Plautus Amphitruo prologue.pr

Henry Thomas Riley (Translator)

View: By Line

Amphitruo. Plautus. Henry Thomas Riley (Translator). London. 1913.

Sponsored by Perseus Project, Tufts University.

Funding provided by NSF, NEH: Digital Libraries Initiative, Phase 2.

Current edition Perseus

Amphitryon, or Jupiter in Disguise (English) (Plautus. The Comedies of Plautus, Volume 2. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1913.)

Editions (1)
Amphitruo Perseus (Plautus. Plauti Comoediae, Volume 1. Leo, Friedrich, editor. Berlin: Weidmann, 1895.) — prologue.pr focus

Notes on the current edition

Amphitryon, or Jupiter in Disguise

1. Merchandize: Mercimoniis. Mercury was the God of trading and merchandize, and was said to have received his name from the Latin word merx. See the tradesman’s prayer to him in the Fasti of Ovid, B. v., l. 682 .
2. With joyous news: Mercury was the messenger of the Gods, and, therefore, the patron of messengers; and, if we may so say, the God of News.
3. My name is Mercury: There seems hardly any reason why he should disclose his name, after having, by an enumeration of his attributes, informed the Audience who he is.
4. A mishap: Malum. This word probably signifies here the corporal punishment which was inflicted on the slaves. It has been already remarked that the actors were mostly slaves, and punishment ensued on their displeasing the Audience.
5. A Tragi-comedy: Tragico-comœdia. This is said to be the only occasion in which Tragi-comedy is mentioned by any of the ancient authors. Plautus does not, however, use the term in the sense which we apply to it. Gods being generally introduced into Tragedy alone, but here taking part in a Comedy he thinks it may be fairly called a Tragi-comedy, or a Comedy with the characters of Tragedy. This play is thought by some to have been borrowed from the writings of Epicharmus, the Sicilian dramatist.
6. The inspectors: To the actor who was considered to give the most satisfaction to the Audience, it was customary for the Aediles to present a reward, which they were bound to do without partiality. Officers, called conquisitores, were consequently employed to go about the cavea, or part of the theatre where the Audience sat, to see that there were no persons likely to have been hired for the purpose of applauding a particular actor.
7. Whole theatre: Cavea. Literally, the seats or benches where the Audience sat
8. This matter: The award of the prize.
9. Leather: Corium. It is a matter of doubt whether this word means the persona, or leather mask worn by the actors, or the actor’s own hide or skin, which would suffer on his being flogged.
10. A year since: It is conjectured that he is here dealing a hit at some Poet who had recently introduced Jupiter on the stage, perhaps in an awkward manner or at an untimely moment—not as taking part himself in the piece, but at the prayer of some one of the characters. Horace reprehends a similar practice in his time: Nec Deus intersit, nisi dignus vindice nodus; meaning, that a Deity may only be introduced when the circumstances are such as to warrant his interference.
11. Amphitryon: Perseus was the son of Jupiter and Danaë. By Andromeda, he was the father of Alcaeus, Sthenelus, Nestor, and Electryon. Alcaeus was the father of Amphitryon, while Electryon was the father of Alcmena, by Lysidice, the daughter of Pelops. Amphitryon, having accidentally slain Electryon, fled with his daughter Alcmena, who had been betrothed to him, to the court of Creon, King of Thebes . The brother of Alcmena having been slain by the Teleboans or Taphians, who inhabited certain islands on the coast of Acarnania , Amphitryon undertook an expedition against them, at the head of the forces of Creon.