as apparently next in importance to the two Atreidae or to Achilles. That is natural, but it is a shock to have him here described as son of Ileus. In the Iliad we should have had Ajax son of Telamon. The son of Ileus is Ajax the less, a hero of the second rank. Scholars have conjectured on other grounds that in some older form of the Iliad-saga Ajax son of Ileus was of much greater importance. The father Telamon and the connection with Aegina are neither of them original in the myth.
5. P. 12, 1. 182, Achilles’ horses.]—They are as glorious in the Iliad as they are here. Cf. especially the passages where they bear Automedon out of the battle (end of XVI.), and where Xanthos is given a human voice to warn his master of the coming of death (end of XIX.). The heroic age of Greece delighted in horses. Cf. those of Aeneas, Diomedes, Eumêlus, and Rhesus himself.
6. [Antistr.
7. numeration out of sync: 223 omitted