Publius Terentius Afer (Terence) Adelphi 5.7

Henry Thomas Riley (Translator), George Colman (Translator)

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Adelphi. Publius Terentius Afer (Terence). Henry Thomas Riley (Translator), George Colman (Translator). New York. 1874.

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Current edition Perseus

Adelphi; or, The Brothers (English) (Terence. The Comedies of Terence. Riley, Henry Thomas; Colman, George, translators. New York: Harper and Brothers, 1872.)

Editions (1)
Adelphi Perseus (Terence. Publii Terentii Comoediae Sex. Parry, Edward St. John, editor. London: Whittaker and Co.; George Bell, 1857.) — 5.7 focus

Notes on the current edition

Adelphi; or, The Brothers

1. The music-girl: Tibicinae, or music-girls, attended at marriage ceremonials. See the Aulularia of Plautus, where Megadorus hires the music-girls on his intended marriage with the daughter of Euclio.
2. The crowds, the torches: See the Casina of Plautus, Act IV., Scenes 3 and 4, for some account of the marriage ceremonial. The torches, music-girls, processions, and hymeneal song, generally accompanied a wedding, but from the present passage we may conclude that they were not considered absolutely necessary.
3. Stone wall in the garden: The maceria, or garden-wall of loose stones, is also mentioned in the Truculentus of Plautus, 1. 301.
4. Bid that Babylonian: This passage has much puzzled the Commentators; but it seems most probable that it is said aside, and that in consequence of his profuseness he calls his brother a Babylonian, (just as we call a wealthy man a nabob,) and says, Well, let him, with all my heart, be paying twenty mine (between £70 and £80) for a music-girl.