Pausanias, Description of Greece, ed. Friedrich Spiro, 5.21

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[1]
τὸ δὲ ἀπὸ τούτου μοι πρόεισιν ὁ λόγος ἔς τε τῶν ἀνδριάντων καὶ ἐς τῶν ἀναθημάτων ἐξήγησιν. ἀναμῖξαι δὲ οὐκ ἀρεστὰ ἦν μοι τὸν ἐπʼ αὐτοῖς λόγον. ἐν ἀκροπόλει μὲν γὰρ τῇ Ἀθήνῃσιν οἵ τε ἀνδριάντες καὶ ὁπόσα ἄλλα, τὰ πάντα ἐστὶν ὁμοίως ἀναθήματα· ἐν δὲ τῇ Ἄλτει τὰ μὲν τιμῇ τῇ ἐς τὸ θεῖον ἀνάκεινται, οἱ δὲ ἀνδριάντες τῶν νικώντων ἐν ἄθλου λόγῳ σφίσι καὶ οὗτοι δίδονται. τῶν μὲν δὴ ἀνδριάντων ποιησόμεθα καὶ ὕστερον μνήμην· ἐς δὲ τὰ ἀναθήματα ἡμῖν τραπήσεται πρότερα ὁ λόγος, τὰ ἀξιολογώτατα αὐτῶν ἐπερχομένοις.

[2]
ἰόντι γὰρ ἐπὶ τὸ στάδιον τὴν ὁδὸν τὴν ἀπὸ τοῦ Μητρῴου, ἔστιν ἐν ἀριστερᾷ κατὰ τὸ πέρας τοῦ ὄρους τοῦ Κρονίου λίθου τε πρὸς αὐτῷ τῷ ὄρει κρηπὶς καὶ ἀναβασμοὶ διʼ αὐτῆς· πρὸς δὲ τῇ κρηπῖδι ἀγάλματα Διὸς ἀνάκειται χαλκᾶ. ταῦτα ἐποιήθη μὲν ἀπὸ χρημάτων ἐπιβληθείσης ἀθληταῖς ζημίας ὑβρίσασιν ἐς τὸν ἀγῶνα, καλοῦνται δὲ ὑπὸ τῶν ἐπιχωρίων Ζᾶνες.

[3] πρῶτοι δὲ ἀριθμὸν ἓξ ἐπὶ τῆς ὀγδόης ἔστησαν καὶ ἐνενηκοστῆς Ὀλυμπιάδος· Εὔπωλος γὰρ Θεσσαλὸς χρήμασι διέφθειρε τοὺς ἐλθόντας τῶν πυκτῶν, Ἀγήτορα Ἀρκάδα καὶ Πρύτανιν Κυζικηνόν, σὺν δὲ αὐτοῖς καὶ Φορμίωνα Ἁλικαρνασσέα μὲν γένος, Ὀλυμπιάδι δὲ τῇ πρὸ ταύτης κρατήσαντα. τοῦτο ἐξ ἀθλητῶν ἀδίκημα ἐς τὸν ἀγῶνα πρῶτον γενέσθαι λέγουσι, καὶ πρῶτοι χρήμασιν ἐζημιώθησαν ὑπὸ Ἠλείων Εὔπωλος καὶ οἱ δεξάμενοι δῶρα παρὰ Εὐπώλου. δύο μὲν δὴ ἐξ αὐτῶν ἔργα Κλέωνος Σικυωνίου· τὰ δὲ ἐφεξῆς τέσσαρα ὅστις ἐποίησεν, οὐκ ἴσμεν.

[4] τῶν δὲ ἀγαλμάτων τούτων
παρέντι τρίτον τε ἐξ αὐτῶν καὶ τέταρτον, γεγραμμένα ἐλεγεῖά ἐστιν ἐπὶ τοῖς ἄλλοις. ἐθέλει δὲ τὸ μὲν πρῶτον τῶν ἐλεγείων δηλοῦν ὡς οὐ χρήμασιν ἀλλὰ ὠκύτητι τῶν ποδῶν καὶ ὑπὸ ἰσχύος σώματος Ὀλυμπικὴν ἔστιν εὑρέσθαι νίκην, τὸ δὲ ἐπὶ τῷ δευτέρῳ φησὶν ὡς τὸ ἄγαλμα ἕστηκε τιμῇ τε τῇ ἐς τὸ θεῖον καὶ ὑπὸ εὐσεβείας τῆς Ἠλείων καὶ ἀθληταῖς παρανομοῦσιν εἶναι δέος· πέμπτῳ δὲ καὶ ἕκτῳ, τῷ μέν ἐστιν ἡ τοῦ ἐπιγράμματος γνώμη τά τε ἄλλα ἐς ἔπαινον Ἠλείων καὶ οὐχ ἥκιστα ἐπὶ τῇ ζημίᾳ τῶν πυκτῶν, ἐπὶ δὲ τῷ ὑπολοίπῳ διδασκαλίαν πᾶσιν Ἕλλησιν εἶναι τὰ ἀγάλματα μηδένα ἐπὶ Ὀλυμπικῇ νίκῃ διδόναι χρήματα.

[5]
Εὐπώλου δὲ ὕστερόν φασιν Ἀθηναῖον Κάλλιππον ἀθλήσαντα πένταθλον ἐξωνήσασθαι τοὺς ἀνταγωνιουμένους χρήμασι, δευτέραν δὲ ἐπὶ ταῖς δέκα τε καὶ ἑκατὸν Ὀλυμπιάδα εἶναι ταύτην. ἐπιβληθείσης δὲ τῷ Καλλίππῳ καὶ τοῖς ἀνταγωνισαμένοις ζημίας ὑπὸ Ἠλείων, ἀποστέλλουσιν Ὑπερείδην Ἀθηναῖοι πείσοντα Ἠλείους ἀφεῖναί σφισι τὴν ζημίαν· ἀπειπόντων δὲ Ἠλείων τὴν χάριν, ἐχρῶντο ὑπεροψίᾳ τοιᾷδε ἐς αὐτοὺς οἱ Ἀθηναῖοι, οὔτε ἀποδιδόντες τὰ χρήματα καὶ Ὀλυμπίων εἰργόμενοι, πρὶν ἤ σφισιν ὁ θεὸς ὁ ἐν Δελφοῖς οὐ πρότερον ἔφησεν ὑπὲρ οὐδενὸς χρήσειν πρὶν ἢ τὴν ζημίαν ἀποδοῖεν Ἠλείοις.

[6] οὕτω δὴ ἀποδόντων ἐποιήθη τῷ Διὶ ἀγάλματα, ἓξ μὲν καὶ ταῦτα, γέγραπται δὲ ἐπʼ αὐτοῖς ἐλεγεῖα οὐδέν τι δεξιώτερα ἐς ποίησιν ἢ τὰ ἔχοντα τὴν ζημίαν τὴν Εὐπώλου. γνῶμαι δέ εἰσι τῶν 0 ἐπιγραμμάτων, πρῶτον μὲν ἀνατεθῆναι τὰ ἀγάλματα μαντείᾳ τοῦ θεοῦ τιμήσαντος τὰ ἐς τοὺς πεντάθλους δόξαντα Ἠλείοις, τὸ δὲ ἐπὶ τῷ δευτέρῳ καὶ ὡσαύτως ἐπὶ τῷ τρίτῳ Ἠλείους ἐπαινοῦντά ἐστιν ἐπὶ τῶν πεντάθλων τῇ ζημίᾳ·

[7] τὸ τέταρτον δὲ ἐθέλει λέγειν τὸν Ὀλυμπίασιν ἀγῶνα ἀρετῆς εἶναι καὶ οὐ χρημάτων, τὰ δὲ ἐπιγράμματα τὰ ἐπὶ τῷ πέμπτῳ τε καὶ ἕκτῳ, τὸ μὲν αὐτῶν δηλοῖ καθʼ ἥντινα αἰτίαν ἀνετέθη τὰ ἀγάλματα, τὸ δὲ ἀναμιμνήσκει τοῦ χρησμοῦ τοῦ Ἀθηναίοις ἐλθόντος ἐκ Δελφῶν.

[8]
τῶν δὲ κατειλεγμένων τὰ ἐφεξῆς ἀγάλματα δύο μέν ἐστιν ἀριθμόν, ἀνετέθη δὲ ἐπιτεθείσης παλαισταῖς ἀνδράσι ζημίας· οἵτινες δὲ ἐκαλοῦντο, ἐμέ γε ἢ τοὺς Ἠλείων λέληθεν ἐξηγητάς. ἐπιγράμματα μὲν γὰρ καὶ ἐπὶ τούτοις τοῖς ἀγάλμασιν ἔπεστι, λέγει δὲ τὸ μὲν πρῶτον αὐτῶν ὡς τῷ Ὀλυμπίῳ Διὶ Ῥόδιοι χρήματα ὑπὲρ ἀνδρὸς ἀδικίας ἐκτίσαιεν παλαιστοῦ, τὸ δὲ ἕτερον ὡς ἀνδρῶν ἐπὶ δώροις παλαισάντων ἀπὸ τῶν ἐπιβληθέντων χρημάτων αὐτοῖς γένοιτο τὸ ἄγαλμα.

[9] τὰ δὲ ἐπίλοιπα ἐς τοὺς ἀθλητὰς τούτους οἱ ἐξηγηταὶ λέγουσιν οἱ Ἠλείων, ὀγδόην μὲν ἐπὶ ταῖς ἑβδομήκοντα καὶ ἑκατὸν Ὀλυμπιάδα εἶναι, λαβεῖν δὲ Εὔδηλον παρὰ Φιλοστράτου χρήματα, τοῦτον δὲ εἶναι τὸν Φιλόστρατον Ῥόδιον. τούτῳ τῷ λόγῳ διάφορα ὄντα εὕρισκον τὰ Ἠλείων ἐς τοὺς Ὀλυμπιονίκας γράμματα· ἔστι γὰρ δὴ ἐν τοῖς γράμμασι τούτοις Στράτωνα Ἀλεξανδρέα Ὀλυμπιάδι ὀγδόῃ μετὰ τὰς ἑβδομήκοντα καὶ ἑκατὸν ἐπὶ ἡμέρας ἀνελέσθαι τῆς αὐτῆς παγκρατίου καὶ πάλης νίκην. 0 Ἀλεξανδρείας δὲ τῆς ἐπὶ τῷ Κανωβικῷ τοῦ Νείλου στόματι Ἀλέξανδρος μὲν οἰκιστὴς ἐγένετο ὁ Φιλίππου, λέγεται δὲ καὶ πρότερον ἔτι πόλισμα Αἰγυπτίων ἐνταῦθα οὐ μέγα εἶναι Ῥακῶτιν·

[10] Στράτωνος δὲ τούτου τρεῖς μὲν ἡλικίᾳ πρότερον, τοσοῦτοι δὲ ἄλλοι μετʼ αὐτόν εἰσι δῆλοι τὸν κότινον παγκρατίου τε ἆθλα εἰληφότες καὶ πάλης, Κάπρος μὲν ἐξ αὐτῆς Ἤλιδος, Ἑλλήνων δὲ τῶν πέραν Αἰγαίου Ῥόδιός τε Ἀριστομένης καὶ Μαγνήτων τῶν ἐπὶ Ληθαίῳ Πρωτοφάνης. οἱ δὲ ὕστερον τοῦ Στράτωνος Μαρίων τε πόλεως ἐκείνῳ τῆς αὐτῆς καὶ Στρατονικεὺς Ἀριστέας—τὰ δὲ παλαιότερα ἥ τε χώρα καὶ ἡ πόλις ἐκαλεῖτο Χρυσαορίς—, ἕβδομος δὲ Νικόστρατος ἐκ τῶν ἐπὶ θαλάσσῃ Κιλίκων, οὐδὲν τοῖς Κίλιξιν αὐτοῦ μετὸν εἰ μὴ ὅσα τῷ λόγῳ.

[11] τοῦτον τὸν Νικόστρατον νήπιον παῖδα ἔτι ἐκ Πρυμνησσοῦ λῃσταὶ τῆς Φρυγῶν ἥρπασαν, οἰκίας ὄντα οὐκ ἀφανοῦς· κομισθέντα δὲ αὐτὸν ἐς Αἰγέας ὠνήσατο ὅστις δή. χρόνῳ δὲ ὕστερον τῷ ἀνδρὶ τούτῳ ὄνειρον γίνεται· λέοντος δὲ ἔδοξεν ὑπὸ τῷ σκίμποδι κατακεῖσθαι σκύμνον, ἐφʼ ᾧ ἐκάθευδεν ὁ Νικόστρατος. Νικοστράτῳ μὲν δή, ὡς ηὐξήθη, καὶ ἄλλαι νῖκαι καὶ Ὀλυμπίασιν ἐγένοντο παγκρατίου καὶ πάλης.

[12]
χρήμασι δὲ ὑπὸ Ἠλείων ἕτεροί τε ὕστερον καὶ Ἀλεξανδρεὺς ἐζημιώθη πύκτης Ὀλυμπιάδι ἐπὶ ταῖς διακοσίαις ὀγδόῃ τε καὶ δεκάτῃ. ὄνομα μὲν τῷ ζημιωθέντι Ἀπολλώνιος, ἐπίκλησις δὲ ἦν Ῥάντης· καί πως 0 καὶ ἐπιχώριον τὸ ἐς τὰς ἐπικλήσεις τοῖς Ἀλεξανδρεῦσίν ἐστιν. οὗτος ὁ ἀνὴρ ἀδικεῖν ὑπὸ Ἠλείων κατεγνώσθη πρῶτος Αἰγυπτίων·

[13] κατεγνώσθη δὲ οὐ δοῦναι χρήματα ἢ λαβεῖν αὐτός, ἀλλὰ τοιόνδε ἄλλο ἐς τὸν ἀγῶνα ἐξυβρίσαι. ἀφίκετο οὐκ ἐς τὸν εἰρημένον καιρόν, καὶ αὐτὸν ὑπὸ Ἠλείων πειθομένων τῷ νόμῳ ἐλείπετο τοῦ ἀγῶνος εἴργεσθαι· τὴν γάρ οἱ πρόφασιν, ὡς ἐν ταῖς Κυκλάσι νήσοις ὑπὸ ἀνέμων κατείχετο ἐναντίων, Ἡρακλείδης γένος καὶ αὐτὸς Ἀλεξανδρεὺς ἤλεγχεν ἀπάτην οὖσαν· ὑστερῆσαι γὰρ χρήματα ἐκ τῶν ἀγώνων αὐτὸν ἐκλέγοντα τῶν ἐν Ἰωνίᾳ.

[14] οὕτω δὴ τόν τε Ἀπολλώνιον καὶ εἰ δή τις ἄλλος ἧκεν οὐ κατὰ προθεσμίαν τῶν πυκτῶν, τούτους μὲν οἱ Ἠλεῖοι τοῦ ἀγῶνος ἀπελαύνουσι, τῷ Ἡρακλείδῃ δὲ τὸν στέφανον παριᾶσιν ἀκονιτί· ἐνταῦθα ὁ Ἀπολλώνιος κατεσκευάσατό τε τοῖς ἱμᾶσιν ὡς ἐς μάχην καὶ ἐσδραμὼν ἐπὶ τὸν Ἡρακλείδην ἥπτετο ἐπικειμένου τε ἤδη τὸν κότινον καὶ καταπεφευγότος ἐς τοὺς Ἑλλανοδίκας. τούτῳ μὲν δὴ ἔμελλε τὸ κοῦφον τοῦ νοῦ βλάβος μέγα ἔσεσθαι, ἔστι δὲ καὶ

[15] ἄλλα δύο τέχνης τῆς ἐφʼ ἡμῶν τὰ ἀγάλματα· ἕκτῃ γὰρ ἐπὶ ταῖς εἴκοσι καὶ διακοσίαις Ὀλυμπιάδι πύκτας ἄνδρας, ὑπὲρ αὐτῆς μαχομένους τῆς νίκης, ἐφώρασαν συνθεμένους ὑπὲρ λήμματος. ἀντὶ τούτων μὲν ἐγένετο ζημία· ποιηθέντων δὲ ἀγαλμάτων Διὸς τὸ μὲν ἐν ἀριστερᾷ τῆς ἐς τὸ στάδιον ἐσόδου, τὸ δὲ ἕτερον αὐτῶν ἕστηκεν ἐν δεξιᾷ. τοῖς δὲ πύκταις τούτοις Δίδας τε ὄνομα ἦν καὶ τῷ τὰ χρήματα δόντι αὐτῶν Σαραπάμμων· νομοῦ δὲ ἦσαν τοῦ αὐτοῦ, νεωτάτου τῶν ἐν Αἰγύπτῳ, 0 καλουμένου δὲ Ἀρσινοΐτου.

[16] θαῦμα μὲν δὴ καὶ ἄλλως ἐν οὐδενὸς λόγῳ τὸν θεὸν θέσθαι τὸν ἐν Ὀλυμπίᾳ καὶ δέξασθαί τινα ἢ δοῦναι δῶρα ἐπὶ τῷ ἀγῶνι· μείζονος δὲ ἔτι θαύματος, εἴ γε καὶ αὐτῶν ἐτόλμησεν ἤδη τις Ἠλείων. λέγεται δὲ ὡς Δαμόνικος τολμήσειεν Ἠλεῖος δευτέρᾳ πρὸς ταῖς ἑκατὸν καὶ ἐνενήκοντα Ὀλυμπιάδι· συνεστηκέναι μὲν γὰρ παλαίοντας ἐπὶ τῷ στεφάνῳ τόν τε τοῦ Δαμονίκου παῖδα Πολύκτορα καὶ Σώσανδρον γένος Σμυρναῖον, ὁμώνυμον τῷ πατρί· Δαμόνικον δέ, ἅτε περισσῶς ἐπιθυμοῦντα γενέσθαι τῷ παιδὶ τὴν νίκην, δοῦναι τοῦ Σωσάνδρου τῷ πατρὶ χρήματα.

[17] ὡς δὲ ἐγεγόνει τὰ πραχθέντα ἔκπυστα, ἐπιβάλλουσιν οἱ Ἑλλανοδίκαι ζημίαν, ἐπιβάλλουσι δὲ οὐ τοῖς παισίν, ἀλλὰ ἐς τοὺς πατέρας ἔτρεψαν τὴν ὀργήν· οὗτοι γὰρ δὴ καὶ ἠδίκουν. ἀπὸ ταύτης τῆς ζημίας ἀγάλματα ἐποιήθη· καὶ τὸ μὲν ἐν τῷ Ἠλείων ἀνάκειται γυμνασίῳ, τὸ δὲ τῆς Ἄλτεως πρὸ τῆς Ποικίλης στοᾶς καλουμένης, ὅτι ἦσαν ἐπὶ τῶν τοίχων γραφαὶ τὸ ἀρχαῖον. εἰσὶ δʼ οἳ τὴν στοὰν ταύτην καὶ Ἠχοῦς ὀνομάζουσι· βοήσαντι δὲ ἀνδρὶ ἑπτάκις ὑπὸ τῆς ἠχοῦς ἡ φωνή, τὰ δὲ καὶ ἐπὶ πλέον ἔτι ἀποδίδοται.

[18]
παγκρατιαστὴν δέ φασιν Ἀλεξανδρέα, ὄνομα δὲ εἶναί οἱ Σαραπίωνα, τοῦτον ἐν Ὀλυμπιάδι τῇ πρώτῃ μετὰ τὰς διακοσίας ἐς τοσοῦτο δεῖσαι τοὺς ἀνταγωνιστὰς ὥστε ἡμέρᾳ μιᾷ πρότερον ἢ ἐσκληθήσεσθαι τὸ παγκράτιον ἔμελλεν ἀποδράντα οἴχεσθαι. τοῦτον ζημιωθέντα ἐπὶ δειλίᾳ μόνον τῶν τε ἄλλων ἀνθρώπων καὶ αὐτῶν μνημονεύουσιν Αἰγυπτίων. 0
ταῦτα μὲν τὰ κατειλεγμένα ἐπὶ αἰτίαις τοιαῖσδε ποιηθέντα εὕρισκον·

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

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Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 5.21 focus

[1]
From this point my account will proceed to a description of the statues and votive offerings; but I think that it would be wrong to mix up the accounts of them. For whereas on the Athenian Acropolis statues are votive offerings like everything else, in the Altis some things only are dedicated in honor of the gods, and statues are merely part of the prizes awarded to the victors. The statues I will mention later; I will turn first to the votive offerings, and go over the most noteworthy of them.

[2]
As you go to the stadium along the road from the Metroum, there is on the left at the bottom of Mount Cronius a platform of stone, right by the very mountain, with steps through it. By the platform have been set up bronze images of Zeus. These have been made from the fines inflicted on athletes who have wantonly broken the rules of the contests, and they are called Zanes (figures of Zeus) by the natives.

[3] The first, six in number, were set up in the ninety-eighth Olympiad. For Eupolus of Thessaly bribed the boxers who entered the competition, Agenor the Arcadian and Prytanis of Cyzicus , and with them also Phormio of Halicarnassus, who had won at the preceding Festival. This is said to have been the first time that an athlete violated the rules of the games, and the first to be fined by the Eleans were Eupolus and those who accepted bribes from Eupolus. Two of these images are the work of Cleon of Sicyon ; who made the next four I do not know.

[4] Except the third and the fourth these images have elegiac inscriptions on them. The first of the inscriptions is intended to make plain that an Olympic victory is to be won, not by money, but by swiftness of foot and strength of body. The inscription on the second image declares that the image stands to the glory of the deity, through the piety of the Eleans, and to be a terror to law-breaking athletes. The purport of the inscription on the fifth image is praise of the Eleans, especially for their fining the boxers; that of the sixth and last is that the images are a warning to all the Greeks not to give bribes to obtain an Olympic victory.

[5]
Next after Eupolus they say that Callippus of Athens, who had entered for the pentathlum, bought off his fellow-competitors by bribes, and that this offence occurred at tie hundred and twelfth Festival.¹ When the fine had been imposed by the Eleans on Callippus and his antagonists, the Athenians commissioned Hypereides to persuade the Eleans to remit them the fine. The Eleans refused this favour, and the Athenians were disdainful enough not to pay the money and to boycott the Olympic games, until finally the god at Delphi declared that he would deliver no oracle on any matter to the Athenians before they had paid the Eleans the fine.

[6] So when it was paid, images, also six in number, were made in honor of Zeus; on them are inscribed elegiac verses not a whit more elegant than those relating the fine of Eupolus. The gist of the first inscription is that the images were dedicated because the god by an oracle expressed his approval of the Elean decision against the pentathletes; on the second image and likewise on the third are praises of the Eleans for their fining the competitors in the pentathlum.

[7] The fourth purports to say that the contest at Olympia is one of merit and not of wealth; the inscription on the fifth declares the reason for dedicating the images, while that on the sixth commemorates the oracle given to the Athenians by Delphi .

[8]
The images next to those I have enumerated are two in number, and they were dedicated from a fine imposed on wrestlers. As to their names, neither I nor the guides of the Eleans knew them. On these images too are inscriptions; one says that the Rhodians paid money to Olympian Zeus for the wrongdoing of a wrestler; the other that certain men wrestled for bribes and that the image was made from the fines imposed upon them.

[9] The rest of the information about these athletes comes from the guides of the Eleans, who say that it was at the hundred and seventy-eighth Festival that Eudelus accepted a bribe from Philostratus, and that this Philostratus was a Rhodian. This account I found was at variance with the Elean record of Olympic victories. In this record it is stated that Strato of Alexandria at the hundred and seventy-eighth Festival won on the same day the victory in the pancratium and the victory at wrestling. Alexandria on the Canopic mouth of the Nile was founded by Alexander the son of Philip, but it is said that previously there was on the site a small Egyptian town called Racotis.

[10] Three Competitors before the time of this Strato, and three others after him, are known to have received the wild-olive for winning the pancratium and the wrestling: Caprus from Elis itself, and of the Greeks on the other side of the Aegean , Aristomenes of Rhodes and Protophanes of Magnesia on the Lethaeus, were earlier than Strato; after him came Marion his compatriot, Aristeas of Stratoniceia (anciently both land and city were called Chrysaoris ), and the seventh was Nicostratus, from Gilicia on the coast, though he was in no way a Gilician except in name.

[11] This Nicostratus while still a baby was stolen from Prymnessus in Phrygia by robbers, being a child of a noble family. Conveyed to Aegeae he was bought by somebody or other, who some time afterwards dreamed a dream. He thought that a lion's whelp lay beneath the pallet-bed on which Nicostratus was sleeping. Now Nicostratus, when he grew up, won other victories elsewhere, besides in the pancratium and wrestling at Olympia .

[12]
Afterwards others were fined by the Eleans, among whom was an Alexandrian boxer at the two hundred and eighteenth Festival. The name of the man fined was Apollonius, with the surname of Rhantes—it is a sort of national characteristic for Alexandrians to have a surname. This man was the first Egyptian to be convicted by the Eleans of a misdemeanor.

[13] It was not for giving or taking a bribe that he was condemned, but for the following outrageous conduct in connection with the games. He did not arrive by the prescribed time, and the Eleans, if they followed their rule, had no option but to exclude him from the games. For his excuse, that he had been kept back among the Cyclades islands by contrary winds, was proved to be an untruth by Heracleides, himself an Alexandrian by birth. He showed that Apollonius was late because he had been picking up some money at the Ionian games.

[14] In these circumstances the Eleans shut out from the games Apollonius with any other boxer who came after the prescribed time, and let the crown go to Heracleides without a contest. Whereupon Apollonius put on his gloves for a fight, rushed at Heracleides, and began to pummel him, though he had already put the wild-olive on his head and had taken refuge with the umpires. For this light-headed folly he was to pay dearly.

[15] There are also two other images of modern workmanship. For at the two hundred and twenty-sixth Festival they detected that two boxing men, in a fight for victory only, had agreed about the issue for a sum of money. For this misconduct a fine was inflicted, and of the images of Zeus that were made, one stands on the left of the entrance to the stadium and the other on the right. Of the boxers, the one bribed was called Didas, and the briber was Sarapammon. They were from the same district, the newest in Egypt , called Arsinoites.

[16] It is a wonder in any case if a man has so little respect for the god of Olympia as to take or give a bribe in the contests; it is an even greater wonder that one of the Eleans themselves has fallen so low. But it is said that the Elean Damonicus did so fall at the hundred and ninety second Festival. They say that collusion occurred between Polyctor the son of Damonicus and Sosander of Smyrna , of the same name as his father; these were competitors for the wrestling prize of wild-olive. Damonicus, it is alleged, being exceedingly ambitious that his son should win, bribed the father of Sosander.

[17] When the transaction became known, the umpires imposed a fine, but instead of imposing it on the sons they directed their anger against the fathers, for that they were the real sinners. From this fine images were made. One is set up in the Elean gymnasium; the other is in the Altis in front of what is called the Painted Portico, because anciently there were pictures on the walls. Some call this Portico the Echo Portico, because when a man has shouted his voice is repeated by the echo seven or even more times.

[18]
They say that a pancratiast of Alexandria , by name Sarapion, at the two hundred and first Festival, was so afraid of his antagonists that on the day before the pancratium was to be called on he ran away. This is the only occasion on record when any man, not to say a man of Egypt , was fined for cowardice.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 5.21 focus

[1] From this point my account will proceed to a description of the statues and votive offerings; but I think that it would be wrong to mix up the accounts of them. For whereas on the Athenian Acropolis statues are votive offerings like everything else, in the Altis some things only are dedicated in honor of the gods, and statues are merely part of the prizes awarded to the victors. The statues I will mention later; I will turn first to the votive offerings, and go over the most noteworthy of them.

[2] As you go to the stadium along the road from the Mētrōon, there is on the left at the base of the mountain [ oros] named Kronion a platform of stone, right by the very mountain [ oros], with steps through it. By the platform have been set up bronze statues [ agalmata] of Zeus. These have been made from the fines inflicted on athletes who have wantonly broken the rules of the contests, and they are called Zanes [figures of Zeus] by the natives.

[3] The first, six in number, were set up in the ninety-eighth Olympiad. For Eupolos of Thessaly bribed the boxers who entered the competition, Agenor the Arcadian and Prytanis of Kyzikos, and with them also Phormion of Halicarnassus, who had won at the preceding Festival. This is said to have been the first time that an athlete violated the rules of the Games, and the first to be fined by the Eleians were Eupolos and those who accepted bribes from Eupolos. Two of these images are the work of Kleon of Sikyon; who made the next four, I do not know.

[4] Except for the third and the fourth, these images have elegiac inscriptions on them. The first of the inscriptions is intended to make plain that an Olympic victory is to be won, not by money, but by swiftness of foot and strength of body. The inscription on the second image declares that the image stands to the glory of the deity, through the piety of the Eleians, and to be a terror to law-breaking athletes. The purport of the inscription on the fifth image is praise of the Eleians, especially for their fining the boxers; that of the sixth and last is that the images are a warning to all the Greeks not to give bribes to obtain an Olympic victory.

[5] Next after Eupolos they say that Kallippos of Athens, who had entered for the pentathlon, bought off his fellow-competitors by bribes, and that this offence occurred at tie hundred and twelfth Festival. When the fine had been imposed by the Eleians on Kallippos and his antagonists, the Athenians commissioned Hypereides to persuade the Eleians to remit them the fine. The Eleians refused this favor, and the Athenians were disdainful enough not to pay the money and to boycott the Olympic Games, until finally the god at Delphi declared that he would deliver no oracle on any matter to the Athenians before they had paid the Eleians the fine.

[6] So when it was paid, images, also six in number, were made in honor of Zeus; on them are inscribed elegiac verses not a bit more elegant than those relating the fine of Eupolos. The gist of the first inscription is that the images were dedicated because the god by an oracle expressed his approval of the Eleian decision against the pentathletes; on the second image and likewise on the third are praises of the Eleians for their fining the competitors in the pentathlon.

[8] The images next to those I have enumerated are two in number, and they were dedicated from a fine imposed on wrestlers. As to their names, neither I nor the guides of the Eleians knew them. On these images too are inscriptions; one says that the Rhodians paid money to Olympian Zeus for the wrongdoing of a wrestler; the other that certain men wrestled for bribes and that the image was made from the fines imposed upon them.

[9] The rest of the information about these athletes comes from the guides of the Eleians, who say that it was at the hundred and seventy-eighth Festival that Eudelos accepted a bribe from Philostratus, and that this Philostratus was a Rhodian. This account I found was at variance with the Eleian record of Olympic victories. In this record, it is stated that Straton of Alexandria at the hundred and seventy-eighth Festival won on the same day the victory in the pankration and the victory at wrestling. Alexandria on the Canopic mouth of the Nile was founded by Alexander the son of Philip, but it is said that previously there was on the site a small Egyptian town called Rakotis.

[10] Three competitors before the time of this Straton, and three others after him, are known to have received the wild-olive for winning the pankration and the wrestling: Kapros from Elis itself, and of the Greeks on the other side of the Aegean, Aristomenes of Rhodes and Protophanes of Magnesia on the Lethaios, were earlier than Straton; after him came Marion his compatriot, Aristeas of Stratonikia (anciently both land and city were called Khrysaoris), and the seventh was Nikostratos, from Cilicia on the coast, though he was in no way a Cilician except in name.

[11] This Nikostratos while still a baby was stolen from Prymnessus in Phrygia by robbers, being a child of a noble family. Conveyed to Aigeai, he was bought by somebody or other, who some time afterwards dreamed a dream. He thought that a lion’s whelp lay beneath the pallet-bed on which Nikostratos was sleeping. Now Nikostratos, when he grew up, won other victories elsewhere, besides in the pankration and wrestling at Olympia.

[12] Afterwards, others were fined by the Eleians, among whom was an Alexandrian boxer at the two hundred and eighteenth Festival. The name of the man fined was Apollonios, with the surname of Rhantes—it is a sort of national characteristic for Alexandrians to have a surname. This man was the first Egyptian to be convicted by the Eleians of a misdemeanor.

[13] It was not for giving or taking a bribe that he was condemned, but for the following outrageous conduct in connection with the Games. He did not arrive by the prescribed time, and the Eleians, if they followed their rule, had no option but to exclude him from the Games. For his excuse, that he had been kept back among the Cyclades islands by contrary winds, was proved to be an untruth by Hērakleidēs, himself an Alexandrian by birth. He showed that Apollonios was late because he had been picking up some money at the Ionian Games.

[14] In these circumstances, the Eleians shut out from the Games Apollonios with any other boxer who came after the prescribed time, and let the garland go to Hērakleidēs without a contest. Whereupon Apollonios put on his gloves for a fight, rushed at Hērakleidēs, and began to pummel him, though he had already put the wild-olive on his head and had taken refuge with the umpires. For this light-headed folly he was to pay dearly.

[15] There are also two other images of modern workmanship. For at the two hundred and twenty-sixth Festival, they detected that two boxing men, in a fight for victory only, had agreed about the issue for a sum of money. For this misconduct a fine was inflicted, and of the images of Zeus that were made, one stands on the left of the entrance to the stadium and the other on the right. Of the boxers, the one bribed was called Didas, and the briber was Sarapammon. They were from the same district, the newest in Egypt, called Arsinoites.

[16] It is a wonder in any case if a man has so little respect for the god of Olympia as to take or give a bribe in the contests; it is an even greater wonder that one of the Eleians themselves has fallen so low. But it is said that the Eleian Damonikos did so fall at the hundred and ninety second Festival. They say that collusion occurred between Polyktor the son of Damonikos and Sosandros of Smyrna, of the same name as his father; these were competitors for the wrestling prize of wild-olive. Damonikos, it is alleged, being exceedingly ambitious that his son should win, bribed the father of Sosandros.

[17] When the transaction became known, the umpires imposed a fine, but instead of imposing it on the sons, they directed their anger against the fathers, for that they were the real sinners. From this fine, images were made. One is set up in the Eleian gymnasium; the other is in the Altis in front of what is called the Painted Portico, because anciently there were pictures on the walls. Some call this Portico “the Echo Portico,” because when a man has shouted, his voice is repeated by the echo seven or even more times.

[18] They say that a competitor in the pankration, a man from Alexandria by the name of Sarapion, at the two hundred and first Festival, was so afraid of his antagonists that on the day before the pankration was to be called on he ran away. This is the only occasion on record when any man, not to say a man of Egypt, was fined for cowardice.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 5.21

ed. Friedrich Spiro

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