Q. Horatius Flaccus Satires 1.8

Christopher Smart (Translator), ed. Theodore Alois Buckley

View: By Poem

Satires. Q. Horatius Flaccus. Christopher Smart (Translator), ed. Theodore Alois Buckley. New York. 1863.

Sponsored by Perseus Project, Tufts University.

Funding provided by Fund for the Improvement of Postsecondary Education.

Current edition Perseus

Satires (English) (Horace. The Works of Horace. Vol. II. Smart, Christopher, translator. Buckley, Theodoore Alois, editor. New York: Harper and Brothers, 1862.)

Editions (1)
Satyrarum libri Perseus (Horace. The Works of Horace. Vol. II. Smart, Christopher, editor. Philadelphia: J. Whetham, 1836.) — 1.8.1 focus
Olim truncus eram ficulnus, inutile lignum,
1
cum faber, incertus scamnum faceretne Priapum,
maluit esse Deum. Deus inde ego, furum aviumque
maxima formido; nam fures dextra coercet
obscaenoque ruber porrectus ab inguine palus,
5
ast inportunas volucres in vertice harundo
terret fixa vetatque novis considere in hortis.
huc prius angustis eiecta cadavera cellis
conservus vili portanda locabat in arca;
hoc miserae plebi stabat commune sepulcrum;
10
Pantolabo scurrae Nomentanoque nepoti
mille pedes in fronte, trecentos cippus in agrum
hic dabat, heredes monumentum ne sequeretur.
nunc licet Esquiliis habitare salubribus atque
aggere in aprico spatiari, quo modo tristes
15
albis informem spectabant ossibus agrum,
cum mihi non tantum furesque feraeque suetae
hunc vexare locum curae sunt atque labori
quantum carminibus quae versant atque venenis
humanos animos: has nullo perdere possum
20
nec prohibere modo, simul ac vaga luna decorum
protulit os, quin ossa legant herbasque nocentis.
vidi egomet nigra succinctam vadere palla
Canidiam pedibus nudis passoque capillo,
cum Sagana maiore ululantem: pallor utrasque
25
fecerat horrendas adspectu. scalpere terram
unguibus et pullam divellere mordicus agnam
coeperunt; cruor in fossam confusus, ut inde
manis elicerent animas responsa daturas.
lanea et effigies erat altera cerea: maior
30
lanea, quae poenis conpesceret inferiorem;
cerea suppliciter stabat, servilibus ut quae
iam peritura modis. Hecaten vocat altera, saevam
altera Tisiphonen: serpentes atque videres
infernas errare canes lunamque rubentem,
35
ne foret his testis, post magna latere sepulcra.
mentior at siquid, merdis caput inquiner albis
corvorum atque in me veniat mictum atque cacatum
Iulius, et fragilis Pediatia, furque Voranus.
singula quid memorem, quo pacto alterna loquentes
40
umbrae cum Sagana resonarint triste et acutum
utque lupi barbam variae cum dente colubrae
abdiderint furtim terris et imagine cerea
largior arserit ignis et ut non testis inultus
horruerim voces Furiarum et facta duarum?
45
nam, displosa sonat quantum vesica, pepedi
diffissa nate ficus; at illae currere in urbem.
canidiae dentis, altum Saganae caliendrum
excidere atque herbas atque incantata lacertis
vincula cum magno risuque iocoque videres.
50

Notes on the current edition

Satires

1.
The wood of a fig-tree was very little used, on account of its brittleness.
2.
Octavius, willing to correct the infection of this hill, which was a common burial-place for all the poor of Rome , got the consent of the senate and people to give part of it to Maecenas, who built a magnificent house there with very extensive gardens. Hence the poet calls them
novis hortis.
3.
Mille pedes in fronte.
Such was the title of the grave-yard, preserved on a pillar of stone, cippus, to show its extent, and to declare it was never to return to the heirs of the estate. We have numberless inscriptions of this kind,
ITA NE UNQUAM DE NOMINE FAMILIAE NOSTRAE EXEAT HOC MONUMENTUM. HOC MONUMENTUM HEREDES NON SEQUITUR. IN FRONTE LAT. PED. XX. ET DIG. II. IN AGR. LONG. PED. XX.
In fronte signifies to the road: in agro, to the fields. Dabat is for indicabat, testabatur.
4.
The air was afterward so healthy, that Augustus was carried thither when he was ill.
5.
The moon presided over all enchantments, and was believed to be most favorable when in the full, decorum os, because she then infused a stronger spirit into the magical herbs.
6.
Black victims alone were sacrificed to the infernal gods, nor was any thing supposed more delicious to the souls of the departed than blood. They could not foretell any future events, or answer any questions, until they had drank of it. Ulysses was obliged to draw his sword to frighten them away from the blood he had poured into the trench for Tiresias.
7.
The image of wool represented the person they were willing should survive the other represented by that of wax. It is for this reason that the images were made of different materials, that their fates might be different.
8.
This little figure probably represented Darius, who had forsaken Canidia, as we find in the fifth epode.
9.
The serpents were forerunners of Tisiphone, and the bitches foretold that her infernal majesty was coming.
10.
Iulius et fragilis Pediatia.
We know not who Julius was. Pediatius was an infamous Roman knight, whom Horace , for his effeminacy, calls Pediatia. Thus Aristophanes calls Cleonymus Cleonyma; Sostratus, Sostrata. (Clouds 673 ff.)
11.
Ficus, i. e. I, an image made of the truncus ficulnus. The heat made the wood crack with a noise, which put the witches to flight.