Sir Richard C. Jebb The Attic Orators from Antiphon to Isaeos 2.14.4

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The Attic Orators from Antiphon to Isaeos. Sir Richard C. Jebb. London. 1876.

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Current edition Perseus

The Attic Orators from Antiphon to Isaeos (English) (The Attic Orators from Antiphon to Isaeos. Jebb, Richard Claverhouse, author. London: Macmillan, 1876.)

Notes on the current edition

The Attic Orators from Antiphon to Isaeos

1. id. Demosth. c. 4.
2. Its Purity.
3. Vol. I. p. 168.
4. As exceptions, note the words οὐρανομήκης, Antid. [XV] § 134: φιλοπροσήγορος (‘courteous’—more general than εὐπροσήγορος, ‘affable’) Ad Demon. [I] § 20: τερθρεία (‘jugglery’), Helen. Enc. [X] § 4: φθόη, Aeginet. [XIX] § 11: τύρβη Antid. § 130: ἐπικήρως, Bus. [XI] § 49. ἐνδελεχέστατος , Antid. § 156: κατασκελετευθεῖσαν, Ant. § 268: διασκαριφᾶσθαι, Areop. § 12. Also the metaphorical use of εἱλωτεύειν ( Pan. § 131), ἐξοκείλας, Ant. § 268 and Ep. II. § 13. (Sandys, Ad Dem. and Paneyr. pp. xi, xxxiv.Aristotle instances ἔτλησαν ( Pan. § 96) and φήμη ( ib. § 186) as poetical words legitimately used in a climax: Rh. III. 7.
5. Dionys. de Isokr. c. 2: Lys. c. 2: Dem. c. 4.
6. Its Simplicity.
7. id. Dem. c. 18—where Dionys. is criticising a passage from the De Pace (§§ 41—50) taken as showing Isokr. at his best—and notices the avoidance of τροπικαὶκατασκευαί as even excessive. Hermogenes ( περὶ ἰδεῶν ά c. 12, Speng. Rh. G. II. 33) observes that the first condition of beauty in expression is purity; now tropes give vividness, but are against purity; hence Isokr., who thought most about beauty, made least use of tropes.
8. σεμνολογία (Dionys. Isokr. c. 20), σεμνοτὴς πομπική ( ib. 2), καλλιλογία ( Dem. c. 4).
9. Speaking of the forensic work of Isokr. generally, Dionys. remarks that here he comes near to the manner of Lysias ( Isocr. c. 18). Then examining the Trapez. [XVII] §§ 1—14 in detail, he points out that the manner is ὅλῳ τω—| γένει distinct from that of I.'s deliberative or epideictic speeches; yet that it is Isokratic still—it bears the predominant stamp of art (c. 20).—Perhaps Or. XVIII (Against Kallimachos) and XIX (Aeginetikos) are the best examples of I.'s plain manner.