Pausanias, Description of Greece, ed. Friedrich Spiro, 6.9

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[1]
Θεογνήτῳ δὲ Αἰγινήτῃ πάλης μὲν στέφανον λαβεῖν ὑπῆρξεν ἐν παισί, τὸν δὲ ἀνδριάντα οἱ Πτόλιχος ἐποίησεν Αἰγινήτης. διδάσκαλοι δὲ ἐγεγόνεσαν Πτολίχῳ μὲν Συννοῶν ὁ πατήρ, ἐκείνῳ δὲ Ἀριστοκλῆς Σικυώνιος, ἀδελφός τε Κανάχου καὶ οὐ πολὺ τὰ ἐς δόξαν ἐλασσούμενος. ἐφʼ ὅτῳ δὲ ὁ Θεόγνητος πίτυος τῆς γʼ ἡμέρου καὶ ῥοιᾶς φέρει καρπόν, ἐμοὶ μὲν οὐχ οἷά τε ἦν συμβαλέσθαι, τάχα δʼ ἂν Αἰγινήταις τισὶν 0 ἐπιχώριος ἐς αὐτὰ ἂν εἴη λόγος.

[2] μετὰ δὲ τὴν εἰκόνα τοῦ ἀνδρὸς ὃν Ἠλεῖοί φασιν οὐ γραφῆναι μετὰ τῶν ἄλλων, ὅτι ἐπὶ κάλπης ἀνηγορεύθη δρόμῳ, μετὰ τούτου τὴν εἰκόνα Ξενοκλῆς τε Μαινάλιος ἕστηκε παλαιστὰς καταβαλὼν παῖδας καὶ Ἄλκετος Ἀλκίνου κρατήσας πυγμῇ παῖδας, Ἀρκὰς καὶ οὗτος ἐκ Κλείτορος· καὶ τοῦ μὲν Κλέων, Ξενοκλέους δὲ τὸν ἀνδριάντα Πολύκλειτός ἐστιν εἰργασμένος.

[3] Ἀριστεὺς δὲ Ἀργεῖος δολίχου μὲν νίκην ἔσχεν αὐτός, πάλης δὲ ὁ πατὴρ τοῦ Ἀριστέως Χείμων· ἑστήκασι μὲν δὴ ἐγγὺς ἀλλήλων, ἐποίησε δὲ τὸν μὲν Παντίας Χῖος παρὰ τῷ πατρὶ δεδιδαγμένος Σωστράτῳ, αἱ δὲ εἰκόνες τοῦ Χείμωνος ἔργον ἐστὶν ἐμοὶ δοκεῖν τῶν δοκιμωτάτων Ναυκύδους, ἥ τε ἐν Ὀλυμπίᾳ καὶ ἡ ἐς τὸ ἱερὸν τῆς Εἰρήνης τὸ ἐν Ῥώμῃ κομισθεῖσα ἐξ Ἄργους. λέγεται δὲ ὡς Ταυροσθένην καταπαλαίσειεν ὁ Χείμων τὸν Αἰγινήτην καὶ ὡς Ταυροσθένης τῇ Ὀλυμπιάδι τῇ ἐφεξῆς καταβάλοι τοὺς ἐσελθόντας ἐς τὴν πάλην καὶ ὡς ἐοικὸς Ταυροσθένει φάσμα ἐπʼ ἐκείνης τῆς ἡμέρας ἐν Αἰγίνῃ φανὲν ἀπαγγείλειε τὴν νίκην.

[4] Φίλλην δὲ Ἠλεῖον κρατήσαντα παῖδας πάλῃ Σπαρτιάτης Κρατῖνος ἐποίησε.
τὰ δὲ ἐς τὸ ἅρμα τὸ Γέλωνος οὐ κατὰ ταὐτὰ δοξάζειν ἐμοί τε παρίστατο καὶ τοῖς πρότερον ἢ ἐγὼ τὰ ἐς αὐτὸ εἰρηκόσιν, οἳ Γέλωνος τοῦ ἐν Σικελίᾳ τυραννήσαντός φασιν ἀνάθημα εἶναι τὸ ἅρμα. ἐπίγραμμα μὲν δή ἐστιν αὐτῷ Γέλωνα Δεινομένους ἀναθεῖναι Γελῷον, καὶ ὁ χρόνος τούτῳ τῷ Γέλωνί ἐστι τῆς νίκης τρίτη 0 πρὸς τὰς ἑβδομήκοντα Ὀλυμπιάδας·

[5] Γέλων δὲ ὁ Σικελίας τυραννήσας Συρακούσας ἔσχεν Ὑβριλίδου μὲν Ἀθήνῃσιν ἄρχοντος, δευτέρῳ δὲ ἔτει τῆς δευτέρας καὶ ἑβδομηκοστῆς Ὀλυμπιάδος, ἣν Τισικράτης ἐνίκα Κροτωνιάτης στάδιον. δῆλα οὖν ὡς Συρακούσιον ἤδη καὶ οὐ Γελῷον ἀναγορεύειν αὑτὸν ἔμελλεν· ἀλλὰ γὰρ ἰδιώτης εἴη ἄν τις ὁ Γέλων οὗτος, πατρός τε ὁμωνύμου τῷ τυράννῳ καὶ αὐτὸς ὁμώνυμος. Γλαυκίας δὲ Αἰγινήτης τό τε ἅρμα καὶ αὐτῷ τῷ Γέλωνι ἐποίησε τὴν εἰκόνα.

[6]
τῇ δὲ Ὀλυμπιάδι τῇ πρὸ ταύτης Κλεομήδην φασὶν Ἀστυπαλαιέα ὡς Ἴκκῳ πυκτεύων ἀνδρὶ Ἐπιδαυρίῳ τὸν Ἴκκον ἀποκτείνειεν ἐν τῇ μάχῃ, καταγνωσθεὶς δὲ ὑπὸ τῶν Ἑλλανοδικῶν ἄδικα εἰργάσθαι καὶ ἀφῃρημένος τὴν νίκην ἔκφρων ἐγένετο ὑπὸ τῆς λύπης καὶ ἀνέστρεψε μὲν ἐς Ἀστυπάλαιαν, διδασκαλείῳ δʼ ἐπιστὰς ἐνταῦθα ὅσον ἑξήκοντα ἀριθμὸν παίδων ἀνατρέπει τὸν κίονα ὃς τὸν ὄροφον ἀνεῖχεν.

[7] ἐμπεσόντος δὲ τοῦ ὀρόφου τοῖς παισί, καταλιθούμενος ὑπὸ τῶν ἀστῶν κατέφυγεν ἐς Ἀθηνᾶς ἱερόν· ἐσβάντος δὲ ἐς κιβωτὸν κειμένην ἐν τῷ ἱερῷ καὶ ἐφελκυσαμένου τὸ ἐπίθημα, κάματον ἐς ἀνωφελὲς οἱ Ἀστυπαλαιεῖς ἔκαμνον ἀνοίγειν τὴν κιβωτὸν πειρώμενοι· τέλος δὲ τὰ ξύλα τῆς κιβωτοῦ καταρρήξαντες, ὡς οὔτε ζῶντα Κλεομήδην οὔτε τεθνεῶτα εὕρισκον, ἀποστέλλουσιν ἄνδρας ἐς Δελφοὺς ἐρησομένους ὁποῖα ἐς Κλεομήδην τὰ συμβάντα ἦν.

[8] τούτοις χρῆσαι τὴν Πυθίαν φασίν·

ὕστατος ἡρώων Κλεομήδης Ἀστυπαλαιεύς,

ὃν θυσίαις τιμᾶ θʼ ἅτε μηκέτι θνητὸν ἐόντα.

0 Κλεομήδει μὲν οὖν Ἀστυπαλαιεῖς ἀπὸ τούτου τιμὰς ὡς ἥρωι νέμουσι·

[9] παρὰ δὲ τοῦ Γέλωνος τὸ ἅρμα ἀνάκειται Φίλων, τέχνη τοῦ Αἰγινήτου Γλαυκίου. τούτῳ τῷ Φίλωνι Σιμωνίδης ὁ Λεωπρέπους ἐλεγεῖον δεξιώτατον ἐποίησε·

πατρὶς μὲν Κόρκυρα, Φίλων δʼ ὄνομʼ· εἰμὶ δὲ Γλαύκου

υἱὸς καὶ νικῶ πὺξ δύʼ Ὀλυμπιάδας.

ἀνάκειται καὶ Μαντινεὺς Ἀγαμήτωρ, κρατήσας πυγμῇ παῖδας.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 6.9 focus

[1]
Theognetus of Aegina succeeded in winning the crown for the boys' wrestling-match, and Ptolichus of Aegina made his statue. Ptolichus was a pupil of his father Synnoon, and he of Aristocles the Sicyonian, a brother of Canachus and almost as famous an artist. Why Theognetus carries a cone of the cultivated pine and a pomegranate I could not conjecture; perhaps some of the Aeginetans may have a local story about it.

[2] After the statue of the man who the Eleans say had not his name recorded with the others because he was proclaimed winner of the trotting-race, stand Xenocles of Maenalus, who overthrew the boys at wrestling, and Alcetus, son of Alcinous, victor in the boys' boxing-match, who also was an Arcadian from Cleitor. Cleon made the statue of Alcetus; that of Xenocles is by Polycleitus.

[3] Aristeus of Argos himself won a victory in the long-race, while his father Cheimon won the wrestling-match. They stand near to each other, the statue of Aristeus being by Pantias of Chios , the pupil of his father Sostratus. Besides the statue of Cheimon at Olympia there is another in the temple of Peace at Rome , brought there from Argos . Both are in my opinion among the most glorious works of Naucydes. It is also told how Cheimon overthrew at wrestling Taurosthenes of Aegina , how Taurosthenes at the next Festival overthrew all who entered for the wrestling-match, and how a wraith like Taurosthenes appeared on that day in Aegina and announced the victory.

[4] The statue of Philles of Elis, who won the boys' wrestling-match, was made by the Spartan Cratinus.
As regards the chariot of Gelon, I did not come to the same opinion about it as my predecessors, who hold that the chariot is an offering of the Gelon who became tyrant in Sicily . Now there is an inscription on the chariot that it was dedicated by Gelon of Gela , son of Deinomenes, and the date of the victory of this Gelon is the seventy-third Festival¹.

[5] But the Gelon who was tyrant of Sicily took possession of Syracuse when Hybrilides was archon at Athens , in the second year of the seventy-second Olympiad², when Tisicrates of Croton won the foot-race. Plainly, therefore, he would have announced himself as of Syracuse , not Gela . The fact is that this Gelon must be a private person, of the same name as the tyrant, whose father had the same name as the tyrant's father. It was Glaucias of Aegina who made both the chariot and the portrait-statue of Gelon.

[6]
At the Festival previous to this it is said that Cleomedes of Astypalaea killed Iccus of Epidaurus during a boxing-match. On being convicted by the umpires of foul play and being deprived of the prize he became mad through grief and returned to Astypalaea. Attacking a school there of about sixty children he pulled down the pillar which held up the roof.

[7] This fell upon the children, and Cleomedes, pelted with stones by the citizens, took refuge in the sanctuary of Athena. He entered a chest standing in the sanctuary and drew down the lid. The Astypalaeans toiled in vain in their attempts to open the chest. At last, however, they broke open the boards of the chest, but found no Cleomedes, either alive or dead. So they sent envoys to Delphi to ask what had happened to Cleomedes.

[8] The response given by the Pythian priestess was, they say, as follows:—

Last of heroes is Cleomedes of Astypalaea;

Honor him with sacrifices as being no longer a mortal.

So from this time have the Astypalaeans paid honors to Cleomedes as to a hero.

[9] By the side of the chariot of Gelon is dedicated a statue of Philon, the work of the Aeginetan Glaucias. About this Philon Simonides the son of Leoprepes composed a very neat elegiac couplet:

My fatherland is Corcyra , and my name is Philon; I am

The son of Glaucus, and I won two Olympic victories for boxing.

There is also a statue of Agametor of Mantineia, who beat the boys at boxing.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 6.9 focus

[1] Theognetos of Aegina succeeded in winning the garland for the boys’ wrestling match, and Ptolikhos of Aegina made his statue. Ptolikhos was a pupil of his father Synnoön, and he of Aristokles the Sikyonian, a brother of Kanakhos and almost as famous an artist. Why Theognetos carries a cone of the cultivated pine and a pomegranate I could not conjecture; perhaps some of the Aeginetans may have a local story about it.

[2] After the statue of the man who the Eleians say had not his name recorded with the others because he was proclaimed winner of the trotting-race, stand Xenokles of Mainalos, who overthrew the boys at wrestling, and Alketos, son of Alkinoos, victor in the boys’ boxing match, who also was an Arcadian from Kleitor. Kleon made the statue of Alketos; that of Xenokles is by Polycleitus.

[3] Aristeus of Argos himself won a victory in the long-race, while his father Kheimon won the wrestling match. They stand near to each other, the statue of Aristeus being by Pantias of Chios, the pupil of his father, Sostratos. Besides the statue of Kheimon at Olympia, there is another in the temple of Peace at Rome, brought there from Argos. Both are in my opinion among the most glorious works of Naukydes. It is also told how Kheimon overthrew at wrestling Taurosthenes of Aegina, how Taurosthenes at the next Festival overthrew all who entered for the wrestling match, and how an apparition that looked like Taurosthenes appeared on that day in Aegina and announced the victory.

[4] The statue of Philles of Elis, who won the boys’ wrestling match, was made by the Spartan Kratinos. As regards the chariot of Gelon, I did not come to the same opinion about it as my predecessors, who hold that the chariot is an offering of the Gelon who became tyrant in Sicily. Now there is an inscription on the chariot that it was dedicated by Gelon of Gela, son of Deinomenes, and the date of the victory of this Gelon is the seventy-third Festival.

[5] But the Gelon who was tyrant of Sicily took possession of Syracuse when Hybrilides was archon [ arkhōn] in Athens, in the second year of the seventy-second Olympiad, when Tisikrates of Croton won the foot-race. Plainly, therefore, he would have announced himself as of Syracuse, not Gela. The fact is that this Gelon must be a private person, of the same name as the tyrant, whose father had the same name as the tyrant’s father. It was Glaukias of Aegina who made both the chariot and the portrait-statue of Gelon.

[6] At the Festival previous to this, it is said that Kleomedes of Astypalaia killed Ikkos of Epidaurus during a boxing match. On being convicted by the umpires of foul play and being deprived of the prize, he became mad through grief and returned to Astypalaia. Attacking a school there of about sixty children, he pulled down the pillar which held up the roof.

[7] This fell upon the children, and Kleomedes, pelted with stones by the citizens, took refuge in the sanctuary of Athena. He entered a chest standing in the sanctuary and drew down the lid. The Astypalaians toiled in vain in their attempts to open the chest. At last, however, they broke open the boards of the chest, but found no Kleomedes, either alive or dead. So they sent envoys to Delphi to ask what had happened to Kleomedes.

[8] The response given by the Pythian priestess was, they say, as follows:

“Last of heroes is Kleomedes of Astypalaia;
Honor him with sacrifices as being no longer a mortal.”

So from this time have the Astypalaians paid honors to Kleomedes as to a hero.

[9] By the side of the chariot of Gelon is dedicated a statue of Philon, the work of the Aeginetan Glaukias. About this, Philon Simonides, the son of Leoprepes composed a very neat elegiac couplet:

“My fatherland is Corcyra, and my name is Philon; I am
The son of Glaukos, and I won two Olympic victories for boxing.”
There is also a statue of Agametor of Mantineia, who beat the boys at boxing.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 6.9

ed. Friedrich Spiro

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