Plautus Mostellaria 1.3

Henry Thomas Riley (Translator)

View: By Line

Mostellaria. Plautus. Henry Thomas Riley (Translator). London. 1913.

Sponsored by Perseus Project, Tufts University.

Funding provided by NSF, NEH: Digital Libraries Initiative, Phase 2.

Current edition Perseus

Mostellaria, or The Haunted House (English) (Plautus. The Comedies of Plautus, Volume 2. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1913.)

Editions (1)
Mostellaria Perseus (Plautus. Plauti Comoediae, Volume 2. Leo, Friedrich, editor. Berlin: Weidmann, 1896.) — 1.3 focus

Notes on the current edition

Mostellaria, or The Haunted House

1. That which stuffs out: That is, the body.
2. Assume the character of a wife: Capiundos crines. Literally, the hair must be assumed. Festus says that it was usual on the occasion of the marriage ceremony, to add six rows of curls to the hair of the bride, in imitation of the Vestal virgins, who were patterns of purity, and were dressed in that manner. Hence the term capere crines came to signify to become a wife.
3. ’Tis downright cramming: Sagina plane est. Sagina was the term applied to the fattening or cramming of animals for the purpose of killing. The use of the term implies Scapha’s notion of the bestial kind of life that Philolaches was leading.
4. Give me the mirror: Probably a mirror with a handle, such as the servants usually held for their mistresses. There is something comical in the notion of a female coming out into the street to make her toilet.
5. Hand me the ceruse: White lead, or cerussa, was used by the Roman women for the purpose of whitening the complexion. Ovid mentions it in his Treatise on the Care of the Complexion, l. 73.
6. A woman smells best: Cicero and Martial have a similar sentiment; their opinion has been followed by many modern writers and other persons as well.