Titus Livius (Livy) Ab urbe condita 10.7

Rev. Canon Roberts (Translator)

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Ab urbe condita. Titus Livius (Livy). Rev. Canon Roberts (Translator). Medford, MA. 1997-10-28.

Sponsored by Perseus Project, Tufts University.

Funding provided by The National Endowment for the Humanities.

Current edition Perseus

History of Rome (English) (Volumes 1-2. Roberts, Canon, Rev, translator. London, New York: J. M. Dent and Sons; E. P. Dutton and Co., 1912.)

Editions (3)
Ab urbe condita Perseus (Pars I-IV, Libri I-XL. Editio Stereotypica. Weissenborn, Wilhelm; Mueller, Moritz, editors. Leipzig: Teubner, 1884-1911.) — 10.7 focus
Ab urbe condita Perseus (Conway, Robert Seymour; Walters, Charles Flamstead; Johnson, Stephen Keymer, editors. Oxford: Oxford University Press, 1914-1935. (Oxford Classical Texts)) — 10.7 focus
Ab urbe condita Perseus (Livy in Fourteen Volumes. Foster, Benjamin Oliver; Moore, Frank Gardener; Schlesinger, Alfred C., editors. Cambridge, MA: Harvard University Press; London: William Heinemann, Ltd., 1919-1959 (printing).) — 10.7 focus
Translations (2)
History of Rome Perseus (Foster, Benjamin Oliver; Moore, Frank Gardener; Sage, Evan T.; Schlesinger, Alfred C., translators. Cambridge, Mass.; London: Harvard University Press; William Heinemann, Ltd., 1919-1959. (Loeb Classical Library)) — 10.7 focus
History of Rome Perseus (Spillan, D.; Edmonds, Cyrus; McDevitte, William A., translators. London: Henry G. Bohn, 1849-1868. (Bohn's Classical Library)) — 10.7 focus

Notes on the current edition

History of Rome, books 1-10, 21-45

1. See note II to Book V.
2. for the toga praetexta, see note 2 to Book I. The tunica palmata was an under-garment embroidered with figures of victory and palm branches. Over this was thrown the toga picta, a purple toga embroidered with gold. These were the vestments of the Capitoline Jupiter, and were lent from the Capitol to be worn by the victorious general while he celebrated his triumph. The triumphal crown —stones set in gold —was held over him by an official as he rode in the chariot drawn by four white horses which formed the centre of the procession. The laurel wreath he wore upon his brows.
3. The capis was a dish used in sacrificing, here denoting the priest. The lituus (see Vol. I. p. 22) similarly denoted the augur.