Notes on the current edition
History
1.
378 A.D.
2.
Cf. xxii. 9, 9 ff.
3.
Cf. xix. 12, 6. He was general in the Orient under Constantius and was made praetorian prefect by Julian.
4.
See p. 330, note 1.
5.
Cf.
humilitati, xxix. 2, 16.
6.
Plato,
Gorgias, 463 b. For
amplitudo Platonis, cf. xxii. 16, 22,
sermonum amplitudine lovis aemulus Platon.
7.
I.e., the lowest of the four parts.
8.
The art of deceiving; cf. Quintilian, ii. 15, 2; 20, 2. Epicurus denied that it was an art.
9.
One of the earliest rhetoricians, a teacher of Gorgias; see Cic.,
Brut. 12, 46.
10.
So, at Athens, to a space of time marked by the emptying of the clepsydra, or water-clock.
11.
Cf.
concitatus orator, xiv. 7, 18.
12.
Cf. Cic.,
Brutus, 84, 289.
13.
According to Xen.,
Hell. vi. 2, 39; cf. 3, 3; and Diod. Sic., xv. 29, 6, he flourished shortly before the battle of Leuctra (371 B.C.).
14.
It is really on the frontier of Attica and Boeotia opposite Euboea. The words are probably a gloss.
15.
All these men are mentioned in Cicero’s
Brutus; see Index.
16.
Preserved only here; cf.
In Caec. 18, 60.
17.
Cf. xxix. 3, 3; these were famous breeds; see Virg.,
Georg. iii. 405; Aelian,
De Natura Animalium, iii. 2.
18.
For
receptacula, cf. xxviii. 1, 48.
19.
Called by Wagner
insipida translatio.
20.
Cf. Quint. iv. 1, 9,
iudex religiosus.
21.
De Re Pub. v. 11, preserved by Ammianus.
22.
Or, refer
ipsum to
silentio. They make no pleas, only
promise them, and boast of their recondite
studies of the law.
23.
Horace,
Serm. ii. 1; Cicero,
Ad Fam. vii. 5, 8, 17.
24.
Of the time of the first triumvirate; cf. Val. Max., vi. 2, 12; Hor., A.P. 371.
25.
Alfenus Varus, cf. Hor.,
Serm. i. 3, 130.
26.
Typical of antiquity; cf. Virg.,
Aen. viii. 51 ff.; Hor.,
Serm. i. 3, 91; Gell. i. 10, 1, 2.
27.
A humorous superlative of
antiquus. Evander is typical of antiquity (Hor.,
Serm. i. 3, 91; etc.), and his mother carries us back a generation.
28.
Cf. xiv. 6, 12, note 3; Cic.,
Agr., ii. 22, 59.
29.
Cf.
ingenium procudere, xv. 2, 8;
procudere linguas, xxxi. 16, 9.
30.
By
mimiambi are meant either farces or songs written in iambics. See Pliny,
Epist. vi. 21, 4; Gell. xx. 9, 1 ff.
31.
Here a typical name for a foul-mouthed rascal;
Iliad, ii. 211 ff.
32.
Here a typical name.
33.
A favourite word of Ammianus, used literally in xviii. 3, 1; figuratively in xvi. 12, 11; xx. 7, 15; xxi. 5, 4. Wagner takes
examina here in the sense of investigations (
examina: a stateris ducta metaphora).
34.
The heads of the knighthood (
ordo splendidus); cf. xxiii. 6, 83,
nobilitas omnis et splendor.
35.
=
fori cancelli; cf. Cic.,
Sest. 58, 124,
tantus est ex omnibus spectaculis usque a Capitolio, tantus ex fori cancellis plausus excitatus.
36.
See Cic.,
De Orat. iii. 60, 225; Plut.,
Tib. Gracch. 2, 4–5; Gaius Gracchus is said to have had a player on a pipe stationed behind him, when he made a speech, to regulate the force of his delivery; Val. Max. viii. 10, 1; Quint. i. 10, 27; Gell. i. 11, 10 ff.
37.
Of Cicero.
38.
Demosthenes’
Oration on the Crown.
39.
Cf. xxviii. 1, 46, note.
40.
With the underlying sense of
base, contemptible.
41.
Lindenbrog thought Aesopus was the famous tragic actor, but that seems doubtful because of the connection; cf. xxvi. 6, 15,
mimicam cavillationem
; Solinus, ch. x. (on Sicily). Valesius took him to be the celebrated writer of fables; Wagner believed that both Philistion and Aesopus were writers of mimes contemporary with Cicero.