Plautus Poenulus 5.2

Henry Thomas Riley (Translator)

View: By Line

Poenulus. Plautus. Henry Thomas Riley (Translator). London. 1913.

Sponsored by Perseus Project, Tufts University.

Funding provided by NSF, NEH: Digital Libraries Initiative, Phase 2.

Current edition Perseus

Poenulus, or The Young Carthaginian (English) (Plautus. The Comedies of Plautus, Volume 2. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1913.)

Editions (1)
Poenulus Perseus (Plautus. Plauti Comoediae, Volume 2. Leo, Friedrich, editor. Berlin: Weidmann, 1896.) — 5.2 focus

Notes on the current edition

Poenulus, or The Young Carthaginian

1. What bird is this: The tunica, or garment, which Hanno is wearing, has long sleeves, or manicae, which causes Milphio to ask if he is a bird, from their resemblance to wings.
2. From the baths: He alludes to the practice of thieves making off with the cloaks of persons while bathing at the public baths.
3. A Gugga: Probably a nickname for an African, in ommon use it Rome.
4. Rings in their ears: The Carthaginians, no doubt, borrowed this custom from the Syrians and Phœnicians, with whom, as also with the Jews, it was prevalent.
5. Avo: Hail. Milphio’s knowledge of the Punic dialect was probably but limited, though in the sequel it appears that he does know something of it. The translation of these Punic expressions is from Warner’s Translation, where the Punic is given in a form somewhat different from that found in the modern editions of the text.
6. Donni: My masters. Milphio says he is talking about gifts, from the resemblance of the word to the Latin doni, the genitive case of donum, a gift.
7. Mehar bocca: This passage has been rendered, Oh! what a son of tears! Milphio says he is talking about his bucca, or cheek, being in pain. An attempt has been made in the Translation to preserve in some slight degree the resemblance.
8. Rufen nuco istam: We are no doctors.
9. Got no girdle: The Carthaginian tunic flowed loose, and was not fastened with a girdle. Milphio perhaps alludes to his being without a purse, which was generally supported by the girdle, and without which he might think that a stranger had no business in such a wealthy city as Calydon.
10. Muphursa: Open.
11. Moin lechianna: I beg an entrance for Saturn. Milphio plays upon the very slight resemblance of muphursa to mures, mice. Under the name of African mice, he probably alludes to panthers or leopards, which had perhaps been recently shown by the Aediles, for the first time.
12. Lalech lachananim liminichot: The messenger who asks a safe abode and kind endurance here.
13. Latchets, water-channels: Milphio plays upon the resemblance of the words lalech lachananim, to ligulos canales, which (if the reading is correct) will mean shoestrings and water-pipes—perfect nonsense.
14. Is amar binam: Us unarmed.
15. Palum erga dectha: Naked men.
16. Spades and forks: Milphio says he is speaking of palas and mergas, spades and pitchforks, by reason of the resemblance in the sound.
17. Muphonium sucoraim: ’Tis on account of your Deities before invoked.
18. Beneath a hurdle: Milphio says he is speaking of crates, a hurdle. This mode of stoning to death was practised among the Carthaginians.
19. Token of hospitality: As to the tessera of hospitality, see the Cistellaria l. 240, and the Note to the passage.
20. Anything should happen to me: An Euphemism to avert all omen.
21. But their nurse: It did not escape the accurate Schmieder that the fact has not been hitherto communicated to Hanno that the damsels had a nurse who was stolen. This, then, is either an oversight of Plautus, or he must mean that Hanno thinks he has asked the question, and has received an answer in the affirmative.
22. Of a dusky complexion: Aquilo. Of the hue of deep water.