Suetonius Divus Augustus 22

ed. J. Eugene Reed, Alexander Thomson (Translator)

Divus Augustus. Suetonius. ed. J. Eugene Reed, Alexander Thomson (Translator). Philadelphia. 1883.

Sponsored by Perseus Project, Tufts University.

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Current edition Perseus

Augustus (English) (Suetonius. The Lives of the Twelve Caesars. Thomson, Alexander, M.D, translator; Reed, J.E., editor. Philadelphia: Gebbie, 1883.)

Editions (2)
Divus Augustus Perseus (Suetonius. De Vita Caesarum Libri VIII. Ihm, Max, editor; Leipzig: Teubner, 1908.) — 22.1 focus
Latin (Peck, 1893, second edition; OCR draft) Experimental (Harry Thurston Peck, Gai Svetoni Tranqvilli De Vita Caesarvm Libri Dvo. Second edition. New York: Henry Holt, 1893 (copyright 1889). UC1 and UIUG OCR witnesses. Ihm-aligned chapters and sections; Peck omissions and relocated extracts retained and documented. OCR draft; see peck1893-audit.)

No corresponding passage available

Translations (4)
Augustus — English (Holland, 1899; selective 1606 variants) (OCR draft) Experimental (Reviewed existing structured XML; conservative source comparison and unresolved-note inventory, September 2026. English (Holland, 1899; selective 1606 variants))

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Augustus — English (Rolfe, 1914; reviewed XML) (OCR draft) Experimental (Reviewed existing structured XML; conservative source comparison and unresolved-note inventory, September 2026. English (Rolfe, 1914; reviewed XML))

No corresponding passage available

Commentary (Peck, 1893, second edition; English; OCR draft) Experimental (Harry Thurston Peck, Gai Svetoni Tranqvilli De Vita Caesarvm Libri Dvo. Second edition. New York: Henry Holt, 1893 (copyright 1889). UC1 and UIUG OCR witnesses. Ihm-aligned chapters and sections; Peck omissions and relocated extracts retained and documented. OCR draft; see peck1893-audit.)

No corresponding passage available

Commentary (Shuckburgh, 1896; English; OCR draft) Experimental (Evelyn S. Shuckburgh, C. Suetoni Tranquilli Divus Augustus. Cambridge University Press, 1896. Commentary collated from MDP and UC1 OCR witnesses, with Ihm chapter/section targets and mentioned/note lemma markup. OCR draft; see shuckburgh1896-audit for provenance, decisions and unresolved issues.)

No corresponding passage available

Notes on the current edition

Augustus

1. "The Ovatio was an inferior kind of Triumph, granted in cases where the victory was not of great importance, or had been obtained without difficulty. The general entered the city on foot or on horseback, crowned with myrtle, not with laurel; and instead of bullocks, the sacrifice was performed with a sheep, whence this procession acquired its name."-Thomson.
2. "The greater Triumph, in which the victorious general and his army advanced in solemn procession through the city to the Capitol, was the highest military honour which could be obtained in the Roman state. Foremost in the procession went musicians of various kinds, singing and playing triumphal songs. Next were led the oxen to be sacrificed, having their horns gilt, and their heads adorned with fillets and garlands. Then in carriages were brought the spoils taken from the enemy, statues, pictures, plate, armour, gold and silver, and brass; with golden crowns, and other gifts, sent by the allied and tributary states. The captive princes and generals followed in chains, with their children and attendants. After them came the lictors, having their fasces wreathed with laurel, followed by a great company of musicians and dancers dressed like Satyrs, and wearing crowns of gold; in the midst of whom was one in a female dress, whose business it was, with his looks and gestures, to insult the vanquished. Next followed a long train of persons carrying perfumes. Then came the victorious general, dressed in purple embroidered with gold, with a crown of laurel on his head, a branch of laurel in his right hand, and in his left an ivory sceptre, with an eagle on the top; having his face painted with vermilion, in the same manner as the statue of Jupiter on festival days, and a golden Bulla hanging on his breast, and containing some amulet, or magical preservative against envy. He stood in a gilded chariot, adorned with ivory, and drawn by four white horses, sometimes by elephants, attended by his relations, and a great crowd of citizens, all in white. His children used to ride in the chariot with him; and that he might not be too much elated, a slave, carrying a golden crown sparkling with gems, stood behind him, and frequently whispered in his ear, 'Remember that thou art a man!' After the general, followed the consuls and senators on foot, at least according to the appointment of Augustus; for they formerly used to go before him. His Legati and military Tribunes commonly rode by his side. The victorious army, horse and foot, came last, crowned with laurel, and decorated with the gifts which they had received for their valour, singing their own and their general's praises, but sometimes throwing out railleries against him; and often exclaiming, 'Io Triumphe!' in which they were joined by all the citizens, as they passed along. The oxen having been sacrificed, the general gave a magnificent entertainment in the Capitol to his friends and the chief men of the city, after which he was conducted home by the people, with music and a great number of lamps and torches."-Thomson.