Notes on the current edition
Attic Nights
1.
p. 273, Peerlkamp.
2.
p. 38, 11, Jordan.
3.
p. 193, Fuchs.
4.
Frag. 12, Huschke; 2, Bermer.
5.
Frag. 13, Huschke; 2, Bremer.
6.
feriae denicales (from
de and
nex) are thus described by Paul. Fest. p. 61, Linds.:
colebantur cum hominis mortui causa familia purgatur. Graeci enim
ne/kun mortuum dicunt.
7.
See xx. 1. 27. It refers especially to epilepsy, also called
morbus comitialis, or
election disease,
because if anyone present was attacked by it, elections, or other public business, might be postponed; cf. Suetonius,
Jul. xlv. 1.
8.
Stranger or foreigner was the original meaning of
hostis.
9.
Frag. 14, Huschke; 3, Bremer.
10.
Id. 15 and 4.
11.
Frag. 5, Huschke; 23, Bremer.
12.
Properly syncope; from
ve + actas! On
vehemens see note on v. 12. 10 (i, p. 414).
13.
i. 326; see v. 12. 10 and note.
14.
v. 602, Marx.
15.
Munro, on Lucr. i. 326, takes
vescus in the sense of
slowly eating away
which would correspond with Lucilius' use of the word.
16.
This derivation is correct, but
re- is used in the sense of
apart.
17.
Aen. vi. 273.
18.
In the Roman house the term
faces was applied to the passageway leading from the front door into the atrium. The
fauces and the
vestibulum formed one continuous passageway, separated by the door, the
fauces being inside and the
vesti. bulum outside; see
Harv. Stud. Class. Phil. i. 1
ff. and most modern handbooks. In § 10
vestibulum is correctly defined; in § 12 the relative positions of
fauces and
vestibulum are inverted, and both are put
outside the door.
The
vestibulum can properly be said to be
approached
by the
fauces only
from within. Virgil probably used
fauces in its ordinary sense of
jaws.
19.
The result of seasickness; cf. Plaut.
Rud. 510,
animo male fit. Contine, quaeso, caput.
20.
vii. 93.
21.
An early farce, of Oscan origin, named from the town of Atella. The
Atellanae were first given literary form by L. Pomponius of Bononia (Bologna) and Novius, in the time of Sulla.
22.
v. 51, Ribbeck
3.
23.
Frag. 81, Swoboda.
24.
iii, p. 566, Bremer.
25.
Fr. 3, Fun.
26.
Hyginus' explanation is the accepted one.
27.
v. 150, Ribbeck
3.
28.
Id. v. 39.
29.
Id. v. 46.
30.
manuarius, an adj. from
manus,
hand
(
e.g. manuaria mola,
a hand-mill
). The transition, in the substantive, to the meaning
thief
is made easier by
manuarium aes,
money won at dice,
Gell. xviii. 13. 4.
31.
v. 87, Ribbeck
3.
32.
catomum =
kat' w)=mon,
Thes. Ling. Lat. s.v.
33.
v. 151, Ribbeck
3.
34.
Id. v. 147. With
fullonicam, sc.
artem and see
Archiv für lat. Lex. u. Gram. x, p. 240.
35.
There is nothing unusual in the word
fullonica; hence the unusual word must be
conicior (in this connection).
36.
Id. v. 148. Ribbeck's
Calidoniam,
would'st outstrip the Calidonian maid?
i.e. Atalanta, makes excellent sense; but with that reading we have no odd or unusual word at all.
caldonia, as a common noun, might mean
heater,
or bath attendant (so Weiss), or it might be derived from
calidus in the sense of
quick, hasty.
There is nothing to indicate that it is a proper name, as Hosius takes it to be.
37.
Id. v. 79.
38.
The meaning is not known.
39.
Id. v. 37;
malaxavi, from the Greek
malaki/zw. It is clear that the choice of the word is due to the assonance, or jingle, of
mala malaxavi.
40.
Id. v. 13.
41.
Id. vv. 60 and 61.
42.
Literally,
a little room,
a diminutive of
camera.
43.
The
T.L.L. defines
capitium as
foramen tunicae capiti aptum, which seems meaningless with
induis. The Forcellini-De Vit makes
capitium a breast-band (=
strophium?) and
pittacium,
plagula, segmentum, quod vesti assuitur,
with the explanation:
quod, tamquam pittacium, tunicae adsutum et adfixum est.
44.
v. 3, Ribbeck
3.
45.
Greek
pla/nos.
46.
§ 72.
47.
v. 80, Ribbeck
3.
48.
Id. v. 63.
49.
Referring to the addition by Caesar of two
aediles cereales to the two
plebei and two
curules; see note on x. 6. 3.
50.
Id. v. 1.
51.
II. 194, Arn.
52.
Fr. 29, G. and S.
53.
Vespasian's Temple of Peace in the Forum Pacis.
54.
p. 54. 19. Fun.
55.
An absolute and self-evident proposition.
56.
Fr. 29, G. and S.
57.
Tusc. Disp. i. 14.
58.
Literally,
a connected axiom.
See II. 213. Arn.
59.
Aelius Stilo, Fr. 74, p. 75 Fun.
60.
Two connected sentences of which the second follows as the result of the first. 4 II. 218. Arn.
61.
aut s.d. sum,
added by Hertz; aut s.d. est,
Skutsch.
62.
Susque deque,
both up and down,
is an expression denoting indifference. It occurs without a verb in Cic.
ad Att. xiv. 6. 1,
de Octavio susque deque. See Paul. Fest. p. 271 Linds.,
susque deque significat plus minusve.
63.
v. 29, Ribbeck
3.
64.
The marriage bed in the early Roman house stood in the atrium, opposite the door, whence it was called
lectus adversus; in later times a symbolic bed stood in the sane place.
65.
256, Riese.
66.
110 ff., Marx.
67.
Ann. 183 ff.
68.
i. 4.
69.
The
vindex is here one who voluntarily agrees to go before the magistrate as the representative of the defendant, and thereby takes upon himself the action in the stead of the latter (Allen,
Remnants of Early Latin, p. 85).
70.
The
proletarii (cf.
proles) were
child-producers,
who made no other contribution to the State; see § 13.
71.
XII Tab. i. 4, 5, 10; viii. 2, 4, 15. For
proletarii see note, p. 167. The
adsidui were
permanent settlers,
or taxpayers, belonging to one of the five upper Servian classes. The
sanates seem to have been clients or dependents of the wealthy Roman citizens.
Vades were sureties, who gave bail;
subvades, sub-sureties, who gave security for the bail. On
viginti quinque asses, the penalty for an assault, see xx. 1. 12; for
taliones, xx. 1. 14; and for
cum lance et licio, note on xi. 18. 9.
72.
The date is unknown,
73.
That is, to meet a
tumultus,
a rebellion
or irregular warfare. At first used as a military term,
tumultuarius later acquired a general sense; cf.
tumultuario rogo,
on a hastily erected pyre,
Suet.
Calig. lix.
74.
i. 4, 10.
75.
locuples seems to be derived from
locus, in the sense of
land,
and the root
ple- of
pleo and
plenus.
76.
Both these derivations are fanciful;
adsiduus is connected with
adsideo, as the grammarian Caper knew (
Gram. Lat. vii. 108. 5, Keil), and means
a permanent settler.
77.
Jug. lxxxvi. 2.
78.
iv. 173.
79.
Fr. 3, Fun.
80.
Odyss. x. 72.
81.
Gk.
baska/nion.
82.
Gk.
baskai/nw.
83.
Fr. I, Fun.
84.
Frag. 57. G. and S.
85.
Thurneysen,
T.L.L. s. v. fenus, thinks this derivation is perhaps correct; we may compare Greek
to/kos, which means both
offspring
and
interest.
86.
Frag. inc. 62, Jordan.
87.
O.R.F.
2 p. 608. Italics was a city of Spain on the river Baetis, opposite Hispalis (Seville). It was founded by Scipio Africanus the Elder and peopled by his veterans; whence the name
the Italian city.
It was the birthplace of Trajan and Hadrian.
88.
Such as serving in the legions and not among the auxiliaries.
89.
For fundus cf. xix. 8. 12.
90.
Their government was modelled on that of Rome, with a senate (
decuriones), two chief magistrates (
Ilviri iure dicundo), elected annually, etc.
91.
p. 44. 4, Jordan.
92.
p. xv, Müller.
93.
Both derivations are fanciful.
Festino is related to
confestim, but its origin is uncertain.
94.
Frag. 182, Wimmer.
95.
F.H.G. i. 301.
96.
Ant. Rer. Div. xiv, frag. 17 b, Agahd.
97.
Carmenta was a birth-goddess, whose festival, the Carmentalia (or Karmentalia) occurred on Jan. 11 and 15. The
Carmentes may originally have been wise women who assisted at births and were later deified (Fowler,
Roman Festivals, pp 290 ff.).
98.
That is, head foremost.
99.
That is, feet foremost.
100.
Frag. 20
b, Agahd.
101.
The first effect is produced when the surface of a mirror is divided into numerous smaller mirrors. Pliny,
N. H. xxxiii. 129, describes cups, the interior of which was so fashioned as to give numerous reflections. The second is described (
e.g.) in Pausanias viii. 37. 7. The third is produced when one looks into a concave mirror from a certain distance. Magic mirrors of various kinds and properties were known in antiquity, as well as divination by means of mirrors. See
Trans. Numais. and Ant. Soc. of Phila., 1910, pp. 187 ff.
102.
p. 337, Bipont.
103.
Cf. xvi. 8. 15 ff.
104.
i. 23.
105.
625–585 B.C.
106.
This was a song in such a high key that it could be reached by few voices. In Aristophanes,
Knights, 1279 (
L.C.L. i, p. 247) the
o)/rqios no/mos is played by a
prince of harpers.