Pausanias, Description of Greece, ed. Friedrich Spiro, 9.4

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[1]
Πλαταιεῦσι δὲ Ἀθηνᾶς ἐπίκλησιν Ἀρείας ἐστὶν ἱερόν· ᾠκοδομήθη δὲ ἀπὸ λαφύρων ἃ τῆς μάχης σφίσιν Ἀθηναῖοι τῆς Μαραθῶνι ἀπένειμαν. τὸ μὲν δὴ ἄγαλμα ξόανόν ἐστιν ἐπίχρυσον, πρόσωπον δέ οἱ καὶ χεῖρες ἄκραι καὶ πόδες λίθου τοῦ Πεντελησίου εἰσί· μέγεθος μὲν οὐ πολὺ δή τι ἀποδεῖ τῆς ἐν ἀκροπόλει χαλκῆς, ἣν 0 καὶ αὐτὴν Ἀθηναῖοι τοῦ Μαραθῶνι ἀπαρχὴν ἀγῶνος ἀνέθηκαν, Φειδίας δὲ καὶ Πλαταιεῦσιν ἦν ὁ τῆς Ἀθηνᾶς τὸ ἄγαλμα ποιήσας.

[2] γραφαὶ δέ εἰσιν ἐν τῷ ναῷ Πολυγνώτου μὲν Ὀδυσσεὺς τοὺς μνηστῆρας ἤδη κατειργασμένος, Ὀνασία δὲ Ἀδράστου καὶ Ἀργείων ἐπὶ Θήβας ἡ προτέρα στρατεία. αὗται μὲν δή εἰσιν ἐπὶ τοῦ προνάου τῶν τοίχων αἱ γραφαί, κεῖται δὲ τοῦ ἀγάλματος πρὸς τοῖς ποσὶν εἰκὼν Ἀριμνήστου· ὁ δὲ Ἀρίμνηστος ἔν τε τῇ πρὸς Μαρδόνιον μάχῃ καὶ ἔτι πρότερον ἐς Μαραθῶνα Πλαταιεῦσιν ἡγήσατο.

[3]
ἔστι δὲ καὶ Δήμητρος ἐπίκλησιν Ἐλευσινίας ἱερὸν ἐν Πλαταιαῖς καὶ Ληίτου μνῆμα· τῶν δὲ ἡγεμόνων, οἳ Βοιωτοὺς ἐς Τροίαν ἤγαγον, μόνος ἀνέστρεψεν οἴκαδε οὗτος ὁ Λήιτος. τὴν δὲ κρήνην τὴν Γαργαφίαν Μαρδόνιος καὶ ἡ ἵππος συνέχεεν ἡ Περσῶν, ὅτι τὸ Ἑλλήνων στράτευμα τὸ ἀντικαθήμενόν σφισιν ἀπʼ αὐτῆς ἔπινεν· ὕστερον μέντοι τὸ ὕδωρ ἀνεσώσαντο οἱ Πλαταιεῖς.

[4]
ἐκ Πλαταίας δὲ ἰοῦσιν ἐς Θήβας ποταμός ἐστιν Ὠερόη· θυγατέρα δὲ εἶναι τὴν Ὠερόην τοῦ Ἀσωποῦ λέγουσι. πρὶν δὲ ἢ διαβῆναι τὸν Ἀσωπόν, παρʼ αὐτὸ τὸ ῥεῦμα ἀποτραπεῖσιν ἐς τὰ κάτω καὶ προελθοῦσιν ὅσον τεσσαράκοντα στάδια ἔστιν ἐρείπια Σκώλου· Δήμητρος δὲ καὶ Κόρης ἐν τοῖς ἐρειπίοις οὐκ ἐξειργασμένος ὁ ναός, ἡμίεργα δὲ καὶ ταῖς θεαῖς ἐστι τὰ ἀγάλματα. ἀποκρίνει δὲ καὶ νῦν ἔτι ἀπὸ τῆς Θηβαίων τὴν Πλαταιίδα ὁ Ἀσωπός.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

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Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 9.4 focus

[1]
The Plataeans have also a sanctuary of Athena surnamed Warlike; it was built from the spoils given them by the Athenians as their share from the battle of Marathon. It is a wooden image gilded, but the face, hands and feet are of Pentelic marble. In size it is but little smaller than the bronze Athena on the Acropolis, the one which the Athenians also erected as first-fruits of the battle at Marathon; the Plataeans too had Pheidias for the maker of their image of Athena.

[2] In the temple are paintings: one of them, by Polygnotus, represents Odysseus after he has killed the wooers; the other, painted by Onasias, is the former expedition of the Argives, under Adrastus, against Thebes . These paintings are on the walls of the fore-temple, while at the feet of the image is a portrait of Arimnestus, who commanded the Plataeans at the battle against Mardonius, and yet before that at Marathon.

[3]
There is also at Plataea a sanctuary of Demeter, surnamed Eleusinian, and a tomb of Leitus, who was the only one to return home of the chiefs who led Boeotians to Troy . The spring Gargaphia was filled in by the Persian cavalry under Mardonius, because the Greek army encamped against them got therefrom their drinking-water. Afterwards, however, the Plataeans recovered the water.

[4]
On the road from Plataea to Thebes is the river Oeroe, said to have been a daughter of the Asopus. Before crossing the Asopus, if you turn aside to lower ground in a direction parallel to the river, after about forty stades you come to the ruins of Scolus. The temple of Demeter and the Maid among the ruins is not finished, and only half-finished are the images of the goddesses. Even to-day the Asopus is the boundary between Thebes and Plataea .

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 9.4 focus

[1] The Plataeans have also a sanctuary of Athena surnamed Warlike; it was built from the spoils given them by the Athenians as their share from the battle of Marathon. It is a wooden image gilded, but the face, hands and feet are of Pentelic marble. In size it is but little smaller than the bronze Athena on the Acropolis, the one which the Athenians also erected as first-fruits of the battle at Marathon; the Plataeans too had Pheidias for the maker of their image of Athena.

[2] In the temple are paintings: one of them, by Polygnotus, represents Odysseus after he has killed the wooers; the other, painted by Onasias, is the former expedition of the Argives, under Adrastos, against Thebes. These paintings are on the walls of the fore-temple, while at the feet of the image is a portrait of Arimnestos, who commanded the Plataeans at the battle against Mardonios, and yet before that at Marathon.

[3] There is also at Plataea a sanctuary of Demeter, surnamed Eleusinian, and a tomb of Leitos, who was the only one to return home of the chiefs who led Boeotians to Troy. The spring Gargaphia was filled in by the Persian cavalry under Mardonios, because the Greek army encamped against them got therefrom their drinking-water. Afterwards, however, the Plataeans recovered the water.

[4] On the road from Plataea to Thebes is the river Oiroe, said to have been a daughter of the Asopos. Before crossing the Asopos, if you turn aside to lower ground in a direction parallel to the river, after about forty stadium-lengths you come to the ruins of Scolus. The temple of Demeter and the Maiden among the ruins is not finished, and only half-finished are the images of the goddesses. Even today the Asopos is the boundary between Thebes and Plataea.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 9.4

ed. Friedrich Spiro

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